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О методологических основаниях сторителлинга как технологии управления массовым сознанием. / Кулакова, Татьяна Александровна; Волкова, Анна Владимировна.

в: Вестник Санкт-Петербургского университета. Философия и конфликтология , Том 40, № 2, 10.10.2024, стр. 294-308.

Результаты исследований: Научные публикации в периодических изданияхстатьяРецензирование

Harvard

Кулакова, ТА & Волкова, АВ 2024, 'О методологических основаниях сторителлинга как технологии управления массовым сознанием', Вестник Санкт-Петербургского университета. Философия и конфликтология , Том. 40, № 2, стр. 294-308. https://doi.org/10.21638/spbu17.2024.210

APA

Vancouver

Кулакова ТА, Волкова АВ. О методологических основаниях сторителлинга как технологии управления массовым сознанием. Вестник Санкт-Петербургского университета. Философия и конфликтология . 2024 Окт. 10;40(2):294-308. https://doi.org/10.21638/spbu17.2024.210

Author

BibTeX

@article{3d0363bc77b3440bb3c517963d0d1da3,
title = "О методологических основаниях сторителлинга как технологии управления массовым сознанием",
abstract = "Continuing the series of publications devoted to the socio-political aspects of digital transformations, the authors focus on the high pace of development of information technology and qualitative changes in public policy, which has ceased to be a sphere of rational thinking and argumentation, turning into a field for the struggle of symbols. There is a tendency for people to abandon language, and an increase in the influence of symbols and simplified structures in communications at various levels. The study of the methodological foundations of storytelling refers to the problem of neomythologism in the consciousness of modern man, the significant features of which are associative thinking and proximity to archaic perception. The increasing impact of 'post-truth' combines several interrelated phenomena: the growing prevalence and influence of misinformation, disagreement over verifiable facts, the increasing importance of personal faith and experience over facts and evidence, declining trust in institutional information providers, and the increasing fragmentation and polarization of information consumption. Thus, the concept of Homo Narrans, which assumes that a person's perception of information occurs primarily through stories, takes on a new meaning in the context of the development of digital public policy. Visual perception makes it possible to use unconscious motives and symbols. The authors come to the conclusion that visual storytelling is becoming an effective tool of political struggle due, on the one hand, to the emotional impact on the audience and, on the other hand, by simplifying the perception of the transmitted information. As a communication technology, it is widely used to build relationships of trust. If used correctly, this technology can help organize the digital information space of Russia in the national interests, including for articulating a system of values that correlate with socio-political processes in the country and the world and taking into account our cultural traditions.",
keywords = "визуальный сторителлинг, цифровая публичная политика, медиатизация социальной жизни, мифологизация сознания, доверие, digital public policy, mediatization of social life, mythologization of consciousness, trust, visual storytelling",
author = "Кулакова, {Татьяна Александровна} and Волкова, {Анна Владимировна}",
year = "2024",
month = oct,
day = "10",
doi = "10.21638/spbu17.2024.210",
language = "русский",
volume = "40",
pages = "294--308",
journal = " Вестник Санкт-Петербургского университета. Философия и конфликтология ",
issn = "2542-2278",
publisher = "Издательство Санкт-Петербургского университета",
number = "2",

}

RIS

TY - JOUR

T1 - О методологических основаниях сторителлинга как технологии управления массовым сознанием

AU - Кулакова, Татьяна Александровна

AU - Волкова, Анна Владимировна

PY - 2024/10/10

Y1 - 2024/10/10

N2 - Continuing the series of publications devoted to the socio-political aspects of digital transformations, the authors focus on the high pace of development of information technology and qualitative changes in public policy, which has ceased to be a sphere of rational thinking and argumentation, turning into a field for the struggle of symbols. There is a tendency for people to abandon language, and an increase in the influence of symbols and simplified structures in communications at various levels. The study of the methodological foundations of storytelling refers to the problem of neomythologism in the consciousness of modern man, the significant features of which are associative thinking and proximity to archaic perception. The increasing impact of 'post-truth' combines several interrelated phenomena: the growing prevalence and influence of misinformation, disagreement over verifiable facts, the increasing importance of personal faith and experience over facts and evidence, declining trust in institutional information providers, and the increasing fragmentation and polarization of information consumption. Thus, the concept of Homo Narrans, which assumes that a person's perception of information occurs primarily through stories, takes on a new meaning in the context of the development of digital public policy. Visual perception makes it possible to use unconscious motives and symbols. The authors come to the conclusion that visual storytelling is becoming an effective tool of political struggle due, on the one hand, to the emotional impact on the audience and, on the other hand, by simplifying the perception of the transmitted information. As a communication technology, it is widely used to build relationships of trust. If used correctly, this technology can help organize the digital information space of Russia in the national interests, including for articulating a system of values that correlate with socio-political processes in the country and the world and taking into account our cultural traditions.

AB - Continuing the series of publications devoted to the socio-political aspects of digital transformations, the authors focus on the high pace of development of information technology and qualitative changes in public policy, which has ceased to be a sphere of rational thinking and argumentation, turning into a field for the struggle of symbols. There is a tendency for people to abandon language, and an increase in the influence of symbols and simplified structures in communications at various levels. The study of the methodological foundations of storytelling refers to the problem of neomythologism in the consciousness of modern man, the significant features of which are associative thinking and proximity to archaic perception. The increasing impact of 'post-truth' combines several interrelated phenomena: the growing prevalence and influence of misinformation, disagreement over verifiable facts, the increasing importance of personal faith and experience over facts and evidence, declining trust in institutional information providers, and the increasing fragmentation and polarization of information consumption. Thus, the concept of Homo Narrans, which assumes that a person's perception of information occurs primarily through stories, takes on a new meaning in the context of the development of digital public policy. Visual perception makes it possible to use unconscious motives and symbols. The authors come to the conclusion that visual storytelling is becoming an effective tool of political struggle due, on the one hand, to the emotional impact on the audience and, on the other hand, by simplifying the perception of the transmitted information. As a communication technology, it is widely used to build relationships of trust. If used correctly, this technology can help organize the digital information space of Russia in the national interests, including for articulating a system of values that correlate with socio-political processes in the country and the world and taking into account our cultural traditions.

KW - визуальный сторителлинг, цифровая публичная политика, медиатизация социальной жизни, мифологизация сознания, доверие

KW - digital public policy

KW - mediatization of social life

KW - mythologization of consciousness

KW - trust

KW - visual storytelling

UR - https://www.mendeley.com/catalogue/bc90d45f-3f32-3589-88c9-766fc23bc0f5/

U2 - 10.21638/spbu17.2024.210

DO - 10.21638/spbu17.2024.210

M3 - статья

VL - 40

SP - 294

EP - 308

JO - Вестник Санкт-Петербургского университета. Философия и конфликтология

JF - Вестник Санкт-Петербургского университета. Философия и конфликтология

SN - 2542-2278

IS - 2

ER -

ID: 125316786