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杜劳执教国立杭州艺专考(1932—1937)——以俄罗斯圣彼得堡馆藏档案为中心. / Pu, Anyuan; Zhang, Lei.

в: Art and Design Research, № 3, 06.2022, стр. 43-50.

Результаты исследований: Научные публикации в периодических изданияхстатьяРецензирование

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Pu, Anyuan ; Zhang, Lei. / 杜劳执教国立杭州艺专考(1932—1937)——以俄罗斯圣彼得堡馆藏档案为中心. в: Art and Design Research. 2022 ; № 3. стр. 43-50.

BibTeX

@article{7ee11e5d20c741128003cd0c566ebc30,
title = "杜劳执教国立杭州艺专考(1932—1937)——以俄罗斯圣彼得堡馆藏档案为中心",
abstract = ": Before the outbreak of the Anti-Japanese War, a total of 11 foreign teachers had joined the National Hangzhou Art Institute, and the Russian M.F. Domrachev was the one who taught the longest and played the most role. However, due to various reasons, he eventually became a {"}missing person{"} in the history of modern art and design. Based on the archives, manuscripts and other historical materials collected by the Central Archives of Culture and Art in St. Petersburg(TsGALI SPB), combined with the existing relevant information in China, and collected the lost, this article restores Domrachev{\textcopyright}s identity transformation from immigrant artist to pattern educator and architectural researcher, and strives to reproduce his teaching in the National Hangzhou Art Institute, reveals his outstanding contribution to the early art and design education in China. This research not only fllls the important gap in the development and evolution of early modern design in China, but also provides new evidence and reference for the exchanges between China and Russia in the fleld of art and design in the early 20th century.",
keywords = "M.F. DOMRACHEV, National Hangzhou Art Institute, pattern education, stage art, ARCHITECTURAL DECORATION",
author = "Anyuan Pu and Lei Zhang",
year = "2022",
month = jun,
language = "Китайский",
pages = "43--50",
journal = " Yishu sheji yanjiu",
issn = "1674-7518",
number = "3",

}

RIS

TY - JOUR

T1 - 杜劳执教国立杭州艺专考(1932—1937)——以俄罗斯圣彼得堡馆藏档案为中心

AU - Pu, Anyuan

AU - Zhang, Lei

PY - 2022/6

Y1 - 2022/6

N2 - : Before the outbreak of the Anti-Japanese War, a total of 11 foreign teachers had joined the National Hangzhou Art Institute, and the Russian M.F. Domrachev was the one who taught the longest and played the most role. However, due to various reasons, he eventually became a "missing person" in the history of modern art and design. Based on the archives, manuscripts and other historical materials collected by the Central Archives of Culture and Art in St. Petersburg(TsGALI SPB), combined with the existing relevant information in China, and collected the lost, this article restores Domrachev©s identity transformation from immigrant artist to pattern educator and architectural researcher, and strives to reproduce his teaching in the National Hangzhou Art Institute, reveals his outstanding contribution to the early art and design education in China. This research not only fllls the important gap in the development and evolution of early modern design in China, but also provides new evidence and reference for the exchanges between China and Russia in the fleld of art and design in the early 20th century.

AB - : Before the outbreak of the Anti-Japanese War, a total of 11 foreign teachers had joined the National Hangzhou Art Institute, and the Russian M.F. Domrachev was the one who taught the longest and played the most role. However, due to various reasons, he eventually became a "missing person" in the history of modern art and design. Based on the archives, manuscripts and other historical materials collected by the Central Archives of Culture and Art in St. Petersburg(TsGALI SPB), combined with the existing relevant information in China, and collected the lost, this article restores Domrachev©s identity transformation from immigrant artist to pattern educator and architectural researcher, and strives to reproduce his teaching in the National Hangzhou Art Institute, reveals his outstanding contribution to the early art and design education in China. This research not only fllls the important gap in the development and evolution of early modern design in China, but also provides new evidence and reference for the exchanges between China and Russia in the fleld of art and design in the early 20th century.

KW - M.F. DOMRACHEV

KW - National Hangzhou Art Institute

KW - pattern education

KW - stage art

KW - ARCHITECTURAL DECORATION

M3 - статья

SP - 43

EP - 50

JO - Yishu sheji yanjiu

JF - Yishu sheji yanjiu

SN - 1674-7518

IS - 3

ER -

ID: 99602870