TY - JOUR

T1 - Three Fundamental Principles of Image of Heavenly Rose in “Divine Comedy” by Dante Alighieri

T2 - Nauchnyi Dialog

AU - Gorbovskaya, S.G.

N1 - Export Date: 4 March 2024 Адрес для корреспонденции: Gorbovskaya, S.G.; Department of French, Russian Federation; эл. почта: vard_05@mail.ru Сведения о финансировании: Russian Science Foundation, RSF, 23-28-00317 Текст о финансировании 1: The study was supported by a grant from the Russian Science Foundation № 23-28-00317, https://rscf.ru/project/23-28-00317/ Пристатейные ссылки: Barnes John, С., Ut architectura poesis? The Case of Dante’s candida rosa (1986) The Italianist, 6, pp. 19-33; Fraser, D. D., (1986) Golden branch, pp. 321-327. , Moscow: Publishing House of Political Literature. (In Russ); Fulcanelli, (1996) The Mystery of Gothic Cathedrals, p. 240. , Moscow: Vakler. ISBN 978-5-94698-034-0. (In Russ); Gasparov, M. L., Poetry of vagants (1975) Poetry of vagants, pp. 421-515. , Moscow: Nauka. (In Russ); Golenishchev-Kutuzov, I. N., (1971) Creativity of Dante and world culture, p. 552. , Moscow: Nauka. (In Russ); Haudebourg, M.-Th., (2009) Roses du Jardin, p. 170. , Paris: Hachette Pratique. ISBN 2010201299. (In Frenc); Holland, R. A., Dante’s White Rose of Paradise (1905) The Sewanee Review, 13 (4), pp. 385-400. , http://ja-tora.com/narciss-saronskij-lilija-dolin/, Krol, Sh. Narcissus of Saron, lily of the valleys/The Jewish Bible and the World. (accessed 03.06.2022). (In Russ); Latino, P., The Initiatory Rose. From the Rose of Dante and of the Fedeli d’Amore to the Rose of Nerval (2020) Revue Nerval, 4, pp. 277-292; Lebedeva, V. V., Mystical symbolism of “Roses” in history and iconography. Universum: philology and art criticism: electron. scientific (2020) Journal, 6 (73). , https://7universum.com/ru/philology/archive/item/9782, (accessed 20.02.2023). (In Russ); Leen, L., (2005) Resistance Breeding For Powdery Mildew and Black Spot in Roses, p. 148; Marianova, L. M., (2015) Legends and myths about plants. Legends of the ancient East, pagan myths, ancient legends, biblical stories, p. 511. , Moscow: ZAO Publishing House Tsentrpoligraf. ISBN 978-5-227-04926-1. (In Russ); Mazur, N. N., Once again about the Virgin Rose (in connection with Baratynsky’s poem “Even as a Patriarch I am not ancient…”) (2007) Pushkin readings in Tartu. The Pushkin Epoch: problems of reflection and commentary. Materials of the international conference, pp. 345-378. , Tartu: University of Tartu. (In Russ); Nazarov, V. N., Architectonics and symbolism of the Paradise Rose in Dante’s “Divine Comedy” (2021) Nauka. Art. Culture, 2 (30), pp. 44-58. , (In Russ); Nikola, M. I., The Divine Comedy” of Dante and the genre of medieval visions (2015) Bulletin of the Gorky Literary Institute, 4, pp. 7-14. , (In Russ); Pastoureau, M., Le vegetal (2004) Une histoire symbolique du Moyen Age occidental, pp. 317-327. , Paris: Seuil. ISBN 2020136112. (In Frenc); Picoche, J., (1992) Dictionnaire étymologique du français, p. 619. , Paris: Dictionnaires le Robert. (In Frenc); Prina, F., Demartini, E., (2006) Petite encyclopédie de l’architecture, p. 429. , Paris: Solar. (In Frenc); Richards., E. J., (1981) Dante and the «Roman de la Rose», p. 116. , Niemeyer: De Gruyter; Rukavchuk, L. N., Pedigree of flowers (1997) The magic world of flowers, pp. 7-190. , St. Petersburg: IKF “MiM-Express ISBN 5-7562-0092-4. (In Russ); Scipio, G. C., Di The Hebrew Women in Dante’s Symbolic Rose (1983) Dante Studies, with the Annual Report of the Dante Society, 101, pp. 111-121; Sharafadina, K. I., (2015) Selam, open up, p. 544. , St. Petersburg: Nestor-History. ISBN 978-5-4469-1451-7. (In Russ); Viollet-le-Duc, Eu, (1866) Dictionnaire raisonné de l’architecture française du XIe au XVIe siècle, 8, p. 520. , Paris: Maison d’édition A. Morel. (In Frenc); Vyshenskaya, Yu. P., (2023) Formation of the category “artistic style” in a medieval literary text, p. 405. , Doct. Diss. St. Petersburg. (In Russ); Zolotnitsky, N. F., (2005) Flowers in legends and legends, p. 320. , Moscow: Bustard-Plus. ISBN 5-9555-0794-9. (In Russ)

PY - 2023

Y1 - 2023

N2 - The theme of the image fundamental principles of the heavenly rose (rosa candida) in Dante Alighieri’s poem “The Divine Comedy” is considered. The relevance of the study lies in the unquenchable acute interest of literary critics in issues related to the poem itself, Dante’s work, as well as to the study of the symbolism of the rose as a literary, visual and cultural phenomenon. It is shown that in Dante’s poem this theme is revealed through the image of a rose in the last part of the comedy “Paradise”. The author of the article traces the history of the formation of a rose image in ancient and medieval literature, architecture, icon painting, as well as the species distribution of the rose plant in medieval Europe. The signs of Dante’s inheritance of those semantic features of the rose that had developed in the texts by the 14th century are revealed. It has been established that Dante could well compare the heavenly rose with an architectural detail—a rose window decorated with stained-glass windows depicting God, Jesus and the Virgin, as well as with a view of Rosa Alba—a white rose, one of the oldest among those brought to Europe. In conclusion, the author of the article points out all the impulses for the birth of the heavenly rose and the characteristic features of these borrowings in Dante’s text. © 2023, Tsentr Nauchnykh i Obrazovatelnykh Proektov. All rights reserved.

AB - The theme of the image fundamental principles of the heavenly rose (rosa candida) in Dante Alighieri’s poem “The Divine Comedy” is considered. The relevance of the study lies in the unquenchable acute interest of literary critics in issues related to the poem itself, Dante’s work, as well as to the study of the symbolism of the rose as a literary, visual and cultural phenomenon. It is shown that in Dante’s poem this theme is revealed through the image of a rose in the last part of the comedy “Paradise”. The author of the article traces the history of the formation of a rose image in ancient and medieval literature, architecture, icon painting, as well as the species distribution of the rose plant in medieval Europe. The signs of Dante’s inheritance of those semantic features of the rose that had developed in the texts by the 14th century are revealed. It has been established that Dante could well compare the heavenly rose with an architectural detail—a rose window decorated with stained-glass windows depicting God, Jesus and the Virgin, as well as with a view of Rosa Alba—a white rose, one of the oldest among those brought to Europe. In conclusion, the author of the article points out all the impulses for the birth of the heavenly rose and the characteristic features of these borrowings in Dante’s text. © 2023, Tsentr Nauchnykh i Obrazovatelnykh Proektov. All rights reserved.

KW - Dante Alighieri

KW - early Renaissance

KW - Gothic

KW - heavenly rose

KW - Middle Ages

KW - rosa candida

KW - Rosa Mystic

KW - rose window

U2 - 10.24224/2227-1295-2023-12-4-280-297

DO - 10.24224/2227-1295-2023-12-4-280-297

M3 - статья

VL - 12

SP - 280

EP - 297

JO - Научный диалог

JF - Научный диалог

SN - 2225-756X

IS - 4

ER -