Новый человек как монстр евгенического воображения:

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Новый человек как монстр евгенического воображения: мозг преступника в «Собачьем сердце» М. Булгакова и «Франкенштейне» Дж. Уэйла. / Головачева, Ирина Владимировна.

в: НОВОЕ ЛИТЕРАТУРНОЕ ОБОЗРЕНИЕ, Том 177, № 5, 5, 07.2022, стр. 61-79.

Результаты исследований: Научные публикации в периодических изданиях › статья › Рецензирование

BibTeX

@article{9e037b8c595241b9b9685af92f4acd3c,

title = "Новый человек как монстр евгенического воображения:: мозг преступника в «Собачьем сердце» М. Булгакова и «Франкенштейне» Дж. Уэйла",

abstract = "This article examines the way, in which the idea of making a new man by changing human nature, globally accentuated in the 1920—1930s, was reflected in two works produced at the time: in James Whale{\textquoteright}s cinematic blockbuster Frankenstein and Mikhail Bulgakov{\textquoteright}s novella Heart of a Dog. The two works are placed together because, besides employing the common theme of out-of-control monsters, they provide a similar “dysgenic” explanation of their behavior: the brains of these characters are abnormal. The comparison of the two plots highlights the specific fears and dominating challenges of the decades marked by eugenic battles at the crossroads of biology, medicine, pedagogics, sociology, and forensic psychiatry.",

keywords = "Булгаков, Франкенштейн, евгеника, новый человек, 1920-1930 годы, Bulgakov, monster theory, American film of the early 1930s, Lombroso{\textquoteright}s theory, Lamarck-ism, eugenics",

author = "Головачева, {Ирина Владимировна}",

year = "2022",

month = jul,

doi = "10.53953/08696365_2022_176_4_61",

language = "русский",

volume = "177",

pages = "61--79",

journal = "НОВОЕ ЛИТЕРАТУРНОЕ ОБОЗРЕНИЕ",

issn = "0869-6365",

publisher = "Новое литературное обозрение",

number = "5",

}

RIS

TY - JOUR

T1 - Новый человек как монстр евгенического воображения:

T2 - мозг преступника в «Собачьем сердце» М. Булгакова и «Франкенштейне» Дж. Уэйла

AU - Головачева, Ирина Владимировна

PY - 2022/7

Y1 - 2022/7

N2 - This article examines the way, in which the idea of making a new man by changing human nature, globally accentuated in the 1920—1930s, was reflected in two works produced at the time: in James Whale’s cinematic blockbuster Frankenstein and Mikhail Bulgakov’s novella Heart of a Dog. The two works are placed together because, besides employing the common theme of out-of-control monsters, they provide a similar “dysgenic” explanation of their behavior: the brains of these characters are abnormal. The comparison of the two plots highlights the specific fears and dominating challenges of the decades marked by eugenic battles at the crossroads of biology, medicine, pedagogics, sociology, and forensic psychiatry.

AB - This article examines the way, in which the idea of making a new man by changing human nature, globally accentuated in the 1920—1930s, was reflected in two works produced at the time: in James Whale’s cinematic blockbuster Frankenstein and Mikhail Bulgakov’s novella Heart of a Dog. The two works are placed together because, besides employing the common theme of out-of-control monsters, they provide a similar “dysgenic” explanation of their behavior: the brains of these characters are abnormal. The comparison of the two plots highlights the specific fears and dominating challenges of the decades marked by eugenic battles at the crossroads of biology, medicine, pedagogics, sociology, and forensic psychiatry.

KW - Булгаков

KW - Франкенштейн

KW - евгеника

KW - новый человек

KW - 1920-1930 годы

KW - Bulgakov

KW - monster theory

KW - American film of the early 1930s

KW - Lombroso’s theory

KW - Lamarck-ism

KW - eugenics

UR - http://www.scopus.com/inward/record.url?scp=85142541680&partnerID=8YFLogxK

U2 - 10.53953/08696365_2022_176_4_61

DO - 10.53953/08696365_2022_176_4_61

M3 - статья

VL - 177

SP - 61

EP - 79

JO - НОВОЕ ЛИТЕРАТУРНОЕ ОБОЗРЕНИЕ

JF - НОВОЕ ЛИТЕРАТУРНОЕ ОБОЗРЕНИЕ

SN - 0869-6365

IS - 5

M1 - 5

ER -

ID: 99353017

Новый человек как монстр евгенического воображения: мозг преступника в «Собачьем сердце» М. Булгакова и «Франкенштейне» Дж. Уэйла

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