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The current state of culture in Russia as reflected in the art, museum, exhibition sphere. / Biryukova, Marina.

A Closer Look at Russia and its Influence in the World. ed. / Constantinos Fillis. New York : Nova Science Publishers, Inc., 2019. p. 157-173.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Harvard

Biryukova, M 2019, The current state of culture in Russia as reflected in the art, museum, exhibition sphere. in C Fillis (ed.), A Closer Look at Russia and its Influence in the World. Nova Science Publishers, Inc., New York, pp. 157-173.

APA

Biryukova, M. (2019). The current state of culture in Russia as reflected in the art, museum, exhibition sphere. In C. Fillis (Ed.), A Closer Look at Russia and its Influence in the World (pp. 157-173). Nova Science Publishers, Inc..

Vancouver

Biryukova M. The current state of culture in Russia as reflected in the art, museum, exhibition sphere. In Fillis C, editor, A Closer Look at Russia and its Influence in the World. New York: Nova Science Publishers, Inc. 2019. p. 157-173

Author

Biryukova, Marina. / The current state of culture in Russia as reflected in the art, museum, exhibition sphere. A Closer Look at Russia and its Influence in the World. editor / Constantinos Fillis. New York : Nova Science Publishers, Inc., 2019. pp. 157-173

BibTeX

@inbook{8f71af51b2b74f41b10780a75bded71c,
title = "The current state of culture in Russia as reflected in the art, museum, exhibition sphere",
abstract = "Russia's contemporary impact on art, exhibition practice and museum work is a subject of intensive scientific discussion today, as it reflects the country's status not only in the global cultural context, but also in the context of ideological, political, and media aspects. A hypothetical {"}soft power{"} of the native mass media and mainstream art is reflected in a number of traditional cliches, considered in this chapter: among them Moscow the {"}Third Rome, {"}Russian messianism, the axiological antinomy {"}Holy Russia and Euro-Sodom{"} and other cultural myths and ideas. Curatorial conceptions of the biggest museums and galleries demonstrate the same tendencies, but, on the other hand, Russian cultural institutions try to be a part of the international art world. The dialectics of the Russian cultural mission, in general, are based on the opposition of conservative tendencies and contemporary trends in art associated with aspects of success, novelty, commercial value, media impact and global evolution of art.",
keywords = "Cultural myths, Exhibition practice, Media world, Museum, Russian contemporary art, Russian cultural policy",
author = "Marina Biryukova",
note = "Russia{\textquoteright}s contemporary impact on art, exhibition practice and museum work is a subject of intensive scientific discussion today, as it reflects the country{\textquoteright}s status not only in the global cultural context, but also in the context of ideological, political, and media aspects. A hypothetical “soft power” of the native mass media and mainstream art is reflected in a number of traditional clich{\'e}s, considered in this chapter: among them Moscow the “Third Rome,” Russian messianism, the axiological antinomy “Holy Russia and Euro-Sodom” and other cultural myths and ideas. Curatorial conceptions of the biggest museums and galleries demonstrate the same tendencies, but, on the other hand, Russian cultural institutions try to be a part of the international art world. The dialectics of the Russian cultural mission, in general, are based on the opposition of conservative tendencies and contemporary trends in art associated with aspects of success, novelty, commercial value, media impact and global evolution of art",
year = "2019",
month = jun,
day = "3",
language = "English",
isbn = "9781536156317",
pages = "157--173",
editor = "Constantinos Fillis",
booktitle = "A Closer Look at Russia and its Influence in the World",
publisher = "Nova Science Publishers, Inc.",
address = "United States",

}

RIS

TY - CHAP

T1 - The current state of culture in Russia as reflected in the art, museum, exhibition sphere

AU - Biryukova, Marina

N1 - Russia’s contemporary impact on art, exhibition practice and museum work is a subject of intensive scientific discussion today, as it reflects the country’s status not only in the global cultural context, but also in the context of ideological, political, and media aspects. A hypothetical “soft power” of the native mass media and mainstream art is reflected in a number of traditional clichés, considered in this chapter: among them Moscow the “Third Rome,” Russian messianism, the axiological antinomy “Holy Russia and Euro-Sodom” and other cultural myths and ideas. Curatorial conceptions of the biggest museums and galleries demonstrate the same tendencies, but, on the other hand, Russian cultural institutions try to be a part of the international art world. The dialectics of the Russian cultural mission, in general, are based on the opposition of conservative tendencies and contemporary trends in art associated with aspects of success, novelty, commercial value, media impact and global evolution of art

PY - 2019/6/3

Y1 - 2019/6/3

N2 - Russia's contemporary impact on art, exhibition practice and museum work is a subject of intensive scientific discussion today, as it reflects the country's status not only in the global cultural context, but also in the context of ideological, political, and media aspects. A hypothetical "soft power" of the native mass media and mainstream art is reflected in a number of traditional cliches, considered in this chapter: among them Moscow the "Third Rome, "Russian messianism, the axiological antinomy "Holy Russia and Euro-Sodom" and other cultural myths and ideas. Curatorial conceptions of the biggest museums and galleries demonstrate the same tendencies, but, on the other hand, Russian cultural institutions try to be a part of the international art world. The dialectics of the Russian cultural mission, in general, are based on the opposition of conservative tendencies and contemporary trends in art associated with aspects of success, novelty, commercial value, media impact and global evolution of art.

AB - Russia's contemporary impact on art, exhibition practice and museum work is a subject of intensive scientific discussion today, as it reflects the country's status not only in the global cultural context, but also in the context of ideological, political, and media aspects. A hypothetical "soft power" of the native mass media and mainstream art is reflected in a number of traditional cliches, considered in this chapter: among them Moscow the "Third Rome, "Russian messianism, the axiological antinomy "Holy Russia and Euro-Sodom" and other cultural myths and ideas. Curatorial conceptions of the biggest museums and galleries demonstrate the same tendencies, but, on the other hand, Russian cultural institutions try to be a part of the international art world. The dialectics of the Russian cultural mission, in general, are based on the opposition of conservative tendencies and contemporary trends in art associated with aspects of success, novelty, commercial value, media impact and global evolution of art.

KW - Cultural myths

KW - Exhibition practice

KW - Media world

KW - Museum

KW - Russian contemporary art

KW - Russian cultural policy

UR - http://www.scopus.com/inward/record.url?scp=85077051611&partnerID=8YFLogxK

M3 - Chapter

SN - 9781536156317

SP - 157

EP - 173

BT - A Closer Look at Russia and its Influence in the World

A2 - Fillis, Constantinos

PB - Nova Science Publishers, Inc.

CY - New York

ER -

ID: 42260619