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Virtual Romans and Virtual French: Recontextualization of Political News in the Format of Playing with History. / Miziryak, N.A.

In: GALACTICA MEDIA: JOURNAL OF MEDIA STUDIES, Vol. 6, No. 1, 14.02.2024, p. 77-99.

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Miziryak, N.A. / Virtual Romans and Virtual French: Recontextualization of Political News in the Format of Playing with History. In: GALACTICA MEDIA: JOURNAL OF MEDIA STUDIES. 2024 ; Vol. 6, No. 1. pp. 77-99.

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@article{04a8c99dde184427bebd3593dcd1627d,
title = "Virtual Romans and Virtual French: Recontextualization of Political News in the Format of Playing with History",
abstract = "The oversaturation of information flows and the competition among diverse viewpoints underscore the significance of every message that captures the audience{\textquoteright}s attention and provokes discussion. Thus, exploring new formats and methods for attracting attention to news agendas, analyzing innovative persuasion techniques, and scrutinizing gaps and overlooked aspects in discussion platforms become particularly crucial in cutting-edge media studies. One such innovative format for news perception and discussion can be found in virtual pseudo-historical public pages on VK. These pages engage with the real socio-political news agenda, stylized as events from different eras such as ancient Rome and 19th-century France. The aim of our research is to identify techniques for attracting attention, encouraging discussion, and persuading audiences in these selected public forums. We analyzed the characteristics of recontextualized news presentations, including the transposition of time and place, renaming key figures and technologies, and the nuances of internal humor on these public pages. A primary focus of these pages is political news, particularly the Russian-Ukrainian crisis, which is metaphorically represented through the lens of the Punic or Napoleonic wars. This juxtaposition of historical and contemporary perspectives enables users to interpret the political agenda differently. This pseudo-historical linguistic play and unique humor bypass critical perception filters, and once readers accept the internal logic of the public pages, they also tend to accept the narratives presented. The ability to comment on posts allows users to engage in the same narrative style, broaden the scope of news discussions, and involve their friends by reposting to their own pages. {\textcopyright} 2024, LLC Scientific Industrial Enterprise {"}Genesis. Frontier. Science{"}. All rights reserved.",
keywords = "Communication Technologies, Gaming Technologies, Humor, Internet Audience, Language Practices, Media Consumption, New Media, News Agenda, Political Communications, Virtual Communities",
author = "N.A. Miziryak",
note = "Export Date: 4 March 2024 Адрес для корреспонденции: Miziryak, N.A.; Saint Petersburg State UniversityRussian Federation; эл. почта: nmiziryak@bk.ru Пристатейные ссылки: Altheide, D. L., Snow, R. P., (1979) Media Logic, , Sage; Banis, D., (2018) Fictiocracy: Media and Politics in the Age of Storytelling, , https://networkcultures.org/longform/2018/02/22/fictiocracy-media-and-politics-in-the-age-of-storytelling/, The Institute of Network Cultures (INC); Bogost, I., Ferrari, S., Schweizer, B., (2010) Newsgames: Journalism at Play, , https://doi.org/10.7551/mitpress/8854.001.0001, The MIT Press; Boylorn, R. M., Visual voices and aural (auto)ethnographies: The personal, political, and polysemic value of storytelling and/in communication (2021) Review of Communication, 21 (1), pp. 1-8. , https://doi.org/10.1080/15358593.2021.1905870; Bulgakova, A. A., Creating a New World: Transmedia Storitelling Principles in the COVID-19 Pandemic News Discourse (2021) Actual issues of modern philology and journalism, 3 (42), pp. 82-90. , https://doi.org/10.14529/ssh210411, (In Russian); Chernenko, Yu. A., The “House of Cards” of Political Reality (2018) The Art and Science of Television, 14 (1), pp. 184-210. , https://doi.org/10.30628/1994-9529-2018-14.1-184-210, (In Russian); Chernykh, A. I., Media Rituals (2012) Sociological Journal, 4, pp. 106-129. , (In Russian); Chetina, E. M., Klyuykova, E. A., Fandoms and Fanfics: Creative Practices on Virtual Platforms (2015) Perm University Herald. Russian and Foreign Philology, 3, pp. 95-104. , (In Russian); Dmitriev, A. V., Sychev, A. A., (2005) Smekh: Sotsiofilosofskiy analiz, , Al'fa. (In Russian); Dunas, D. V., (2021) Mediapotreblenie “tsifrovoy molodezhi” v Rossii, , Izdatel'stvo Moskovskogo universiteta. (In Russian); Hedling, E., Storytelling in EU public diplomacy: Reputation management and recognition of success (2020) Place Branding and Public Diplomacy, 16, pp. 143-152. , https://doi.org/10.1057/s41254-019-00138-2; Hepp, A., Krotz, F., (2014) Mediatized Worlds: Culture and Society in a Media Age, , https://doi.org/10.1057/9781137300355_1, Palgrave; Huizinga, J., (2011) Homo Ludens, , Izdatel'stvo Ivana Limbakha. (In Russian); Ivanova, E. M., Classic Domestic Thinkers{\textquoteright} Ideas on Humor and Laughter and Modern Psychology of Humor (2017) Studia Culturae, 1 (31), pp. 57-74. , (In Russian); Korobko, M. A., Sootnoshenie kanona i fanona (na materiale fandomov «Sherlok», «Merlin», «Sverkh{"}estestvennoe») (2015) Vestnik Bryanskogo gosuniversiteta, 2, pp. 254-256. , (In Russian); Lilleker, D., Veneti, A., (2023) Research Handbook on Visual Politics, , https://doi.org/10.4337/9781800376939, Edward Elgar Publishing; Luhmann, N., (2012) Real'nost' massmedia, , Kanon+; ROOI Reabilitatsiya. (In Russian); Martin, R., (2009) Psikhologiya yumora, , Piter. (In Russian); McQuail, D., (2014) Zhurnalistika i obshchestvo: Uchebnik dlya zhurnalistov, , MediaMir. (In Russian); Micalizzi, A., Piccioni, T., “In front of you”: Public figures and personal images in the digital arena. The visual storytelling of politics and its effects (2022) Mediascapes Journal, 20, pp. 109-130; Monahan, B., Maratea, R. J., The Art of the Spiel: Analyzing Donald Trump{\textquoteright}s Tweets as Gonzo Storytelling (2021) Symbolic Interaction, 44 (4), pp. 699-727. , https://doi.org/10.1002/symb.540; Ni{\v s}i{\'c}, V., Plav{\v s}i{\'c}, D., The role of media in the construction of social reality (2014) Sociological Discourse, 4 (7), pp. 73-81. , https://doi.org/10.7251/SOCEN1407073N; Osmanova, D. N., Multimedia Storitelling as a Form of Revival of Mytho-Folklor Communication Under the Conditions of Modern Media Space (within the Framework of Theory G.M. Mcluen) (2019) Foreign Languages in Uzbekistan, 6, pp. 173-186. , https://doi.org/10.36078/1581927480, (In Russian); Pyanykh, E. P., Carnival discourse network subculture (2019) Bulletin of Chelyabinsk State University, 8, pp. 44-50. , https://doi.org/10.24411/1994-2796-2019-10807, (In Russian); Raynauld, V., Lalancette, M., Pictures, Filters, and Politics: Instagram{\textquoteright}s Role in Political Image Making and Storytelling in Canada (2021) Visual Communication Quarterly, 28 (4), pp. 212-226. , https://doi.org/10.1080/15551393.2021.1986827; Shakhova, I. A., Tricksters as a Factor in Society{\textquoteright}s Social Transformation (2022) Society: Sociology, Psychology, Pedagogics, 8, pp. 62-66. , https://doi.org/10.24158/spp.2022.8.8, (In Russian); Suls, J., Cognitive processes in humor appreciation (1983) Handbook of humor research: Basic issues, 1, pp. 1-57. , https://doi.org/10.1007/978-1-4612-5572-7_3; Tertychny, A. A., Objective information in media: is it reachable? (2018) Belgorod State University Scientific bulletin, 1, pp. 98-104. , https://doi.org/10.18413/2075-4574-2018-37-1-113-120, (In Russian); Tiupa, V. I., New Discourse as Narratological Problem (2017) The New Philological Bulletin, 3, pp. 40-51. , https://doi.org/10.24411/2072-9316-2017-00010, (In Russian); Volkova, I. I., Multimedia Journalism: Newsgames (2014) RUDN Journal of Studies in Literature and Journalism, 1, pp. 105-112. , (In Russian); (2018) National Storitelling Network, , https://storynet.org/what-is-storytelling/; Wyer, R., Collins, J., A Theory of Humor Elicitation (1992) Psychological Review October, 99 (4), pp. 663-688. , https://doi.org/10.1037/0033-295X.99.4.663",
year = "2024",
month = feb,
day = "14",
doi = "10.46539/gmd.v6i1.438",
language = "русский",
volume = "6",
pages = "77--99",
journal = " GALACTICA MEDIA: JOURNAL OF MEDIA STUDIES",
issn = "2658-7734",
publisher = "Frontier Group",
number = "1",

}

RIS

TY - JOUR

T1 - Virtual Romans and Virtual French: Recontextualization of Political News in the Format of Playing with History

AU - Miziryak, N.A.

N1 - Export Date: 4 March 2024 Адрес для корреспонденции: Miziryak, N.A.; Saint Petersburg State UniversityRussian Federation; эл. почта: nmiziryak@bk.ru Пристатейные ссылки: Altheide, D. L., Snow, R. P., (1979) Media Logic, , Sage; Banis, D., (2018) Fictiocracy: Media and Politics in the Age of Storytelling, , https://networkcultures.org/longform/2018/02/22/fictiocracy-media-and-politics-in-the-age-of-storytelling/, The Institute of Network Cultures (INC); Bogost, I., Ferrari, S., Schweizer, B., (2010) Newsgames: Journalism at Play, , https://doi.org/10.7551/mitpress/8854.001.0001, The MIT Press; Boylorn, R. M., Visual voices and aural (auto)ethnographies: The personal, political, and polysemic value of storytelling and/in communication (2021) Review of Communication, 21 (1), pp. 1-8. , https://doi.org/10.1080/15358593.2021.1905870; Bulgakova, A. A., Creating a New World: Transmedia Storitelling Principles in the COVID-19 Pandemic News Discourse (2021) Actual issues of modern philology and journalism, 3 (42), pp. 82-90. , https://doi.org/10.14529/ssh210411, (In Russian); Chernenko, Yu. A., The “House of Cards” of Political Reality (2018) The Art and Science of Television, 14 (1), pp. 184-210. , https://doi.org/10.30628/1994-9529-2018-14.1-184-210, (In Russian); Chernykh, A. I., Media Rituals (2012) Sociological Journal, 4, pp. 106-129. , (In Russian); Chetina, E. M., Klyuykova, E. A., Fandoms and Fanfics: Creative Practices on Virtual Platforms (2015) Perm University Herald. Russian and Foreign Philology, 3, pp. 95-104. , (In Russian); Dmitriev, A. V., Sychev, A. A., (2005) Smekh: Sotsiofilosofskiy analiz, , Al'fa. (In Russian); Dunas, D. V., (2021) Mediapotreblenie “tsifrovoy molodezhi” v Rossii, , Izdatel'stvo Moskovskogo universiteta. (In Russian); Hedling, E., Storytelling in EU public diplomacy: Reputation management and recognition of success (2020) Place Branding and Public Diplomacy, 16, pp. 143-152. , https://doi.org/10.1057/s41254-019-00138-2; Hepp, A., Krotz, F., (2014) Mediatized Worlds: Culture and Society in a Media Age, , https://doi.org/10.1057/9781137300355_1, Palgrave; Huizinga, J., (2011) Homo Ludens, , Izdatel'stvo Ivana Limbakha. (In Russian); Ivanova, E. M., Classic Domestic Thinkers’ Ideas on Humor and Laughter and Modern Psychology of Humor (2017) Studia Culturae, 1 (31), pp. 57-74. , (In Russian); Korobko, M. A., Sootnoshenie kanona i fanona (na materiale fandomov «Sherlok», «Merlin», «Sverkh"estestvennoe») (2015) Vestnik Bryanskogo gosuniversiteta, 2, pp. 254-256. , (In Russian); Lilleker, D., Veneti, A., (2023) Research Handbook on Visual Politics, , https://doi.org/10.4337/9781800376939, Edward Elgar Publishing; Luhmann, N., (2012) Real'nost' massmedia, , Kanon+; ROOI Reabilitatsiya. (In Russian); Martin, R., (2009) Psikhologiya yumora, , Piter. (In Russian); McQuail, D., (2014) Zhurnalistika i obshchestvo: Uchebnik dlya zhurnalistov, , MediaMir. (In Russian); Micalizzi, A., Piccioni, T., “In front of you”: Public figures and personal images in the digital arena. The visual storytelling of politics and its effects (2022) Mediascapes Journal, 20, pp. 109-130; Monahan, B., Maratea, R. J., The Art of the Spiel: Analyzing Donald Trump’s Tweets as Gonzo Storytelling (2021) Symbolic Interaction, 44 (4), pp. 699-727. , https://doi.org/10.1002/symb.540; Nišić, V., Plavšić, D., The role of media in the construction of social reality (2014) Sociological Discourse, 4 (7), pp. 73-81. , https://doi.org/10.7251/SOCEN1407073N; Osmanova, D. N., Multimedia Storitelling as a Form of Revival of Mytho-Folklor Communication Under the Conditions of Modern Media Space (within the Framework of Theory G.M. Mcluen) (2019) Foreign Languages in Uzbekistan, 6, pp. 173-186. , https://doi.org/10.36078/1581927480, (In Russian); Pyanykh, E. P., Carnival discourse network subculture (2019) Bulletin of Chelyabinsk State University, 8, pp. 44-50. , https://doi.org/10.24411/1994-2796-2019-10807, (In Russian); Raynauld, V., Lalancette, M., Pictures, Filters, and Politics: Instagram’s Role in Political Image Making and Storytelling in Canada (2021) Visual Communication Quarterly, 28 (4), pp. 212-226. , https://doi.org/10.1080/15551393.2021.1986827; Shakhova, I. A., Tricksters as a Factor in Society’s Social Transformation (2022) Society: Sociology, Psychology, Pedagogics, 8, pp. 62-66. , https://doi.org/10.24158/spp.2022.8.8, (In Russian); Suls, J., Cognitive processes in humor appreciation (1983) Handbook of humor research: Basic issues, 1, pp. 1-57. , https://doi.org/10.1007/978-1-4612-5572-7_3; Tertychny, A. A., Objective information in media: is it reachable? (2018) Belgorod State University Scientific bulletin, 1, pp. 98-104. , https://doi.org/10.18413/2075-4574-2018-37-1-113-120, (In Russian); Tiupa, V. I., New Discourse as Narratological Problem (2017) The New Philological Bulletin, 3, pp. 40-51. , https://doi.org/10.24411/2072-9316-2017-00010, (In Russian); Volkova, I. I., Multimedia Journalism: Newsgames (2014) RUDN Journal of Studies in Literature and Journalism, 1, pp. 105-112. , (In Russian); (2018) National Storitelling Network, , https://storynet.org/what-is-storytelling/; Wyer, R., Collins, J., A Theory of Humor Elicitation (1992) Psychological Review October, 99 (4), pp. 663-688. , https://doi.org/10.1037/0033-295X.99.4.663

PY - 2024/2/14

Y1 - 2024/2/14

N2 - The oversaturation of information flows and the competition among diverse viewpoints underscore the significance of every message that captures the audience’s attention and provokes discussion. Thus, exploring new formats and methods for attracting attention to news agendas, analyzing innovative persuasion techniques, and scrutinizing gaps and overlooked aspects in discussion platforms become particularly crucial in cutting-edge media studies. One such innovative format for news perception and discussion can be found in virtual pseudo-historical public pages on VK. These pages engage with the real socio-political news agenda, stylized as events from different eras such as ancient Rome and 19th-century France. The aim of our research is to identify techniques for attracting attention, encouraging discussion, and persuading audiences in these selected public forums. We analyzed the characteristics of recontextualized news presentations, including the transposition of time and place, renaming key figures and technologies, and the nuances of internal humor on these public pages. A primary focus of these pages is political news, particularly the Russian-Ukrainian crisis, which is metaphorically represented through the lens of the Punic or Napoleonic wars. This juxtaposition of historical and contemporary perspectives enables users to interpret the political agenda differently. This pseudo-historical linguistic play and unique humor bypass critical perception filters, and once readers accept the internal logic of the public pages, they also tend to accept the narratives presented. The ability to comment on posts allows users to engage in the same narrative style, broaden the scope of news discussions, and involve their friends by reposting to their own pages. © 2024, LLC Scientific Industrial Enterprise "Genesis. Frontier. Science". All rights reserved.

AB - The oversaturation of information flows and the competition among diverse viewpoints underscore the significance of every message that captures the audience’s attention and provokes discussion. Thus, exploring new formats and methods for attracting attention to news agendas, analyzing innovative persuasion techniques, and scrutinizing gaps and overlooked aspects in discussion platforms become particularly crucial in cutting-edge media studies. One such innovative format for news perception and discussion can be found in virtual pseudo-historical public pages on VK. These pages engage with the real socio-political news agenda, stylized as events from different eras such as ancient Rome and 19th-century France. The aim of our research is to identify techniques for attracting attention, encouraging discussion, and persuading audiences in these selected public forums. We analyzed the characteristics of recontextualized news presentations, including the transposition of time and place, renaming key figures and technologies, and the nuances of internal humor on these public pages. A primary focus of these pages is political news, particularly the Russian-Ukrainian crisis, which is metaphorically represented through the lens of the Punic or Napoleonic wars. This juxtaposition of historical and contemporary perspectives enables users to interpret the political agenda differently. This pseudo-historical linguistic play and unique humor bypass critical perception filters, and once readers accept the internal logic of the public pages, they also tend to accept the narratives presented. The ability to comment on posts allows users to engage in the same narrative style, broaden the scope of news discussions, and involve their friends by reposting to their own pages. © 2024, LLC Scientific Industrial Enterprise "Genesis. Frontier. Science". All rights reserved.

KW - Communication Technologies

KW - Gaming Technologies

KW - Humor

KW - Internet Audience

KW - Language Practices

KW - Media Consumption

KW - New Media

KW - News Agenda

KW - Political Communications

KW - Virtual Communities

UR - https://www.mendeley.com/catalogue/0f0bb527-9150-3f58-bbc3-0f054f29c2a1/

U2 - 10.46539/gmd.v6i1.438

DO - 10.46539/gmd.v6i1.438

M3 - статья

VL - 6

SP - 77

EP - 99

JO - GALACTICA MEDIA: JOURNAL OF MEDIA STUDIES

JF - GALACTICA MEDIA: JOURNAL OF MEDIA STUDIES

SN - 2658-7734

IS - 1

ER -

ID: 117319165