TY - JOUR

T1 - JAPAN AND JAPANESE REMINISCENCES IN THE COLLECTION BY RICHARD G. BRAUTIGAN “JUNE 30TH, JUNE 30TH”

AU - Khronopulo, Liala Yu.

N1 - Khronopulo, L. Yu. (2022). Japan and Japanese Reminiscences in the Collection by Richard G. Brautigan “June 30th, June 30th”. In Philological Class. Vol. 27. No. 4, pp. 171–180. DOI: 10.51762/1FK-2022-27-04-15.

PY - 2022

Y1 - 2022

N2 - Richard Gary Brautigan (1935–1984) was an American postmodern writer and poet popular in Japan, whose creative activity was greatly influenced by Japanese literature and culture. His prose works, inspired by travels to Japan, are: “Sombrero Fallout: A Japanese Novel”, and a collection of 131 very short stories, “The Tokyo–Montana Express”. In May and June of 1976, during his first trip to Japan, Brautigan created a cycle of seventy-seven poems in prose dedicated to this journey – “June 30th, June 30th”, in the introduction to which heexplained the emergence of interest in Japanese culture by how he had felt as a child about a relative who had participated in World War II. This paper examines the images of Japan that push the poet towards introspection and reflection and can be metaphorically understood as a travel inside one’s own self, as a way to self-awareness.Themes, ideas, artistic devices and literary techniques, allusions to Japanese poetry, as well as the influence of Zen Buddhism and haibun literary form on Brautigan’s poetic experiments are analyzed. The writer’s poems of the Japanese cycle are discussed with regard to the references in his work to Japanese medieval literature, the aesthetics of which he combines with postmodern tendencies. The postmodern image of the lyrical character, who acutely feels his loneliness, comes to the forefront; for him, Japan for the first time shifts from the realm of fantasy to the realm of actual experience, which pushes the poet towards introspection. Postmodernism in this collection of poetry is manifested in the fact that the personality of the protagonist is a reflective project, and theimages of Japan are depicted as catalysts for this reflection. The collection is characterized by such techniques as intertextuality; fragmentation; removal of boundaries between reality and illusion; irony, allegory, symbolism of images, and use of hybrid genres. At the same time, allusions to Japanese literature are in the diary structure (a travel journal) of the poetry collection, partly reminiscent of haibun, partly – of zuihitsu; as well as in references to a number of traditional images from haiku by poets Bashō Matsuo and Kobayashi Issa (a frog, a crow, a dewdrop world), which sometimes acquire new interpretations from Brautigan.

AB - Richard Gary Brautigan (1935–1984) was an American postmodern writer and poet popular in Japan, whose creative activity was greatly influenced by Japanese literature and culture. His prose works, inspired by travels to Japan, are: “Sombrero Fallout: A Japanese Novel”, and a collection of 131 very short stories, “The Tokyo–Montana Express”. In May and June of 1976, during his first trip to Japan, Brautigan created a cycle of seventy-seven poems in prose dedicated to this journey – “June 30th, June 30th”, in the introduction to which heexplained the emergence of interest in Japanese culture by how he had felt as a child about a relative who had participated in World War II. This paper examines the images of Japan that push the poet towards introspection and reflection and can be metaphorically understood as a travel inside one’s own self, as a way to self-awareness.Themes, ideas, artistic devices and literary techniques, allusions to Japanese poetry, as well as the influence of Zen Buddhism and haibun literary form on Brautigan’s poetic experiments are analyzed. The writer’s poems of the Japanese cycle are discussed with regard to the references in his work to Japanese medieval literature, the aesthetics of which he combines with postmodern tendencies. The postmodern image of the lyrical character, who acutely feels his loneliness, comes to the forefront; for him, Japan for the first time shifts from the realm of fantasy to the realm of actual experience, which pushes the poet towards introspection. Postmodernism in this collection of poetry is manifested in the fact that the personality of the protagonist is a reflective project, and theimages of Japan are depicted as catalysts for this reflection. The collection is characterized by such techniques as intertextuality; fragmentation; removal of boundaries between reality and illusion; irony, allegory, symbolism of images, and use of hybrid genres. At the same time, allusions to Japanese literature are in the diary structure (a travel journal) of the poetry collection, partly reminiscent of haibun, partly – of zuihitsu; as well as in references to a number of traditional images from haiku by poets Bashō Matsuo and Kobayashi Issa (a frog, a crow, a dewdrop world), which sometimes acquire new interpretations from Brautigan.

KW - American literature

KW - American writers

KW - literary creative activity

KW - literary genres

KW - literary plots

KW - literary images

KW - allusions

KW - JAPANESE LITERATURE

KW - Zen aesthetics

KW - postmodernism

KW - poems in prose

KW - американская литература

KW - американские писатели

KW - литературное творчество

KW - литературные жанры

KW - литературные сюжеты

KW - литературные образы

KW - аллюзии

KW - японская литература

KW - японская культура

KW - Образ Японии

KW - эстетика дзэн

KW - постмодернизм

KW - стихотворения в прозе

UR - https://filclass.ru/images/JOURNAL/_full/4-2022-1_compressed.pdf

U2 - 10.51762/1FK-2022-27-04-15

DO - 10.51762/1FK-2022-27-04-15

M3 - Article

VL - 4

SP - 171

EP - 180

JO - Philological Class

JF - Philological Class

SN - 2071-2405

IS - 27

ER -