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Монументальность новой русской скульптуры. Эпизод 2: «Стена скорби». / Kotlomanov, Alexander O.

в: Vestnik Sankt-Peterburgskogo Universiteta, Iskusstvovedenie, Том 7, № 4, 2017, стр. 436-452.

Результаты исследований: Научные публикации в периодических изданиях › статья › Рецензирование

Harvard

Kotlomanov, AO 2017, 'Монументальность новой русской скульптуры. Эпизод 2: «Стена скорби»', Vestnik Sankt-Peterburgskogo Universiteta, Iskusstvovedenie, Том. 7, № 4, стр. 436-452. https://doi.org/10.21638/11701/spbu15.2017.405

APA

Kotlomanov, A. O. (2017). Монументальность новой русской скульптуры. Эпизод 2: «Стена скорби». Vestnik Sankt-Peterburgskogo Universiteta, Iskusstvovedenie, 7(4), 436-452. https://doi.org/10.21638/11701/spbu15.2017.405

Vancouver

Kotlomanov AO. Монументальность новой русской скульптуры. Эпизод 2: «Стена скорби». Vestnik Sankt-Peterburgskogo Universiteta, Iskusstvovedenie. 2017;7(4):436-452. https://doi.org/10.21638/11701/spbu15.2017.405

Author

Kotlomanov, Alexander O. / Монументальность новой русской скульптуры. Эпизод 2: «Стена скорби». в: Vestnik Sankt-Peterburgskogo Universiteta, Iskusstvovedenie. 2017 ; Том 7, № 4. стр. 436-452.

BibTeX

@article{22b0ce1bd7a448c0af38da267bddd211,
title = "Монументальность новой русской скульптуры. Эпизод 2: «Стена скорби»",
abstract = "The article continues the material published in the previous issue of the journal [1]. The current trends of Russian monumental sculpture are analyzed in the context of the discussion of new sculptural memorials that have appeared recently in Moscow. The main focus is on the history of the creation of a memorial to the victims of political repression in Moscow. It particularly considers works of the Russian sculptor Georgy Frangulyan whose works play a significant role in the formation of ideas about the latest trends in the art culture of Russia. For comparison, examples of European and American sculpture of recent decades are presented including the works of Henry Moore, Alfred Hrdlicka, and Richard Serra. The theme of monuments and memorials is revealed in the context of artistic problems, urban situation, socio-political tendencies. Monumental sculpture is understood as a symptom of the state of Russian society, a form of social outlook. Refs 9. Figs 10.",
keywords = "Contemporary sculpture, Georgy Frangulyan, Memorials, Monumental sculpture, Public art, Russian sculpture, Soviet sculpture, Urban sculpture",
author = "Kotlomanov, {Alexander O.}",
year = "2017",
doi = "10.21638/11701/spbu15.2017.405",
language = "русский",
volume = "7",
pages = "436--452",
journal = " ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСКУССТВОВЕДЕНИЕ",
issn = "2221-3007",
publisher = "Издательство Санкт-Петербургского университета",
number = "4",

}

RIS

TY - JOUR

T1 - Монументальность новой русской скульптуры. Эпизод 2: «Стена скорби»

AU - Kotlomanov, Alexander O.

PY - 2017

Y1 - 2017

N2 - The article continues the material published in the previous issue of the journal [1]. The current trends of Russian monumental sculpture are analyzed in the context of the discussion of new sculptural memorials that have appeared recently in Moscow. The main focus is on the history of the creation of a memorial to the victims of political repression in Moscow. It particularly considers works of the Russian sculptor Georgy Frangulyan whose works play a significant role in the formation of ideas about the latest trends in the art culture of Russia. For comparison, examples of European and American sculpture of recent decades are presented including the works of Henry Moore, Alfred Hrdlicka, and Richard Serra. The theme of monuments and memorials is revealed in the context of artistic problems, urban situation, socio-political tendencies. Monumental sculpture is understood as a symptom of the state of Russian society, a form of social outlook. Refs 9. Figs 10.

AB - The article continues the material published in the previous issue of the journal [1]. The current trends of Russian monumental sculpture are analyzed in the context of the discussion of new sculptural memorials that have appeared recently in Moscow. The main focus is on the history of the creation of a memorial to the victims of political repression in Moscow. It particularly considers works of the Russian sculptor Georgy Frangulyan whose works play a significant role in the formation of ideas about the latest trends in the art culture of Russia. For comparison, examples of European and American sculpture of recent decades are presented including the works of Henry Moore, Alfred Hrdlicka, and Richard Serra. The theme of monuments and memorials is revealed in the context of artistic problems, urban situation, socio-political tendencies. Monumental sculpture is understood as a symptom of the state of Russian society, a form of social outlook. Refs 9. Figs 10.

KW - Contemporary sculpture

KW - Georgy Frangulyan

KW - Memorials

KW - Monumental sculpture

KW - Public art

KW - Russian sculpture

KW - Soviet sculpture

KW - Urban sculpture

UR - http://www.scopus.com/inward/record.url?scp=85040458068&partnerID=8YFLogxK

U2 - 10.21638/11701/spbu15.2017.405

DO - 10.21638/11701/spbu15.2017.405

M3 - статья

AN - SCOPUS:85040458068

VL - 7

SP - 436

EP - 452

JO - ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСКУССТВОВЕДЕНИЕ

JF - ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСКУССТВОВЕДЕНИЕ

SN - 2221-3007

IS - 4

ER -

ID: 11802878