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@article{cec90c0dfd7c4b16b68a9a4995b6a8d4,
title = "The Scene of the Dramatic Culmination in The Tidings Brought to Mary, a Mystery Play by Paul Claudel, from the 1912 Edition. Organization of the Sound Space",
abstract = "The article examines the sound space in the second scene of Act II, the culminating scene of The Tidings Brought to Mary, the first edition of Paul Claudel{\textquoteright}s mystery play. An analysis is made of the composition and dramaturgy of this scene in order to discern the functions of theatrical music as well as the particularities of sound dramaturgy in the sacred space of the mystery play. The author arrived at the conclusion that the organization of the musical space in Act III, Scene 2 has engendered a new understanding of the universal meaning of the mystery in the 20th century.",
keywords = "Claudel, The Tidings Brought to Mary, mystery play, sound dramaturgy, sound space",
author = "Азарова, {Валентина Владимировна}",
year = "2022",
month = jun,
day = "1",
doi = "10.33779/2782-3598.2022.2.134-145",
language = "English",
pages = "134--145",
journal = "Music Scholarship",
issn = "1997-0854",
publisher = "Уфимский государственный институт искусств им. Загира Исмагилова",
number = "2",

}

RIS

TY - JOUR

T1 - The Scene of the Dramatic Culmination in The Tidings Brought to Mary, a Mystery Play by Paul Claudel, from the 1912 Edition. Organization of the Sound Space

AU - Азарова, Валентина Владимировна

PY - 2022/6/1

Y1 - 2022/6/1

N2 - The article examines the sound space in the second scene of Act II, the culminating scene of The Tidings Brought to Mary, the first edition of Paul Claudel’s mystery play. An analysis is made of the composition and dramaturgy of this scene in order to discern the functions of theatrical music as well as the particularities of sound dramaturgy in the sacred space of the mystery play. The author arrived at the conclusion that the organization of the musical space in Act III, Scene 2 has engendered a new understanding of the universal meaning of the mystery in the 20th century.

AB - The article examines the sound space in the second scene of Act II, the culminating scene of The Tidings Brought to Mary, the first edition of Paul Claudel’s mystery play. An analysis is made of the composition and dramaturgy of this scene in order to discern the functions of theatrical music as well as the particularities of sound dramaturgy in the sacred space of the mystery play. The author arrived at the conclusion that the organization of the musical space in Act III, Scene 2 has engendered a new understanding of the universal meaning of the mystery in the 20th century.

KW - Claudel

KW - The Tidings Brought to Mary

KW - mystery play

KW - sound dramaturgy

KW - sound space

UR - http://journalpmn.ru/index.php/PMN/article/view/1305

UR - https://www.mendeley.com/catalogue/57a65dfa-911a-3508-88d9-baf364158b28/

U2 - 10.33779/2782-3598.2022.2.134-145

DO - 10.33779/2782-3598.2022.2.134-145

M3 - Article

SP - 134

EP - 145

JO - Music Scholarship

JF - Music Scholarship

SN - 1997-0854

IS - 2

ER -

ID: 97647134