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‘LOVE IS WAR’ METAPHOR IN GHAZALS OF AN AFGHAN POET ‘ABD AL-HAMID MOHMAND (DIED APPROX.1732/33). / Pischurnikova, E/P/.

в: Russian Linguistic Bulletin, № 2(10), 2017, стр. 34-37.

Результаты исследований: Научные публикации в периодических изданиях › статья › Рецензирование

Harvard

Pischurnikova, EP 2017, '‘LOVE IS WAR’ METAPHOR IN GHAZALS OF AN AFGHAN POET ‘ABD AL-HAMID MOHMAND (DIED APPROX.1732/33)', Russian Linguistic Bulletin, № 2(10), стр. 34-37.

APA

Pischurnikova, EP. (2017). ‘LOVE IS WAR’ METAPHOR IN GHAZALS OF AN AFGHAN POET ‘ABD AL-HAMID MOHMAND (DIED APPROX.1732/33). Russian Linguistic Bulletin, (2(10)), 34-37.

Vancouver

Pischurnikova EP. ‘LOVE IS WAR’ METAPHOR IN GHAZALS OF AN AFGHAN POET ‘ABD AL-HAMID MOHMAND (DIED APPROX.1732/33). Russian Linguistic Bulletin. 2017;(2(10)):34-37.

Author

Pischurnikova, E/P/. / ‘LOVE IS WAR’ METAPHOR IN GHAZALS OF AN AFGHAN POET ‘ABD AL-HAMID MOHMAND (DIED APPROX.1732/33). в: Russian Linguistic Bulletin. 2017 ; № 2(10). стр. 34-37.

BibTeX

@article{455ad21d43304d37a39f444cfb5502f9,
title = "{\textquoteleft}LOVE IS WAR{\textquoteright} METAPHOR IN GHAZALS OF AN AFGHAN POET {\textquoteleft}ABD AL-HAMID MOHMAND (DIED APPROX.1732/33)",
abstract = "The article analyses the conceptual metaphor {\textquoteleft}love is war{\textquoteright} in the ghazals of {\textquoteleft}Abd al-Hamid Mohmand, an Afghan classical poet of the late 17th-early 18th century, and showcases its versatile manifestations. In poetic tradition this metaphor is utilized to map the source domain of {\textquoteleft}war{\textquoteright} to the sensual and non-empiric target domain of {\textquoteleft}love{\textquoteright}, which means that the relationship between the lyric hero and his Beloved is conceptualized in terms of war or a battle. This conceptual pattern relies on associations to produce a myriad of metaphors where military and love concepts are amazingly intertwined. In Hamid's ghazals {\textquoteleft}love is war{\textquoteright} pattern would imply that it is the lyric hero who is suffering from love. His suffering is meticulously displayed by various situation metaphors. The investigation into the conceptual metaphor {\textquoteleft}love is war{\textquoteright} and its use in Hamid Mohmand's ghazals yields the conclusion that the poet did not develop this metaphoric pattern without any purpose. Jointly, numerous poetic images create Hamid Mohmand's impressive poetic landscape that emerges through metaphorical mapping of the source domain of {\textquoteleft}war{\textquoteright} to the target domain of {\textquoteleft}love{\textquoteright}.",
keywords = "Хамид Моманд, классическая афганская литература, поэзия на пашто, метафора, HAMID MOHMAND, CLASSIC AFGHAN LITERATURE, PASHTO POETRY, METAPHOR",
author = "E/P/ Pischurnikova",
year = "2017",
language = "English",
pages = "34--37",
journal = "Russian Linguistic Bulletin",
issn = "2313-0288",
publisher = "Соколова Марина Владимировна",
number = "2(10)",

}

RIS

TY - JOUR

T1 - ‘LOVE IS WAR’ METAPHOR IN GHAZALS OF AN AFGHAN POET ‘ABD AL-HAMID MOHMAND (DIED APPROX.1732/33)

AU - Pischurnikova, E/P/

PY - 2017

Y1 - 2017

N2 - The article analyses the conceptual metaphor ‘love is war’ in the ghazals of ‘Abd al-Hamid Mohmand, an Afghan classical poet of the late 17th-early 18th century, and showcases its versatile manifestations. In poetic tradition this metaphor is utilized to map the source domain of ‘war’ to the sensual and non-empiric target domain of ‘love’, which means that the relationship between the lyric hero and his Beloved is conceptualized in terms of war or a battle. This conceptual pattern relies on associations to produce a myriad of metaphors where military and love concepts are amazingly intertwined. In Hamid's ghazals ‘love is war’ pattern would imply that it is the lyric hero who is suffering from love. His suffering is meticulously displayed by various situation metaphors. The investigation into the conceptual metaphor ‘love is war’ and its use in Hamid Mohmand's ghazals yields the conclusion that the poet did not develop this metaphoric pattern without any purpose. Jointly, numerous poetic images create Hamid Mohmand's impressive poetic landscape that emerges through metaphorical mapping of the source domain of ‘war’ to the target domain of ‘love’.

AB - The article analyses the conceptual metaphor ‘love is war’ in the ghazals of ‘Abd al-Hamid Mohmand, an Afghan classical poet of the late 17th-early 18th century, and showcases its versatile manifestations. In poetic tradition this metaphor is utilized to map the source domain of ‘war’ to the sensual and non-empiric target domain of ‘love’, which means that the relationship between the lyric hero and his Beloved is conceptualized in terms of war or a battle. This conceptual pattern relies on associations to produce a myriad of metaphors where military and love concepts are amazingly intertwined. In Hamid's ghazals ‘love is war’ pattern would imply that it is the lyric hero who is suffering from love. His suffering is meticulously displayed by various situation metaphors. The investigation into the conceptual metaphor ‘love is war’ and its use in Hamid Mohmand's ghazals yields the conclusion that the poet did not develop this metaphoric pattern without any purpose. Jointly, numerous poetic images create Hamid Mohmand's impressive poetic landscape that emerges through metaphorical mapping of the source domain of ‘war’ to the target domain of ‘love’.

KW - Хамид Моманд, классическая афганская литература, поэзия на пашто, метафора

KW - HAMID MOHMAND

KW - CLASSIC AFGHAN LITERATURE

KW - PASHTO POETRY

KW - METAPHOR

UR - https://www.elibrary.ru/item.asp?id=29367647

UR - http://rulb.org/ru/article/metaforicheskaya-model-lyubov-vojna-v-gazelyax-afganskogo-poeta-abd-al-xamida-momanda-um-ok-173233-g/

M3 - Article

SP - 34

EP - 37

JO - Russian Linguistic Bulletin

JF - Russian Linguistic Bulletin

SN - 2313-0288

IS - 2(10)

ER -

ID: 50904508