Результаты исследований: Публикации в книгах, отчётах, сборниках, трудах конференций › статья в сборнике материалов конференции › научная › Рецензирование
Late Byzantine Architectural Ceramics of Epirus and Macedonia. / Maltseva, Svetlana V.; Zavorina, MAria L.
Second International Conference SMARTART – Art and Science applied. Experience and Vision: Proceedings. Белград : University of Arts in Belgrade, 2022. стр. 37-57.Результаты исследований: Публикации в книгах, отчётах, сборниках, трудах конференций › статья в сборнике материалов конференции › научная › Рецензирование
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TY - GEN
T1 - Late Byzantine Architectural Ceramics of Epirus and Macedonia
AU - Maltseva, Svetlana V.
AU - Zavorina, MAria L.
N1 - Conference code: 2
PY - 2022
Y1 - 2022
N2 - The paper provides an overview of the ceramoplastic architectural décor of the Late Byzantine churches of Epirusand areas influenced by Epirote architectural tradition. The widespecific and iconographic vocabulary of the Epirote decorationincludes a variety of ornaments made of simple bricks and ofspecially cut bricks, inscriptions, facing masonry, immuredglazed vessels, polychrome tiles, and relief icons. Some of theseelements are influenced by the artistic tradition of Italy.In the last decades of the 13th century, due to the migration ofbuilding workshops, the architectural tradition of Epirus spreadto other centers of Palaeologan architecture, particularly toAegean Macedonia – Thessaloniki, Veria, Kastoria, and present–day North Macedonia – Ohrid and Prilep. In each of thesecenters, the set of decorative elements used is different, whichmakes it possible to trace the peculiarities of the assimilation ofthe architectural tradition of Epirus in neighboring regions.
AB - The paper provides an overview of the ceramoplastic architectural décor of the Late Byzantine churches of Epirusand areas influenced by Epirote architectural tradition. The widespecific and iconographic vocabulary of the Epirote decorationincludes a variety of ornaments made of simple bricks and ofspecially cut bricks, inscriptions, facing masonry, immuredglazed vessels, polychrome tiles, and relief icons. Some of theseelements are influenced by the artistic tradition of Italy.In the last decades of the 13th century, due to the migration ofbuilding workshops, the architectural tradition of Epirus spreadto other centers of Palaeologan architecture, particularly toAegean Macedonia – Thessaloniki, Veria, Kastoria, and present–day North Macedonia – Ohrid and Prilep. In each of thesecenters, the set of decorative elements used is different, whichmakes it possible to trace the peculiarities of the assimilation ofthe architectural tradition of Epirus in neighboring regions.
M3 - Conference contribution
SP - 37
EP - 57
BT - Second International Conference SMARTART – Art and Science applied. Experience and Vision
PB - University of Arts in Belgrade
CY - Белград
Y2 - 23 September 2021 through 25 September 2021
ER -
ID: 98120524