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Ways of Representing Synesthesis in a Verbal Text. / Кузнецова, Вера Владиславовна; Чебанов, Сергей Викторович.

In: Southern Semiotic Review, No. 21, 2024.

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@article{e4f86301acbe4e36a93147725605a018,
title = "Ways of Representing Synesthesis in a Verbal Text",
abstract = "The question of distinguishing between multimodality and synesthesia has not been problematized so far, as it seemed to be self-evident. The aim of this article is to distinguish between these two phenomena from a psychophysiological point of view, and to show that each of them requires different semiotic means, as well as different methods of working with them, for their representation in a verbal text. In addition, the symbolization of multimodal experience is discussed separately on the basis of French Symbolist poetry (Ch. Baudelaire and A. Rimbaud), since the phenomenon of “correspondences” turns out to be the key to the construction of the so-called “philosophical symbol”, which determines the specificity of the “new” poetic text for that epoch.",
author = "Кузнецова, {Вера Владиславовна} and Чебанов, {Сергей Викторович}",
year = "2024",
language = "русский",
journal = "Southern Semiotic Review",
issn = "2202-2775",
publisher = "Playscript",
number = "21",

}

RIS

TY - JOUR

T1 - Ways of Representing Synesthesis in a Verbal Text

AU - Кузнецова, Вера Владиславовна

AU - Чебанов, Сергей Викторович

PY - 2024

Y1 - 2024

N2 - The question of distinguishing between multimodality and synesthesia has not been problematized so far, as it seemed to be self-evident. The aim of this article is to distinguish between these two phenomena from a psychophysiological point of view, and to show that each of them requires different semiotic means, as well as different methods of working with them, for their representation in a verbal text. In addition, the symbolization of multimodal experience is discussed separately on the basis of French Symbolist poetry (Ch. Baudelaire and A. Rimbaud), since the phenomenon of “correspondences” turns out to be the key to the construction of the so-called “philosophical symbol”, which determines the specificity of the “new” poetic text for that epoch.

AB - The question of distinguishing between multimodality and synesthesia has not been problematized so far, as it seemed to be self-evident. The aim of this article is to distinguish between these two phenomena from a psychophysiological point of view, and to show that each of them requires different semiotic means, as well as different methods of working with them, for their representation in a verbal text. In addition, the symbolization of multimodal experience is discussed separately on the basis of French Symbolist poetry (Ch. Baudelaire and A. Rimbaud), since the phenomenon of “correspondences” turns out to be the key to the construction of the so-called “philosophical symbol”, which determines the specificity of the “new” poetic text for that epoch.

M3 - статья

JO - Southern Semiotic Review

JF - Southern Semiotic Review

SN - 2202-2775

IS - 21

ER -

ID: 128266370