Результаты исследований: Научные публикации в периодических изданиях › статья › Рецензирование
Эйдос и имя: наука, искусство и философия в диалектической концепции А. Ф. Лосева (критико-компаративный анализ). / Погребняк, Александр Анатольевич.
в: Welt der Slaven-Halbjahresschrift fur Slavistik, Том 65, № 1, 2020, стр. 89-98.Результаты исследований: Научные публикации в периодических изданиях › статья › Рецензирование
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TY - JOUR
T1 - Эйдос и имя: наука, искусство и философия в диалектической концепции А. Ф. Лосева (критико-компаративный анализ)
AU - Погребняк, Александр Анатольевич
PY - 2020
Y1 - 2020
N2 - This article attempts to interpret the philosophical doctrine of Aleksej Losev in the form in which it took shape in his works of the late 20s and early 30s of the 20th century. The two most important points of this doctrine are highlighted. First, science and art are considered here within the framework of a common ontological structure for them. Secondly, the dialectical model, developed in the framework of ancient and medieval Platonism, is approved by Losev as a philosophical system, which in the 20th century fully regains its relevance as an adequate theory of the universe. Further, the analysis of the Losev system proposed by Vladimir Bibixin is critically interpreted. This analysis is based mainly on a comparison of Losev's thought with Heidegger's philosophy. At the same time, the dialectical nature of Losev's thought is radically deprecated. For this reason, in this article we attempt to compare the Losev doctrine with the views of Walter Benjamin, for whom, as for Losev, Plato's theory of ideas, dialectics and the essential analogy between art, science and philosophy were of great importance. © 2020 Verlag Otto Sagner. All rights reserved.
AB - This article attempts to interpret the philosophical doctrine of Aleksej Losev in the form in which it took shape in his works of the late 20s and early 30s of the 20th century. The two most important points of this doctrine are highlighted. First, science and art are considered here within the framework of a common ontological structure for them. Secondly, the dialectical model, developed in the framework of ancient and medieval Platonism, is approved by Losev as a philosophical system, which in the 20th century fully regains its relevance as an adequate theory of the universe. Further, the analysis of the Losev system proposed by Vladimir Bibixin is critically interpreted. This analysis is based mainly on a comparison of Losev's thought with Heidegger's philosophy. At the same time, the dialectical nature of Losev's thought is radically deprecated. For this reason, in this article we attempt to compare the Losev doctrine with the views of Walter Benjamin, for whom, as for Losev, Plato's theory of ideas, dialectics and the essential analogy between art, science and philosophy were of great importance. © 2020 Verlag Otto Sagner. All rights reserved.
KW - Aleksej Losev
KW - Art
KW - Dialectics
KW - Idea
KW - Name
KW - Science
KW - Walter Benjamin
UR - http://www.scopus.com/inward/record.url?scp=85082340300&partnerID=8YFLogxK
M3 - статья
VL - 65
SP - 89
EP - 98
JO - Die Welt der Slaven: Internationale Halbjahresschrift für Slavistik
JF - Die Welt der Slaven: Internationale Halbjahresschrift für Slavistik
SN - 0043-2520
IS - 1
ER -
ID: 50925744