TY - JOUR

T1 - «La Revue Blanche»

T2 - история иллюстрирования

AU - Klyushina, E. V.

AU - Glinternik, E. M.

N1 - Funding Information: Elena V. Klyushina — PhD in Arts; elena.klyushina@gmail.com Eleonora M.Glinternik — Dr. Habil. in Arts, Professor; e.glinternik@spbu.ru * The study was carried out within the framework of the grant from St. Petersburg State University HUM_2020-2 “Illustrated periodicals in the socio-cultural context of the 19th – 21st centuries: domestic and foreign experience (culture, art, design, media)”. Project ID 53364090. Publisher Copyright: © 2021 Saint Petersburg State University. All rights reserved.

PY - 2021

Y1 - 2021

N2 - The article reconstructs the illustrating history of “La Revue Blanche”, the leading French literary and artistic magazine of the fin de siècle epoch. Leaving out the analysis of literary content, the authors considers the petite revue through the prism of its most significant artistic achievements. In order to achieve this goal, a rather wide range of graphic artists who collaborated with “La Revue Blanche” at one time or another is outlined, and the conditional genre ranking of engravings published and distributed with the help of the journal is carried out. Based on the data obtained, a periodization of the short history of “La Revue Blanche” illustrating is proposed. The article attaches great importance to the stylistic and iconographic analysis of individual artworks. In the case of the ones by Vuillard, Roussel, and Bonnard, it is possible to put forward new semantic interpretations and emphasize the confessional nature of the prints created by the masters for the design of the journal’s frontispiece. In the article significant attention is given to the history of introducing the practice of publishing graphic literary portraits by Vallotton in “La Revue Blanche”, which at some point are forced to take on the utilitarian function of vignettes. Equally important is the review of the publication history of the independent illustrated supplement “NIB”, which, as is well known, has only had three issues. The authors see in “NIB”, at the same time, an artistic reincarnation of fumiste chatnoiresque satire, clearly close to Toulouse-Lautrec, Valloton and Bonnard, and a graphic revealing of the internal philosophical and aesthetic conflict that existed within the Nabis art group. In addition, the authors also describe the features of the Nathanson brothers’ publishing activity, emphasizing the direct dependence of the content of published products on the owners’ tastes.

AB - The article reconstructs the illustrating history of “La Revue Blanche”, the leading French literary and artistic magazine of the fin de siècle epoch. Leaving out the analysis of literary content, the authors considers the petite revue through the prism of its most significant artistic achievements. In order to achieve this goal, a rather wide range of graphic artists who collaborated with “La Revue Blanche” at one time or another is outlined, and the conditional genre ranking of engravings published and distributed with the help of the journal is carried out. Based on the data obtained, a periodization of the short history of “La Revue Blanche” illustrating is proposed. The article attaches great importance to the stylistic and iconographic analysis of individual artworks. In the case of the ones by Vuillard, Roussel, and Bonnard, it is possible to put forward new semantic interpretations and emphasize the confessional nature of the prints created by the masters for the design of the journal’s frontispiece. In the article significant attention is given to the history of introducing the practice of publishing graphic literary portraits by Vallotton in “La Revue Blanche”, which at some point are forced to take on the utilitarian function of vignettes. Equally important is the review of the publication history of the independent illustrated supplement “NIB”, which, as is well known, has only had three issues. The authors see in “NIB”, at the same time, an artistic reincarnation of fumiste chatnoiresque satire, clearly close to Toulouse-Lautrec, Valloton and Bonnard, and a graphic revealing of the internal philosophical and aesthetic conflict that existed within the Nabis art group. In addition, the authors also describe the features of the Nathanson brothers’ publishing activity, emphasizing the direct dependence of the content of published products on the owners’ tastes.

KW - Bonnard

KW - Fin de siècle

KW - History of illustrating

KW - Illustrated magazine

KW - Nabis

KW - Natanson

KW - Revue Blanche

KW - Toulouse-Lautrec

KW - Vallotton

KW - Vuiallard

KW - Bonnard

KW - Nabis

KW - Natanson

KW - Revue Blanche

KW - Toulouse-Lautrec

KW - Vallotton

KW - Vuiallard

KW - fin de siecle

KW - history of illustrating

KW - illustrated magazine

KW - Illustrated magazine

KW - History of illustrating

KW - Fin de siècle

UR - http://www.scopus.com/inward/record.url?scp=85104557370&partnerID=8YFLogxK

UR - https://www.mendeley.com/catalogue/6d7664e1-0e55-3d34-8756-39376676ce5a/

U2 - 10.21638/SPBU15.2021.108

DO - 10.21638/SPBU15.2021.108

M3 - Обзорная статья

AN - SCOPUS:85104557370

VL - 11

SP - 127

EP - 149

JO - ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСКУССТВОВЕДЕНИЕ

JF - ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСКУССТВОВЕДЕНИЕ

SN - 2221-3007

IS - 1

ER -