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А. П. Чехов и живопись: от реализма к (пред)импрессионизму. / Степанов, Андрей Дмитриевич.

в: РУССКАЯ ЛИТЕРАТУРА, Том 1, № 1, 01.2022, стр. 200-206.

Результаты исследований: Научные публикации в периодических изданияхстатьяРецензирование

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@article{32fad7e050124291b25e495b8fa570ee,
title = "А. П. Чехов и живопись: от реализма к (пред)импрессионизму",
abstract = "The author addresses the transitional nature of Chekhov's art, which had evolved from Realism to Modernism, and, trying to solve this problem, draws parallels between Chekhov's prose and the paintings of the late 19th century. The article establishes that certain canvases of the Itinerants art movement can be identified as direct sources of certain motives and episodes in Chekhov's works. By contrast, the similarities between Chekhov's stories and the (Pre)Impressionist paintings of Isaac Levitan cannot be reduced to exact coincidences of plot or detail, and are limited to the hard-to-define concept of {"}mood{"}.",
keywords = "A. P. Chekhov, Realism, Modernism, painting of the Itinerants, I. I. Levitan",
author = "Степанов, {Андрей Дмитриевич}",
year = "2022",
month = jan,
doi = "10.31860/0131-6095-2022-1-200-206",
language = "русский",
volume = "1",
pages = "200--206",
journal = "РУССКАЯ ЛИТЕРАТУРА",
issn = "0131-6095",
publisher = "Издательство {"}Наука{"}",
number = "1",

}

RIS

TY - JOUR

T1 - А. П. Чехов и живопись: от реализма к (пред)импрессионизму

AU - Степанов, Андрей Дмитриевич

PY - 2022/1

Y1 - 2022/1

N2 - The author addresses the transitional nature of Chekhov's art, which had evolved from Realism to Modernism, and, trying to solve this problem, draws parallels between Chekhov's prose and the paintings of the late 19th century. The article establishes that certain canvases of the Itinerants art movement can be identified as direct sources of certain motives and episodes in Chekhov's works. By contrast, the similarities between Chekhov's stories and the (Pre)Impressionist paintings of Isaac Levitan cannot be reduced to exact coincidences of plot or detail, and are limited to the hard-to-define concept of "mood".

AB - The author addresses the transitional nature of Chekhov's art, which had evolved from Realism to Modernism, and, trying to solve this problem, draws parallels between Chekhov's prose and the paintings of the late 19th century. The article establishes that certain canvases of the Itinerants art movement can be identified as direct sources of certain motives and episodes in Chekhov's works. By contrast, the similarities between Chekhov's stories and the (Pre)Impressionist paintings of Isaac Levitan cannot be reduced to exact coincidences of plot or detail, and are limited to the hard-to-define concept of "mood".

KW - A. P. Chekhov

KW - Realism

KW - Modernism

KW - painting of the Itinerants

KW - I. I. Levitan

UR - https://www.mendeley.com/catalogue/ddce756e-166d-383e-8aad-fd728cc1cafa/

U2 - 10.31860/0131-6095-2022-1-200-206

DO - 10.31860/0131-6095-2022-1-200-206

M3 - статья

VL - 1

SP - 200

EP - 206

JO - РУССКАЯ ЛИТЕРАТУРА

JF - РУССКАЯ ЛИТЕРАТУРА

SN - 0131-6095

IS - 1

ER -

ID: 91283110