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Dickens in Post-Soviet Russia. / Boborykina, T.A.

в: Dickens Studies Annual, Том 43, 2012, стр. 394 с., 233 - 260.

Результаты исследований: Научные публикации в периодических изданияхОбзор литературы

Harvard

Boborykina, TA 2012, 'Dickens in Post-Soviet Russia', Dickens Studies Annual, Том. 43, стр. 394 с., 233 - 260. <http://dickens.ucsc.edu/resources/dsa/vol-43.html>

APA

Vancouver

Boborykina TA. Dickens in Post-Soviet Russia. Dickens Studies Annual. 2012;43:394 с., 233 - 260.

Author

Boborykina, T.A. / Dickens in Post-Soviet Russia. в: Dickens Studies Annual. 2012 ; Том 43. стр. 394 с., 233 - 260.

BibTeX

@article{6e26175ca8274e0095dd8933adc09509,
title = "Dickens in Post-Soviet Russia",
abstract = "The essay considers the extent to which Dickens is still needed and still read in post-Soviet Russia - a country with a relatively new kind of goverment, a new ideology and new literary standarts. The survey opens with a question: what happens to dickens now on the big stage of post-Soviet Russi? To answer it Ttiana Boborykina cosiders (1) several outstanding editions in translation of Dickens's works, examines (2) significant recent scholarly studies, and than reviews (3)a few doctoral dissertations, before describing (4) some noteworthyadaptations into film, audiobooks or CDs, and theater performances. Finally, Dr.Boborykina's survey gives grounds for hope that Dickens is just entering the post-Soviet scene and that the the play, of which this writer is the author, editor, theater director and principal actor, goes on.",
keywords = "Dickens, Literature, Theater",
author = "T.A. Boborykina",
year = "2012",
language = "English",
volume = "43",
pages = "394 с., 233 -- 260",
journal = "Dickens Studies Annual",
issn = "0084-9812",

}

RIS

TY - JOUR

T1 - Dickens in Post-Soviet Russia

AU - Boborykina, T.A.

PY - 2012

Y1 - 2012

N2 - The essay considers the extent to which Dickens is still needed and still read in post-Soviet Russia - a country with a relatively new kind of goverment, a new ideology and new literary standarts. The survey opens with a question: what happens to dickens now on the big stage of post-Soviet Russi? To answer it Ttiana Boborykina cosiders (1) several outstanding editions in translation of Dickens's works, examines (2) significant recent scholarly studies, and than reviews (3)a few doctoral dissertations, before describing (4) some noteworthyadaptations into film, audiobooks or CDs, and theater performances. Finally, Dr.Boborykina's survey gives grounds for hope that Dickens is just entering the post-Soviet scene and that the the play, of which this writer is the author, editor, theater director and principal actor, goes on.

AB - The essay considers the extent to which Dickens is still needed and still read in post-Soviet Russia - a country with a relatively new kind of goverment, a new ideology and new literary standarts. The survey opens with a question: what happens to dickens now on the big stage of post-Soviet Russi? To answer it Ttiana Boborykina cosiders (1) several outstanding editions in translation of Dickens's works, examines (2) significant recent scholarly studies, and than reviews (3)a few doctoral dissertations, before describing (4) some noteworthyadaptations into film, audiobooks or CDs, and theater performances. Finally, Dr.Boborykina's survey gives grounds for hope that Dickens is just entering the post-Soviet scene and that the the play, of which this writer is the author, editor, theater director and principal actor, goes on.

KW - Dickens

KW - Literature

KW - Theater

M3 - Literature review

VL - 43

SP - 394 с., 233 - 260

JO - Dickens Studies Annual

JF - Dickens Studies Annual

SN - 0084-9812

ER -

ID: 5369176