Purpose: This research is aimed at an enquiry into whether it is possible in an analysis of an artistic creative process to use a model, major components (sub-processes) of which include a problem statement, emotional arousal, generating, objectification and evaluating. Methods/Analysis: The research methodological framework includes a communicative approach. It involves comprehension of creative sub-processes using a communication analysis that takes place in a team, members of which are engaged in solving an intellectually demanding task. The evidence-based framework for the paper included the data gathered with a method of a semi-structured interview in time of field research. Their object included four art communities that in an urban environment (e.g. Moscow, Saint Petersburg) had brought together more than thirty artists, working in various genres of the contemporary art. Results: The findings presented in the paper describe the sub-processes of objectification and emotional arousal in an individual and team creative work of artists, as well as understanding a role performed by communication in each process performance. Novelty/Improvements: Firstly, the research novelty lies in the model of the creative process used for the artwork analysis; the model was elaborated in the field of invention. Second, it lies in a description of the relationship between communication and creativity in the artwork of the artists clustered into art communities. Third, it lies in the identified "material" form of objectification in the artistic creative process.