The image of the town in the paintings of the 17-century Delft painting: The issue of genre synthesis

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The image of the town in the paintings of the 17-century Delft painting: The issue of genre synthesis. / Dmitrieva, Anna Alekseevna.

In: Middle-East Journal of Scientific Research, No. 19 (4), 2014, p. 501-504.

Research output: Contribution to journal › Article

BibTeX

@article{a0d5cbe438514c94a50b839507145d5b,

title = "The image of the town in the paintings of the 17-century Delft painting: The issue of genre synthesis",

abstract = "The article examines the works of the Dutch artists of the 17th century Delft School of painting, which exemplify {\`a} synthesis of townscape painting and the daily-life genre. The topicality of this subject is due to the fact that it has not been developed sufficiently enough in historiography. The article{\textquoteright}s scientific novelty lies in that it provides a detailed analysis of paintings based on the formal-stylistic and retrospective methods. Especial attention is given to the works of Carel Fabritius and Pieter de Hooch. The author comes to the conclusion that the paintings of the Delft artists are on the border of two genres - topographical townscape painting and the daily-life genre. In this context, they serve as the basis for the emergence of 18th century veduta painting.",

keywords = "Delft, 17th century, Dutch painting, townscape, Daily-life genre, Perspective, Genre synthesis",

author = "Dmitrieva, {Anna Alekseevna}",

year = "2014",

language = "English",

pages = "501--504",

journal = "Middle East Journal of Scientific Research",

issn = "1990-9233",

publisher = "International Digital Organization for Scientific Information",

number = "19 (4)",

}

RIS

TY - JOUR

T1 - The image of the town in the paintings of the 17-century Delft painting: The issue of genre synthesis

AU - Dmitrieva, Anna Alekseevna

PY - 2014

Y1 - 2014

N2 - The article examines the works of the Dutch artists of the 17th century Delft School of painting, which exemplify à synthesis of townscape painting and the daily-life genre. The topicality of this subject is due to the fact that it has not been developed sufficiently enough in historiography. The article’s scientific novelty lies in that it provides a detailed analysis of paintings based on the formal-stylistic and retrospective methods. Especial attention is given to the works of Carel Fabritius and Pieter de Hooch. The author comes to the conclusion that the paintings of the Delft artists are on the border of two genres - topographical townscape painting and the daily-life genre. In this context, they serve as the basis for the emergence of 18th century veduta painting.

AB - The article examines the works of the Dutch artists of the 17th century Delft School of painting, which exemplify à synthesis of townscape painting and the daily-life genre. The topicality of this subject is due to the fact that it has not been developed sufficiently enough in historiography. The article’s scientific novelty lies in that it provides a detailed analysis of paintings based on the formal-stylistic and retrospective methods. Especial attention is given to the works of Carel Fabritius and Pieter de Hooch. The author comes to the conclusion that the paintings of the Delft artists are on the border of two genres - topographical townscape painting and the daily-life genre. In this context, they serve as the basis for the emergence of 18th century veduta painting.

KW - Delft

KW - 17th century

KW - Dutch painting

KW - townscape

KW - Daily-life genre

KW - Perspective

KW - Genre synthesis

M3 - Article

SP - 501

EP - 504

JO - Middle East Journal of Scientific Research

JF - Middle East Journal of Scientific Research

SN - 1990-9233

IS - 19 (4)

ER -

ID: 5692969