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STUDY OF VISUAL GARBAGE AS VISUAL ECOLOGY PERSPECTIVE. / Очеретяный, Константин Алексеевич.

In: GALACTICA MEDIA: JOURNAL OF MEDIA STUDIES, Vol. 4, No. 2, 30.09.2022, p. 153-172.

Research output: Contribution to journalArticlepeer-review

Harvard

Очеретяный, КА 2022, 'STUDY OF VISUAL GARBAGE AS VISUAL ECOLOGY PERSPECTIVE', GALACTICA MEDIA: JOURNAL OF MEDIA STUDIES, vol. 4, no. 2, pp. 153-172. https://doi.org/10.46539/gmd.v4i2.283

APA

Vancouver

Author

Очеретяный, Константин Алексеевич. / STUDY OF VISUAL GARBAGE AS VISUAL ECOLOGY PERSPECTIVE. In: GALACTICA MEDIA: JOURNAL OF MEDIA STUDIES. 2022 ; Vol. 4, No. 2. pp. 153-172.

BibTeX

@article{35c13fccc87b40de95dd96236c3823af,
title = "STUDY OF VISUAL GARBAGE AS VISUAL ECOLOGY PERSPECTIVE",
abstract = "The following article explores the notion of visual garbage and considers various strategies for its recycling, upcycling, and use. Visual garbage is investigated in the context of media sphere development and the theory of garbage itself. The authors propose to analyse such approaches of visual garbage use, as visual camouflage and glitch art, as well as to examine the principles of visual garbage recycling in terms of the Aristotelian conception of causality. Understanding garbage as a medium helps not only to uncover the features of its circulation, but also to consider garbage as a source of knowledge accumulation. Moreover, it helps to find new social, political and aesthetic strategies for understanding contemporaneity, which in turn allows us to draw conclusions about the untapped potential of visual garbage. Visual garbage not only becomes a source of visual pollution, but also contains a resource for reality conversion. In order to determine the criteria for visual pollution, it is necessary to examine the performative productivity of garbage and its effect as a mediating tool.",
keywords = "VISUAL GARBAGE, VISUAL ECOLOGY, GLITCH, NOISE, COMPUTER GAMES",
author = "Очеретяный, {Константин Алексеевич}",
note = " eLIBRARY ID: 48732245 EDN: XYDTUY DOI: 10.46539/gmd.v4i2.283 ",
year = "2022",
month = sep,
day = "30",
doi = "10.46539/gmd.v4i2.283",
language = "русский",
volume = "4",
pages = "153--172",
journal = " GALACTICA MEDIA: JOURNAL OF MEDIA STUDIES",
issn = "2658-7734",
publisher = "Frontier Group",
number = "2",

}

RIS

TY - JOUR

T1 - STUDY OF VISUAL GARBAGE AS VISUAL ECOLOGY PERSPECTIVE

AU - Очеретяный, Константин Алексеевич

N1 - eLIBRARY ID: 48732245 EDN: XYDTUY DOI: 10.46539/gmd.v4i2.283

PY - 2022/9/30

Y1 - 2022/9/30

N2 - The following article explores the notion of visual garbage and considers various strategies for its recycling, upcycling, and use. Visual garbage is investigated in the context of media sphere development and the theory of garbage itself. The authors propose to analyse such approaches of visual garbage use, as visual camouflage and glitch art, as well as to examine the principles of visual garbage recycling in terms of the Aristotelian conception of causality. Understanding garbage as a medium helps not only to uncover the features of its circulation, but also to consider garbage as a source of knowledge accumulation. Moreover, it helps to find new social, political and aesthetic strategies for understanding contemporaneity, which in turn allows us to draw conclusions about the untapped potential of visual garbage. Visual garbage not only becomes a source of visual pollution, but also contains a resource for reality conversion. In order to determine the criteria for visual pollution, it is necessary to examine the performative productivity of garbage and its effect as a mediating tool.

AB - The following article explores the notion of visual garbage and considers various strategies for its recycling, upcycling, and use. Visual garbage is investigated in the context of media sphere development and the theory of garbage itself. The authors propose to analyse such approaches of visual garbage use, as visual camouflage and glitch art, as well as to examine the principles of visual garbage recycling in terms of the Aristotelian conception of causality. Understanding garbage as a medium helps not only to uncover the features of its circulation, but also to consider garbage as a source of knowledge accumulation. Moreover, it helps to find new social, political and aesthetic strategies for understanding contemporaneity, which in turn allows us to draw conclusions about the untapped potential of visual garbage. Visual garbage not only becomes a source of visual pollution, but also contains a resource for reality conversion. In order to determine the criteria for visual pollution, it is necessary to examine the performative productivity of garbage and its effect as a mediating tool.

KW - VISUAL GARBAGE

KW - VISUAL ECOLOGY

KW - GLITCH

KW - NOISE

KW - COMPUTER GAMES

UR - https://www.mendeley.com/catalogue/9fa0e1b0-0fea-3e38-bd3c-bd9d088827f6/

U2 - 10.46539/gmd.v4i2.283

DO - 10.46539/gmd.v4i2.283

M3 - статья

VL - 4

SP - 153

EP - 172

JO - GALACTICA MEDIA: JOURNAL OF MEDIA STUDIES

JF - GALACTICA MEDIA: JOURNAL OF MEDIA STUDIES

SN - 2658-7734

IS - 2

ER -

ID: 100547125