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The Lenaian Festival at Classical Athens in Sociocultural Context. / Karpyuk, S.G.; Kulishova, O.V.

в: ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСТОРИЯ, Том 67, № 1, 2022, стр. 92–101.

Результаты исследований: Научные публикации в периодических изданияхстатьяРецензирование

Harvard

Karpyuk, SG & Kulishova, OV 2022, 'The Lenaian Festival at Classical Athens in Sociocultural Context', ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСТОРИЯ, Том. 67, № 1, стр. 92–101. https://doi.org/10.21638/11701/spbu02.2022.106

APA

Karpyuk, S. G., & Kulishova, O. V. (2022). The Lenaian Festival at Classical Athens in Sociocultural Context. ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСТОРИЯ, 67(1), 92–101. https://doi.org/10.21638/11701/spbu02.2022.106

Vancouver

Karpyuk SG, Kulishova OV. The Lenaian Festival at Classical Athens in Sociocultural Context. ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСТОРИЯ. 2022;67(1):92–101. https://doi.org/10.21638/11701/spbu02.2022.106

Author

Karpyuk, S.G. ; Kulishova, O.V. / The Lenaian Festival at Classical Athens in Sociocultural Context. в: ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСТОРИЯ. 2022 ; Том 67, № 1. стр. 92–101.

BibTeX

@article{58d6620c7a5d4f12aa0a364ec010494a,
title = "The Lenaian Festival at Classical Athens in Sociocultural Context",
abstract = "This article covers the Lenaia (Λήναια) which was an important part of social and political life in Classical Athens. Our understanding of how dramatic agones in Athens were organized primarily comes from the accounts of the Great (City) Dionysia, while other festivals have been studied less thoroughly. The unique nature of the Lenaia manifested itself both in the purely theatrical and in the social aspect of the event. Regarding the leading theatrical genre, tragedy, the Lenaia remained in the shadow of the City Dionysia, playing the role of the “small stage”. The comic agones at the Lenaia, on the other hand, were staged to a very high standard, to which the social aspect further contributed, since the audiences at the Lenaia were much more down-to-earth, animated and active that at the Dionysia. The Lenaia was held during the coldest part of the year. It was precisely in winter when peasants from different parts of Attica, who constituted the majority of the Lenaian audience, were less busy with farming; unlike the Great Dionysia, the Lenaia was not attended by foreigners. The Lenaian festivals were held on a less lavish scale, their organization was entrusted to less significant magistrates, and their performances were much less costly than the Dionysian ones. The Athenians must have considered the Lenaia as a predominantly peasant festival, inaccessible to outsiders. Lenaian performances were but little affected by “political correctness”, their earthy humour at times evolved into biting political satire. All of the above created a special atmosphere that became the background of Aristophanes{\textquoteright} best comedies.",
keywords = "Древняя Греция, Афины, Ленеи, театр, религиозные празднества, Аристофан, Ancient Greece, Athens, Lenaia, theatre, religious festivals, Aristophanes",
author = "S.G. Karpyuk and O.V. Kulishova",
note = "Publisher Copyright: {\textcopyright} St Petersburg State University, 2022",
year = "2022",
doi = "10.21638/11701/spbu02.2022.106",
language = "English",
volume = "67",
pages = "92–101",
journal = "ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСТОРИЯ",
issn = "1812-9323",
publisher = "Издательство Санкт-Петербургского университета",
number = "1",

}

RIS

TY - JOUR

T1 - The Lenaian Festival at Classical Athens in Sociocultural Context

AU - Karpyuk, S.G.

AU - Kulishova, O.V.

N1 - Publisher Copyright: © St Petersburg State University, 2022

PY - 2022

Y1 - 2022

N2 - This article covers the Lenaia (Λήναια) which was an important part of social and political life in Classical Athens. Our understanding of how dramatic agones in Athens were organized primarily comes from the accounts of the Great (City) Dionysia, while other festivals have been studied less thoroughly. The unique nature of the Lenaia manifested itself both in the purely theatrical and in the social aspect of the event. Regarding the leading theatrical genre, tragedy, the Lenaia remained in the shadow of the City Dionysia, playing the role of the “small stage”. The comic agones at the Lenaia, on the other hand, were staged to a very high standard, to which the social aspect further contributed, since the audiences at the Lenaia were much more down-to-earth, animated and active that at the Dionysia. The Lenaia was held during the coldest part of the year. It was precisely in winter when peasants from different parts of Attica, who constituted the majority of the Lenaian audience, were less busy with farming; unlike the Great Dionysia, the Lenaia was not attended by foreigners. The Lenaian festivals were held on a less lavish scale, their organization was entrusted to less significant magistrates, and their performances were much less costly than the Dionysian ones. The Athenians must have considered the Lenaia as a predominantly peasant festival, inaccessible to outsiders. Lenaian performances were but little affected by “political correctness”, their earthy humour at times evolved into biting political satire. All of the above created a special atmosphere that became the background of Aristophanes’ best comedies.

AB - This article covers the Lenaia (Λήναια) which was an important part of social and political life in Classical Athens. Our understanding of how dramatic agones in Athens were organized primarily comes from the accounts of the Great (City) Dionysia, while other festivals have been studied less thoroughly. The unique nature of the Lenaia manifested itself both in the purely theatrical and in the social aspect of the event. Regarding the leading theatrical genre, tragedy, the Lenaia remained in the shadow of the City Dionysia, playing the role of the “small stage”. The comic agones at the Lenaia, on the other hand, were staged to a very high standard, to which the social aspect further contributed, since the audiences at the Lenaia were much more down-to-earth, animated and active that at the Dionysia. The Lenaia was held during the coldest part of the year. It was precisely in winter when peasants from different parts of Attica, who constituted the majority of the Lenaian audience, were less busy with farming; unlike the Great Dionysia, the Lenaia was not attended by foreigners. The Lenaian festivals were held on a less lavish scale, their organization was entrusted to less significant magistrates, and their performances were much less costly than the Dionysian ones. The Athenians must have considered the Lenaia as a predominantly peasant festival, inaccessible to outsiders. Lenaian performances were but little affected by “political correctness”, their earthy humour at times evolved into biting political satire. All of the above created a special atmosphere that became the background of Aristophanes’ best comedies.

KW - Древняя Греция

KW - Афины

KW - Ленеи

KW - театр

KW - религиозные празднества

KW - Аристофан

KW - Ancient Greece

KW - Athens

KW - Lenaia

KW - theatre

KW - religious festivals

KW - Aristophanes

UR - http://vestnik.spbu.ru/html22/s02/s02v1/06.pdf

UR - http://www.scopus.com/inward/record.url?scp=85133360379&partnerID=8YFLogxK

UR - https://www.mendeley.com/catalogue/eaaffd3c-7d30-3599-8ac0-476adede06b5/

U2 - 10.21638/11701/spbu02.2022.106

DO - 10.21638/11701/spbu02.2022.106

M3 - Article

VL - 67

SP - 92

EP - 101

JO - ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСТОРИЯ

JF - ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСТОРИЯ

SN - 1812-9323

IS - 1

ER -

ID: 90387667