The article brings into focus the structure and typology of the colophons in the
Mongolian translations of texts whose authorship is ascribed to the Buddha himself. Such texts were repeatedly translated into the Mongolian language and highly venerated by believers. As old as Mongolian literature itself, colophons or “concluding words” accompanied the nation’s literary canon over a period running from the late thirteenth to the early twentieth century. They are the blocks of textual information that the creator of a text or book, be it a translator, a scribe, or a publisher, regarded as being an important addition to the main text. Despite the diversity of such informative blocks, which include praying formulas, panegyrics, benedictions, cosmological, historical, and quasi-historical accounts, didactic fragments, and so on, the colophons followed a settled template and established quite fixed information and expression spheres, i.e., they only narrate about certain things and use a certain language. This inflexibility of the colophons is explained by their main function – they represent a certain type of paratext forming part of the complex mediation between the book and the reader aimed at ensuring the reception of the translated text as an authoritative and legitimate source of Buddhist wisdom.