This article presents literary analysis of the novel “White, Black, Red”, written by one of the cult authors of Modern Mongolia G. Ayurzana. The main hero of the novel is an artist, a creator. The author examines the fate of his philosophical and psychological aspects of creativity. Exploring the relationship of internal and external components of the process of creating a work of art G. Ayurzana presents an original concept of the creator as well as of the creation. The author of the article concludes that the realistic direction of development of modern Mongolian literature development includes a significant part of deep psychological prose.