Standard

Foreign’ versus ‘Russian’ in Soviet and Post-Soviet Musicology and Music Education. / Manulkina, Olga.

Russian Music Since 1917 : Reappraisal and Rediscovery. ред. / Patrick Zuk; Marina Frolova-Walker. Oxford University Press, 2017. стр. 221-243 (Proceedings of the British Academy).

Результаты исследований: Публикации в книгах, отчётах, сборниках, трудах конференций › глава/раздел › научная › Рецензирование

Harvard

Manulkina, O 2017, Foreign’ versus ‘Russian’ in Soviet and Post-Soviet Musicology and Music Education. в P Zuk & M Frolova-Walker (ред.), Russian Music Since 1917 : Reappraisal and Rediscovery. Proceedings of the British Academy, Oxford University Press, стр. 221-243.

APA

Manulkina, O. (2017). Foreign’ versus ‘Russian’ in Soviet and Post-Soviet Musicology and Music Education. в P. Zuk, & M. Frolova-Walker (Ред.), Russian Music Since 1917 : Reappraisal and Rediscovery (стр. 221-243). (Proceedings of the British Academy). Oxford University Press.

Vancouver

Manulkina O. Foreign’ versus ‘Russian’ in Soviet and Post-Soviet Musicology and Music Education. в Zuk P, Frolova-Walker M, Редакторы, Russian Music Since 1917 : Reappraisal and Rediscovery. Oxford University Press. 2017. стр. 221-243. (Proceedings of the British Academy).

Author

Manulkina, Olga. / Foreign’ versus ‘Russian’ in Soviet and Post-Soviet Musicology and Music Education. Russian Music Since 1917 : Reappraisal and Rediscovery. Редактор / Patrick Zuk ; Marina Frolova-Walker. Oxford University Press, 2017. стр. 221-243 (Proceedings of the British Academy).

BibTeX

@inbook{fa754bc459ac4121950d731359c74bba,
title = "Foreign{\textquoteright} versus {\textquoteleft}Russian{\textquoteright} in Soviet and Post-Soviet Musicology and Music Education",
abstract = "The standard term used in Russian to refer to {\textquoteleft}foreign music{\textquoteright}, zarubezhnaya muz{\"i}ka , has an interesting history, as zarubezhnaya literally means {\textquoteleft}music from outside the border{\textquoteright}—the border in question being that of the USSR. The term was coined in 1948 as one of the measures taken in the ideological campaign to purify Soviet music of {\textquoteleft}cosmopolitan{\textquoteright} influences. This chapter sets out to explore the concept of zarubezhnaya muz{\"i}ka and trace how this canon was formed, to examine the strategies that it was necessary to adopt to carry out research on European and American music, and to assess the implications for the lives and careers of Soviet musicologists.",
author = "Olga Manulkina",
year = "2017",
language = "English",
isbn = "9780197266151",
series = "Proceedings of the British Academy",
publisher = "Oxford University Press",
pages = "221--243",
editor = "Patrick Zuk and Marina Frolova-Walker",
booktitle = "Russian Music Since 1917",
address = "United Kingdom",

}

RIS

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T1 - Foreign’ versus ‘Russian’ in Soviet and Post-Soviet Musicology and Music Education

AU - Manulkina, Olga

PY - 2017

Y1 - 2017

N2 - The standard term used in Russian to refer to ‘foreign music’, zarubezhnaya muzïka , has an interesting history, as zarubezhnaya literally means ‘music from outside the border’—the border in question being that of the USSR. The term was coined in 1948 as one of the measures taken in the ideological campaign to purify Soviet music of ‘cosmopolitan’ influences. This chapter sets out to explore the concept of zarubezhnaya muzïka and trace how this canon was formed, to examine the strategies that it was necessary to adopt to carry out research on European and American music, and to assess the implications for the lives and careers of Soviet musicologists.

AB - The standard term used in Russian to refer to ‘foreign music’, zarubezhnaya muzïka , has an interesting history, as zarubezhnaya literally means ‘music from outside the border’—the border in question being that of the USSR. The term was coined in 1948 as one of the measures taken in the ideological campaign to purify Soviet music of ‘cosmopolitan’ influences. This chapter sets out to explore the concept of zarubezhnaya muzïka and trace how this canon was formed, to examine the strategies that it was necessary to adopt to carry out research on European and American music, and to assess the implications for the lives and careers of Soviet musicologists.

UR - https://www.academia.edu/44917667/Foreign_versus_Russian_in_Soviet_and_Post_Soviet_Musicology_and_Music_Education

UR - https://www.researchgate.net/publication/344986252_'Foreign'_versus_'Russian'_in_Soviet_and_Post-Soviet_Musicology_and_Music_Education

UR - https://proxy.library.spbu.ru:2077/academic/product/russian-music-since-1917-9780197266151?cc=ru&lang=en&#

M3 - Chapter

SN - 9780197266151

T3 - Proceedings of the British Academy

SP - 221

EP - 243

BT - Russian Music Since 1917

A2 - Zuk, Patrick

A2 - Frolova-Walker, Marina

PB - Oxford University Press

ER -

ID: 35679539