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РОССИЙСКИЙ ЗРИТЕЛЬ XVIII ВЕКА: ПРИОБЩЕНИЕ К СЦЕНИЧЕСКИМ ИСКУССТВАМ. / Ким, Вита Мириам Георгиевна.

в: Научный вестник Московской консерватории, Том 15, № 2 (57) , 29.06.2024, стр. 228-249.

Результаты исследований: Научные публикации в периодических изданияхстатьяРецензирование

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Ким, ВМГ 2024, 'РОССИЙСКИЙ ЗРИТЕЛЬ XVIII ВЕКА: ПРИОБЩЕНИЕ К СЦЕНИЧЕСКИМ ИСКУССТВАМ', Научный вестник Московской консерватории, Том. 15, № 2 (57) , стр. 228-249. https://doi.org/10.26176/mosconsv.2024.57.2.03

APA

Vancouver

Ким ВМГ. РОССИЙСКИЙ ЗРИТЕЛЬ XVIII ВЕКА: ПРИОБЩЕНИЕ К СЦЕНИЧЕСКИМ ИСКУССТВАМ. Научный вестник Московской консерватории. 2024 Июнь 29;15(2 (57) ):228-249. https://doi.org/10.26176/mosconsv.2024.57.2.03

Author

Ким, Вита Мириам Георгиевна. / РОССИЙСКИЙ ЗРИТЕЛЬ XVIII ВЕКА: ПРИОБЩЕНИЕ К СЦЕНИЧЕСКИМ ИСКУССТВАМ. в: Научный вестник Московской консерватории. 2024 ; Том 15, № 2 (57) . стр. 228-249.

BibTeX

@article{0e383621719047b3a9180df9060da7a8,
title = "РОССИЙСКИЙ ЗРИТЕЛЬ XVIII ВЕКА: ПРИОБЩЕНИЕ К СЦЕНИЧЕСКИМ ИСКУССТВАМ",
abstract = "The article deals with introducing the Russian audience to the performing arts in the 18th century and formation of the culture of behavior of theater audience. The rules of public behavior developed gradually, in conjunction with the lifestyle and mentality of society. In many ways, they were the result of the experience of visiting all kinds of spec-tacles passed on from generation to generation. In this connection, the work covers a vari-ety of performances, ranging from dramas, tragedies, performances with musical numbers to concerts and opera productions. The scientific novelty of the study lies in the analysis of the combination of factors due to which the behavior of the unenlightened Russian public evolved by the end of the 18th century to such an extent that it became the subject of admira-tion for Western European contemporaries.",
keywords = "Russian 18th-century theatre, Russian spectator, Russian theatre audience behaviour, introduction to performing arts, musical theatre, theatrical music",
author = "Ким, {Вита Мириам Георгиевна}",
year = "2024",
month = jun,
day = "29",
doi = "10.26176/mosconsv.2024.57.2.03",
language = "русский",
volume = "15",
pages = "228--249",
journal = "Nauchnyy Vestnik Moskovskoy Konservatorii",
issn = "2079-9438",
publisher = "Московская государственная консерватория",
number = "2 (57) ",

}

RIS

TY - JOUR

T1 - РОССИЙСКИЙ ЗРИТЕЛЬ XVIII ВЕКА: ПРИОБЩЕНИЕ К СЦЕНИЧЕСКИМ ИСКУССТВАМ

AU - Ким, Вита Мириам Георгиевна

PY - 2024/6/29

Y1 - 2024/6/29

N2 - The article deals with introducing the Russian audience to the performing arts in the 18th century and formation of the culture of behavior of theater audience. The rules of public behavior developed gradually, in conjunction with the lifestyle and mentality of society. In many ways, they were the result of the experience of visiting all kinds of spec-tacles passed on from generation to generation. In this connection, the work covers a vari-ety of performances, ranging from dramas, tragedies, performances with musical numbers to concerts and opera productions. The scientific novelty of the study lies in the analysis of the combination of factors due to which the behavior of the unenlightened Russian public evolved by the end of the 18th century to such an extent that it became the subject of admira-tion for Western European contemporaries.

AB - The article deals with introducing the Russian audience to the performing arts in the 18th century and formation of the culture of behavior of theater audience. The rules of public behavior developed gradually, in conjunction with the lifestyle and mentality of society. In many ways, they were the result of the experience of visiting all kinds of spec-tacles passed on from generation to generation. In this connection, the work covers a vari-ety of performances, ranging from dramas, tragedies, performances with musical numbers to concerts and opera productions. The scientific novelty of the study lies in the analysis of the combination of factors due to which the behavior of the unenlightened Russian public evolved by the end of the 18th century to such an extent that it became the subject of admira-tion for Western European contemporaries.

KW - Russian 18th-century theatre

KW - Russian spectator

KW - Russian theatre audience behaviour

KW - introduction to performing arts

KW - musical theatre

KW - theatrical music

UR - https://nv.mosconsv.ru/en/articles/russian-spectator-eighteenth-century-introduction-performing-arts

UR - https://www.mendeley.com/catalogue/c96751f6-4fad-3eca-b20a-e07bda20da26/

U2 - 10.26176/mosconsv.2024.57.2.03

DO - 10.26176/mosconsv.2024.57.2.03

M3 - статья

VL - 15

SP - 228

EP - 249

JO - Nauchnyy Vestnik Moskovskoy Konservatorii

JF - Nauchnyy Vestnik Moskovskoy Konservatorii

SN - 2079-9438

IS - 2 (57)

ER -

ID: 126875878