Результаты исследований: Научные публикации в периодических изданиях › Обзорная статья › Рецензирование
От преступников к мученикам: изображения казни в искусстве Римской империи. / Panteleev, Aleksey Dmitrievich.
в: Actual Problems of Theory and History of Art, Том 7, 01.01.2017, стр. 138-146 and 745.Результаты исследований: Научные публикации в периодических изданиях › Обзорная статья › Рецензирование
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TY - JOUR
T1 - От преступников к мученикам: изображения казни в искусстве Римской империи
AU - Panteleev, Aleksey Dmitrievich
PY - 2017/1/1
Y1 - 2017/1/1
N2 - The article analyzes scenes from Roman games with wild animals presented on pottery and mosaics (mainly from North Africa; 1st-5th centuries AD). These images show animal chase (venatio) and public executions of criminals, which were an integral part of these games. Analysing the popularity of these scenes we come to a conclusion that the highly elaborated mosaics from Zliten or El Djem were focused on glorification of the home owner, who had either organized, or sponsored urban games. It is possible that the images on ceramics initially might also have performed commemorative function, but eventually turned into an independent pictorial type. Roman love for cruelty was the main reason for the popularity of these images. One should not link vessels with such images, dating from 4th-5th centuries with the cult of martyrs. They still represented execution of criminals, but some illiterate persons could believe that they depicted martyrdom scenes.
AB - The article analyzes scenes from Roman games with wild animals presented on pottery and mosaics (mainly from North Africa; 1st-5th centuries AD). These images show animal chase (venatio) and public executions of criminals, which were an integral part of these games. Analysing the popularity of these scenes we come to a conclusion that the highly elaborated mosaics from Zliten or El Djem were focused on glorification of the home owner, who had either organized, or sponsored urban games. It is possible that the images on ceramics initially might also have performed commemorative function, but eventually turned into an independent pictorial type. Roman love for cruelty was the main reason for the popularity of these images. One should not link vessels with such images, dating from 4th-5th centuries with the cult of martyrs. They still represented execution of criminals, but some illiterate persons could believe that they depicted martyrdom scenes.
KW - Death penalty
KW - Early christianity
KW - Mosaics
KW - Pottery
KW - Roman empire
KW - Roman games
UR - http://www.scopus.com/inward/record.url?scp=85054787966&partnerID=8YFLogxK
U2 - 10.18688/aa177-1-15
DO - 10.18688/aa177-1-15
M3 - Review article
AN - SCOPUS:85054787966
VL - 7
SP - 138-146 and 745
JO - Актуальные проблемы теории и истории искусства
JF - Актуальные проблемы теории и истории искусства
SN - 2312-2129
ER -
ID: 60512429