TY - JOUR

T1 - Reconstruction of Monumental Painting of the Church on Nereditsa Hill in the City Novgorod the Great: Methodology of Painting and Virtual Reconstruction Combination

AU - Laska, Tatyana V.

AU - Tcymbal, Irina V.

AU - Petrova, Yulia A.

AU - Golubkov, Sergey V.

PY - 2012

Y1 - 2012

N2 - There are many architectural monuments that cannot be restored due to different reasons, such as difficulty and complexity of the work or lack of information about the object. Saint-Petersburg State University developed a method of restoration of partially or completely lost monumental paintings. New methodology was applied to fresco paintings of the Church Spas-na-Nereditse in the city Novgorod the Great, which were almost completely destroyed during the Second World War. The extant parts consist of 325,000 pieces and its manual restoration is still very far from completion. In the process of virtual reconstruction researchers have used two methods: computer-based reconstruction and analog pictorial reconstruction. The first method provides plausibility, whereas the second method helps us to simulate the ancient process of painting, to convey the artist’s style, reproduce the form, direction and strength of the artist’s touch. The methodology may open new possibilities for the restoration of other fresco ens

AB - There are many architectural monuments that cannot be restored due to different reasons, such as difficulty and complexity of the work or lack of information about the object. Saint-Petersburg State University developed a method of restoration of partially or completely lost monumental paintings. New methodology was applied to fresco paintings of the Church Spas-na-Nereditse in the city Novgorod the Great, which were almost completely destroyed during the Second World War. The extant parts consist of 325,000 pieces and its manual restoration is still very far from completion. In the process of virtual reconstruction researchers have used two methods: computer-based reconstruction and analog pictorial reconstruction. The first method provides plausibility, whereas the second method helps us to simulate the ancient process of painting, to convey the artist’s style, reproduce the form, direction and strength of the artist’s touch. The methodology may open new possibilities for the restoration of other fresco ens

KW - virtual

KW - reconstruction

KW - restoration

KW - monumental

KW - painting

KW - architectural

KW - cultural

KW - heritage

U2 - 10.1007/978-3-642-34234-9_53

DO - 10.1007/978-3-642-34234-9_53

M3 - Article

VL - 7616 LNCS

SP - 900, С.513-524

JO - Lecture Notes in Computer Science

JF - Lecture Notes in Computer Science

SN - 0302-9743

ER -