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When was the pythian nome performed? / Almazova, N.

в: Hyperboreus, Том 20, № 1-2, 2014, стр. 56-91.

Результаты исследований: Научные публикации в периодических изданияхстатья

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Almazova N. When was the pythian nome performed? Hyperboreus. 2014;20(1-2):56-91.

Author

Almazova, N. / When was the pythian nome performed?. в: Hyperboreus. 2014 ; Том 20, № 1-2. стр. 56-91.

BibTeX

@article{4adb5fd290db4c59b273cdb261774afe,
title = "When was the pythian nome performed?",
abstract = "According to Strabo, the Pythian nome, which depicted Apollo's victory over Python, formed the program of auletic and citharistic contests from their introduction at the Pythian Games (586 and 558 BC respectively). Yet interpreting any solo Pythian victory as proof of performing a Pythian nome is unfounded. The existence of the vocal, citharodic Pythian nome is not well evidenced. For instrumentalists it was likely only obligatory at the beginning. In 12 of 17 known cases we are not aware what the Pythian winners played, and in two cases (in the early 5th and in the 4th century BC) other nomes were performed at the Pythian contests. A hypothesis that the program was divided into compulsory and optional cannot be proven; rather an agonistic occasion stimulated gradual loss of ritual character of the pieces performed and the acquiring of more variety, whereas musical representation of a dragon-fight was probably transferred from the agonistic to the cult program of the festival. References to the Pythian nome a",
author = "N. Almazova",
year = "2014",
language = "English",
volume = "20",
pages = "56--91",
journal = "Hyperboreus",
issn = "0949-2615",
publisher = "Bibliotheca classica Petropolitana",
number = "1-2",

}

RIS

TY - JOUR

T1 - When was the pythian nome performed?

AU - Almazova, N.

PY - 2014

Y1 - 2014

N2 - According to Strabo, the Pythian nome, which depicted Apollo's victory over Python, formed the program of auletic and citharistic contests from their introduction at the Pythian Games (586 and 558 BC respectively). Yet interpreting any solo Pythian victory as proof of performing a Pythian nome is unfounded. The existence of the vocal, citharodic Pythian nome is not well evidenced. For instrumentalists it was likely only obligatory at the beginning. In 12 of 17 known cases we are not aware what the Pythian winners played, and in two cases (in the early 5th and in the 4th century BC) other nomes were performed at the Pythian contests. A hypothesis that the program was divided into compulsory and optional cannot be proven; rather an agonistic occasion stimulated gradual loss of ritual character of the pieces performed and the acquiring of more variety, whereas musical representation of a dragon-fight was probably transferred from the agonistic to the cult program of the festival. References to the Pythian nome a

AB - According to Strabo, the Pythian nome, which depicted Apollo's victory over Python, formed the program of auletic and citharistic contests from their introduction at the Pythian Games (586 and 558 BC respectively). Yet interpreting any solo Pythian victory as proof of performing a Pythian nome is unfounded. The existence of the vocal, citharodic Pythian nome is not well evidenced. For instrumentalists it was likely only obligatory at the beginning. In 12 of 17 known cases we are not aware what the Pythian winners played, and in two cases (in the early 5th and in the 4th century BC) other nomes were performed at the Pythian contests. A hypothesis that the program was divided into compulsory and optional cannot be proven; rather an agonistic occasion stimulated gradual loss of ritual character of the pieces performed and the acquiring of more variety, whereas musical representation of a dragon-fight was probably transferred from the agonistic to the cult program of the festival. References to the Pythian nome a

M3 - Article

VL - 20

SP - 56

EP - 91

JO - Hyperboreus

JF - Hyperboreus

SN - 0949-2615

IS - 1-2

ER -

ID: 7055735