TY - JOUR

T1 - The image of the censor in a magazine caricature of Russia XIX - early XX century

AU - Sonina, Elena S.

PY - 2016/3/21

Y1 - 2016/3/21

N2 - Based on a study of 17 thin illustrated humorous and satirical magazines and a number of several digests the author investigates about 30 cartoons of 1847-1917 years dedicated to the censor of the Russian Empire (in addition, selectively - censors France, Germany, Denmark and Sweden). The author isolates the main types depicted censors. More often the Russian censors were depicted in the form of an old woman, a functionary, in the form of "pointing finger" with the amplification means at hand - A red pencil, scissors and paint. The censor's appearance transformed especially during the First Russian Revolution. The author analyzes the cartoons with a life-like portraits and abstract images of those who are professionally limited the freedom of the press. The censorship conditions (e.g. an urgency of the work or a depending on the political situation in the country) are demonstrated. All of the examples noted the prevailing negative connotations of satirical images. Of the 30 cartoons only one picture presents a censor helping writers to pass a difficult way to the Temple of Literature (1847). All other images highlight of obstructive censor's labor. It was difficult to publish a caricature of censorship and censorship. The article presents facts from the Russian State Historical Archive about mass prohibition satirical images. Painters invented the different tricks against the vigilant guards, but it did not help. At the end of the article author makes a conclusion about the inevitability of a small number of published satirical drawings by virtue of censorship illustrated periodicals.

AB - Based on a study of 17 thin illustrated humorous and satirical magazines and a number of several digests the author investigates about 30 cartoons of 1847-1917 years dedicated to the censor of the Russian Empire (in addition, selectively - censors France, Germany, Denmark and Sweden). The author isolates the main types depicted censors. More often the Russian censors were depicted in the form of an old woman, a functionary, in the form of "pointing finger" with the amplification means at hand - A red pencil, scissors and paint. The censor's appearance transformed especially during the First Russian Revolution. The author analyzes the cartoons with a life-like portraits and abstract images of those who are professionally limited the freedom of the press. The censorship conditions (e.g. an urgency of the work or a depending on the political situation in the country) are demonstrated. All of the examples noted the prevailing negative connotations of satirical images. Of the 30 cartoons only one picture presents a censor helping writers to pass a difficult way to the Temple of Literature (1847). All other images highlight of obstructive censor's labor. It was difficult to publish a caricature of censorship and censorship. The article presents facts from the Russian State Historical Archive about mass prohibition satirical images. Painters invented the different tricks against the vigilant guards, but it did not help. At the end of the article author makes a conclusion about the inevitability of a small number of published satirical drawings by virtue of censorship illustrated periodicals.

KW - Cartoon

KW - Cartoonist

KW - Censor's image

KW - Censorship

KW - Magazine pre-revolutionary Russia

UR - http://www.scopus.com/inward/record.url?scp=84962018737&partnerID=8YFLogxK

M3 - статья

AN - SCOPUS:84962018737

VL - 39

SP - 97

EP - 108

JO - БЫЛЫЕ ГОДЫ. РОССИЙСКИЙ ИСТОРИЧЕСКИЙ ЖУРНАЛ

JF - БЫЛЫЕ ГОДЫ. РОССИЙСКИЙ ИСТОРИЧЕСКИЙ ЖУРНАЛ

SN - 2073-9745

IS - 1

ER -