Результаты исследований: Научные публикации в периодических изданиях › статья › Рецензирование
Comparative Study of the Illustrations and Images of the Chinese Classical Novel “Investiture of the Gods” in Woodblock Editions, Popular Prints and Temple Paintings. / Zavidovskaia, E. ; Maiatskii, D. ; Yang, Yunjun.
в: MANUSCRIPTA ORIENTALIA. INTERNATIONAL JOURNAL FOR ORIENTAL MANUSCRIPT RESEARCH, Том 27, № 2, 12.2021, стр. 9-26.Результаты исследований: Научные публикации в периодических изданиях › статья › Рецензирование
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TY - JOUR
T1 - Comparative Study of the Illustrations and Images of the Chinese Classical Novel “Investiture of the Gods” in Woodblock Editions, Popular Prints and Temple Paintings
AU - Zavidovskaia, E.
AU - Maiatskii, D.
AU - Yang, Yunjun
N1 - Zavidovskaia E.A., Maiatskii D.I., Yang Y. Comparative Study of the Illustrations and Images of the Chinese Classical Novel “Investiture of the Gods” in Woodblock Editions, Popular Prints and Temple Paintings // Manuscripta Orientalia. International Journal for Oriental Manuscript Research. 2021. Т. 27. № 2. P. 9-26
PY - 2021/12
Y1 - 2021/12
N2 - The paper discusses visual material based the plot of the Ming dynasty novel Fengshen yanyi (“Investiture of the Gods”, “封神演義”), formed on the basis of a large corpus of written historical works and Song—Yuan vernacular literature. Various illustrated woodblock and lithographic editions of the novel (published before 1911) are discussed in chronological order with focus on the special features and artistic level of the illustrations, their content and technique are compared. Artisans' approaches to interpretation of the novel is also a subject of discussion. Popular woodblock prints nianhua from Russian collections are examined in order to trace whether connections with book illustrations exist and what episodes of the novel became more popular and for what reason. The paper refers to materials stored in prominent libraries, museums and research centres of Russia, Europe, US and Asia.
AB - The paper discusses visual material based the plot of the Ming dynasty novel Fengshen yanyi (“Investiture of the Gods”, “封神演義”), formed on the basis of a large corpus of written historical works and Song—Yuan vernacular literature. Various illustrated woodblock and lithographic editions of the novel (published before 1911) are discussed in chronological order with focus on the special features and artistic level of the illustrations, their content and technique are compared. Artisans' approaches to interpretation of the novel is also a subject of discussion. Popular woodblock prints nianhua from Russian collections are examined in order to trace whether connections with book illustrations exist and what episodes of the novel became more popular and for what reason. The paper refers to materials stored in prominent libraries, museums and research centres of Russia, Europe, US and Asia.
KW - Китаская народная картина
KW - гравюры
KW - няньхуа
KW - простонародный роман
KW - Фэн шэнь янь и
KW - сцены романа
KW - Investiture of the Gods
KW - woodcut block‑print
KW - lithograp
KW - book illustration
KW - popular woodblock prints nianhua
KW - temple paintings
U2 - 10.31250/1238-5018-2021-27-2-9-26
DO - 10.31250/1238-5018-2021-27-2-9-26
M3 - Article
VL - 27
SP - 9
EP - 26
JO - Manuscripta Orientalia
JF - Manuscripta Orientalia
SN - 1238-5018
IS - 2
ER -
ID: 96310197