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"New British sculpture" and the Russian art context. / Kotlomanov, A. O.

в: Vestnik Sankt-Peterburgskogo Universiteta, Iskusstvovedenie, Том 6, № 3, 2016, стр. 38-48.

Результаты исследований: Научные публикации в периодических изданиях › Обзорная статья › Рецензирование

Harvard

Kotlomanov, AO 2016, '"New British sculpture" and the Russian art context', Vestnik Sankt-Peterburgskogo Universiteta, Iskusstvovedenie, Том. 6, № 3, стр. 38-48. https://doi.org/10.21638/11701/spbu15.2016.303

APA

Kotlomanov, A. O. (2016). "New British sculpture" and the Russian art context. Vestnik Sankt-Peterburgskogo Universiteta, Iskusstvovedenie, 6(3), 38-48. https://doi.org/10.21638/11701/spbu15.2016.303

Vancouver

Kotlomanov AO. "New British sculpture" and the Russian art context. Vestnik Sankt-Peterburgskogo Universiteta, Iskusstvovedenie. 2016;6(3):38-48. https://doi.org/10.21638/11701/spbu15.2016.303

Author

Kotlomanov, A. O. / "New British sculpture" and the Russian art context. в: Vestnik Sankt-Peterburgskogo Universiteta, Iskusstvovedenie. 2016 ; Том 6, № 3. стр. 38-48.

BibTeX

@article{cf17fd99300a4fddadca5ba2425217d2,
title = "{"}New British sculpture{"} and the Russian art context",
abstract = "The article examines the works of leading representatives of the {"}New British Sculpture{"} Tony Cragg and Antony Gormley. The relevance of the text is related to Tony Cragg's recent retrospective at the Hermitage Museum. Also it reviews the circumstances of realizing the 2011 exhibition project of Antony Gormley at the Hermitage. The problem is founded on the study of the practice of contemporary sculpture of the last thirty years. The author discusses the relationship of art and design and the role of the financial factors in contemporary art culture. The text is provided with examples of individual theoretical and self-critical statements of Tony Cragg and Antony Gormley. It makes a comparison of the Western European art context and Russian tendencies in this field as parallel trends of creative thinking. Final conclusions formulate the need to revise the criteria of art theory and art criticism from the point of recognition of new commercial art and to determine its role in the culture of our time. Refs 5. Figs 7.",
keywords = "Antony Gormley, Contemporary art, Contemporary sculpture, Hermitage, New British Sculpture, Tony Cragg",
author = "Kotlomanov, {A. O.}",
year = "2016",
doi = "10.21638/11701/spbu15.2016.303",
language = "English",
volume = "6",
pages = "38--48",
journal = " ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСКУССТВОВЕДЕНИЕ",
issn = "2221-3007",
publisher = "Издательство Санкт-Петербургского университета",
number = "3",

}

RIS

TY - JOUR

T1 - "New British sculpture" and the Russian art context

AU - Kotlomanov, A. O.

PY - 2016

Y1 - 2016

N2 - The article examines the works of leading representatives of the "New British Sculpture" Tony Cragg and Antony Gormley. The relevance of the text is related to Tony Cragg's recent retrospective at the Hermitage Museum. Also it reviews the circumstances of realizing the 2011 exhibition project of Antony Gormley at the Hermitage. The problem is founded on the study of the practice of contemporary sculpture of the last thirty years. The author discusses the relationship of art and design and the role of the financial factors in contemporary art culture. The text is provided with examples of individual theoretical and self-critical statements of Tony Cragg and Antony Gormley. It makes a comparison of the Western European art context and Russian tendencies in this field as parallel trends of creative thinking. Final conclusions formulate the need to revise the criteria of art theory and art criticism from the point of recognition of new commercial art and to determine its role in the culture of our time. Refs 5. Figs 7.

AB - The article examines the works of leading representatives of the "New British Sculpture" Tony Cragg and Antony Gormley. The relevance of the text is related to Tony Cragg's recent retrospective at the Hermitage Museum. Also it reviews the circumstances of realizing the 2011 exhibition project of Antony Gormley at the Hermitage. The problem is founded on the study of the practice of contemporary sculpture of the last thirty years. The author discusses the relationship of art and design and the role of the financial factors in contemporary art culture. The text is provided with examples of individual theoretical and self-critical statements of Tony Cragg and Antony Gormley. It makes a comparison of the Western European art context and Russian tendencies in this field as parallel trends of creative thinking. Final conclusions formulate the need to revise the criteria of art theory and art criticism from the point of recognition of new commercial art and to determine its role in the culture of our time. Refs 5. Figs 7.

KW - Antony Gormley

KW - Contemporary art

KW - Contemporary sculpture

KW - Hermitage

KW - New British Sculpture

KW - Tony Cragg

UR - http://www.scopus.com/inward/record.url?scp=85034858041&partnerID=8YFLogxK

U2 - 10.21638/11701/spbu15.2016.303

DO - 10.21638/11701/spbu15.2016.303

M3 - Review article

AN - SCOPUS:85034858041

VL - 6

SP - 38

EP - 48

JO - ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСКУССТВОВЕДЕНИЕ

JF - ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСКУССТВОВЕДЕНИЕ

SN - 2221-3007

IS - 3

ER -

ID: 11350281