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Late Byzantine Architectural Ceramics of Epirus and Macedonia. / Maltseva, Svetlana V.; Zavorina, MAria L.

Second International Conference SMARTART – Art and Science applied. Experience and Vision: Proceedings. Белград : University of Arts in Belgrade, 2022. p. 37-57.

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › Research › peer-review

Harvard

Maltseva, SV & Zavorina, MAL 2022, Late Byzantine Architectural Ceramics of Epirus and Macedonia. in Second International Conference SMARTART – Art and Science applied. Experience and Vision: Proceedings. University of Arts in Belgrade, Белград, pp. 37-57, Second International Conference SMARTART , Белград, Serbia, 23/09/21.

APA

Maltseva, S. V., & Zavorina, MA. L. (2022). Late Byzantine Architectural Ceramics of Epirus and Macedonia. In Second International Conference SMARTART – Art and Science applied. Experience and Vision: Proceedings (pp. 37-57). University of Arts in Belgrade.

Vancouver

Maltseva SV, Zavorina MAL. Late Byzantine Architectural Ceramics of Epirus and Macedonia. In Second International Conference SMARTART – Art and Science applied. Experience and Vision: Proceedings. Белград: University of Arts in Belgrade. 2022. p. 37-57

Author

Maltseva, Svetlana V. ; Zavorina, MAria L. / Late Byzantine Architectural Ceramics of Epirus and Macedonia. Second International Conference SMARTART – Art and Science applied. Experience and Vision: Proceedings. Белград : University of Arts in Belgrade, 2022. pp. 37-57

BibTeX

@inproceedings{e76671838f95413c92532d96b1a0d17e,
title = "Late Byzantine Architectural Ceramics of Epirus and Macedonia",
abstract = "The paper provides an overview of the ceramoplastic architectural d{\'e}cor of the Late Byzantine churches of Epirusand areas influenced by Epirote architectural tradition. The widespecific and iconographic vocabulary of the Epirote decorationincludes a variety of ornaments made of simple bricks and ofspecially cut bricks, inscriptions, facing masonry, immuredglazed vessels, polychrome tiles, and relief icons. Some of theseelements are influenced by the artistic tradition of Italy.In the last decades of the 13th century, due to the migration ofbuilding workshops, the architectural tradition of Epirus spreadto other centers of Palaeologan architecture, particularly toAegean Macedonia – Thessaloniki, Veria, Kastoria, and present–day North Macedonia – Ohrid and Prilep. In each of thesecenters, the set of decorative elements used is different, whichmakes it possible to trace the peculiarities of the assimilation ofthe architectural tradition of Epirus in neighboring regions. ",
author = "Maltseva, {Svetlana V.} and Zavorina, {MAria L.}",
year = "2022",
language = "English",
pages = "37--57",
booktitle = "Second International Conference SMARTART – Art and Science applied. Experience and Vision",
publisher = "University of Arts in Belgrade",
address = "Serbia",
note = "null ; Conference date: 23-09-2021 Through 25-09-2021",
url = "https://smartart-conference.rs/wp-content/uploads/2021/09/Program-SmartArt-2021.pdf",

}

RIS

TY - GEN

T1 - Late Byzantine Architectural Ceramics of Epirus and Macedonia

AU - Maltseva, Svetlana V.

AU - Zavorina, MAria L.

N1 - Conference code: 2

PY - 2022

Y1 - 2022

N2 - The paper provides an overview of the ceramoplastic architectural décor of the Late Byzantine churches of Epirusand areas influenced by Epirote architectural tradition. The widespecific and iconographic vocabulary of the Epirote decorationincludes a variety of ornaments made of simple bricks and ofspecially cut bricks, inscriptions, facing masonry, immuredglazed vessels, polychrome tiles, and relief icons. Some of theseelements are influenced by the artistic tradition of Italy.In the last decades of the 13th century, due to the migration ofbuilding workshops, the architectural tradition of Epirus spreadto other centers of Palaeologan architecture, particularly toAegean Macedonia – Thessaloniki, Veria, Kastoria, and present–day North Macedonia – Ohrid and Prilep. In each of thesecenters, the set of decorative elements used is different, whichmakes it possible to trace the peculiarities of the assimilation ofthe architectural tradition of Epirus in neighboring regions.

AB - The paper provides an overview of the ceramoplastic architectural décor of the Late Byzantine churches of Epirusand areas influenced by Epirote architectural tradition. The widespecific and iconographic vocabulary of the Epirote decorationincludes a variety of ornaments made of simple bricks and ofspecially cut bricks, inscriptions, facing masonry, immuredglazed vessels, polychrome tiles, and relief icons. Some of theseelements are influenced by the artistic tradition of Italy.In the last decades of the 13th century, due to the migration ofbuilding workshops, the architectural tradition of Epirus spreadto other centers of Palaeologan architecture, particularly toAegean Macedonia – Thessaloniki, Veria, Kastoria, and present–day North Macedonia – Ohrid and Prilep. In each of thesecenters, the set of decorative elements used is different, whichmakes it possible to trace the peculiarities of the assimilation ofthe architectural tradition of Epirus in neighboring regions.

M3 - Conference contribution

SP - 37

EP - 57

BT - Second International Conference SMARTART – Art and Science applied. Experience and Vision

PB - University of Arts in Belgrade

CY - Белград

Y2 - 23 September 2021 through 25 September 2021

ER -

ID: 98120524