La imagen errante: Jules-Félix Grandjouan, anarquismo y antimilitarismo transatlántico a inicios del siglo XX

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La imagen errante: Jules-Félix Grandjouan, anarquismo y antimilitarismo transatlántico a inicios del siglo XX. / Веласкес Сабогаль, Поль Марсело.

в: Calle 14, Том 17, № 32, 1, 22.07.2022, стр. 237-253.

Результаты исследований: Научные публикации в периодических изданиях › статья › Рецензирование

BibTeX

@article{570dccffd87c4ae6974ddd9fe7932d47,

title = "La imagen errante: Jules-F{\'e}lix Grandjouan, anarquismo y antimilitarismo transatl{\'a}ntico a inicios del siglo XX",

abstract = "This article is devoted to the journey of an antimilitarist lithograph by Jules-Felix Grandjouan at the beginning of the 20th century through anarchist groups and publications in Paris, Stockholm, and Buenos Aires. By analyzing the six versions of this work, the specificities of a transboundary and transtemporal visual interchange based on strategies of appropriation and resignification are elucidated. The characterization of these processes is discussed in light of the historical particularities of the anarchist movement and its aesthetic theory. The study of first-hand graphic sources allows reconstructing an unseen case of iconographic migration in anarchist magazine culture and restituting the isolated figure of the aforementioned artist. In sum, a new perspective on an under-researched aspect of the relation between art and anarchism is provided.",

author = "{Веласкес Сабогаль}, {Поль Марсело}",

year = "2022",

month = jul,

day = "22",

doi = "10.14483/21450706.19620",

language = "испанский",

volume = "17",

pages = "237--253",

journal = "Calle 14 revista de investigaci{\'o}n en el campo del arte",

issn = "2011-3757",

number = "32",

}

RIS

TY - JOUR

T1 - La imagen errante: Jules-Félix Grandjouan, anarquismo y antimilitarismo transatlántico a inicios del siglo XX

AU - Веласкес Сабогаль, Поль Марсело

PY - 2022/7/22

Y1 - 2022/7/22

N2 - This article is devoted to the journey of an antimilitarist lithograph by Jules-Felix Grandjouan at the beginning of the 20th century through anarchist groups and publications in Paris, Stockholm, and Buenos Aires. By analyzing the six versions of this work, the specificities of a transboundary and transtemporal visual interchange based on strategies of appropriation and resignification are elucidated. The characterization of these processes is discussed in light of the historical particularities of the anarchist movement and its aesthetic theory. The study of first-hand graphic sources allows reconstructing an unseen case of iconographic migration in anarchist magazine culture and restituting the isolated figure of the aforementioned artist. In sum, a new perspective on an under-researched aspect of the relation between art and anarchism is provided.

AB - This article is devoted to the journey of an antimilitarist lithograph by Jules-Felix Grandjouan at the beginning of the 20th century through anarchist groups and publications in Paris, Stockholm, and Buenos Aires. By analyzing the six versions of this work, the specificities of a transboundary and transtemporal visual interchange based on strategies of appropriation and resignification are elucidated. The characterization of these processes is discussed in light of the historical particularities of the anarchist movement and its aesthetic theory. The study of first-hand graphic sources allows reconstructing an unseen case of iconographic migration in anarchist magazine culture and restituting the isolated figure of the aforementioned artist. In sum, a new perspective on an under-researched aspect of the relation between art and anarchism is provided.

UR - https://www.mendeley.com/catalogue/e2df2a25-782a-35c9-82f6-67f02f9ba2ed/

U2 - 10.14483/21450706.19620

DO - 10.14483/21450706.19620

M3 - статья

VL - 17

SP - 237

EP - 253

JO - Calle 14 revista de investigación en el campo del arte

JF - Calle 14 revista de investigación en el campo del arte

SN - 2011-3757

IS - 32

M1 - 1

ER -

ID: 97676820