Standard

A CROSSOVER AS AN ANSWER TO THE QUESTION OF SERIOUS AND POPULAR IN MUSIC. / Gubaydullina , M.I.; Orlov , V.S. (Editor).

«Российская наука в современном мире» XXXIX Международная научно-практическая конференция: сборник статей. НИЦ "Актуальность. РФ", 2021. p. 124-128.

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

Harvard

Gubaydullina , MI & Orlov , VS (ed.) 2021, A CROSSOVER AS AN ANSWER TO THE QUESTION OF SERIOUS AND POPULAR IN MUSIC. in «Российская наука в современном мире» XXXIX Международная научно-практическая конференция: сборник статей. НИЦ "Актуальность. РФ", pp. 124-128, Российская наука в современном мире, Москва, Russian Federation, 15/07/21.

APA

Gubaydullina , M. I., & Orlov , V. S. (Ed.) (2021). A CROSSOVER AS AN ANSWER TO THE QUESTION OF SERIOUS AND POPULAR IN MUSIC. In «Российская наука в современном мире» XXXIX Международная научно-практическая конференция: сборник статей (pp. 124-128). НИЦ "Актуальность. РФ".

Vancouver

Gubaydullina MI, Orlov VS, (ed.). A CROSSOVER AS AN ANSWER TO THE QUESTION OF SERIOUS AND POPULAR IN MUSIC. In «Российская наука в современном мире» XXXIX Международная научно-практическая конференция: сборник статей. НИЦ "Актуальность. РФ". 2021. p. 124-128

Author

Gubaydullina , M.I. ; Orlov , V.S. (Editor). / A CROSSOVER AS AN ANSWER TO THE QUESTION OF SERIOUS AND POPULAR IN MUSIC. «Российская наука в современном мире» XXXIX Международная научно-практическая конференция: сборник статей. НИЦ "Актуальность. РФ", 2021. pp. 124-128

BibTeX

@inproceedings{d5970860d37a4689a3bf2c7fdf3a3223,
title = "A CROSSOVER AS AN ANSWER TO THE QUESTION OF SERIOUS AND POPULAR IN MUSIC",
abstract = "The article is devoted to the point of contention between two categories in music: serious and popular. It is intended to find a solution to this musicological issue. The article contributes to the discovery and the conclusion that a crossover as a musical genre is a successful synthesis of serious and popular kinds of music and can be considered as an answer to the original question of their contrast. Some of the main musicological views on the topic are reviewed and analysed, especially Theodor Adorno and Richard Taruskin{\textquoteright}s ones, as well as the work of a modern Russian researcher is studied in detail. Various examples of crossovers are considered and their meanings for the problematic are clarified. Keywords: serious and popular music, T. Adorno, standardization, mainstream, elitist, R. Taruskin, crossover, genre, classical crossover, I. Makalovskaya, G. Prokofiev, Ph. Glass, operatic pop, “The Three Tenors”, hit, “Barcelona”, “Pavarotti & Friends”. ",
keywords = "серьезная и популярная музыка, Т.Адорно, стандартизация, мейнстрим, элитарный, Р.Тарускин, кроссовер, классический кроссовер, музыкальный жанр, И.Макаловская, Г.Прокофьев, Ф.Гласс, поп-опера, {"}Три тенора{"}, хит, {"}Барселона{"}, {"}Паваротти и друзья{"}",
author = "M.I. Gubaydullina and V.S. Orlov",
year = "2021",
month = jul,
day = "15",
language = "English",
isbn = "978-5-6046749-1-8",
pages = "124--128",
booktitle = "«Российская наука в современном мире» XXXIX Международная научно-практическая конференция",
publisher = "НИЦ {"}Актуальность. РФ{"}",
address = "Russian Federation",
note = "null ; Conference date: 15-07-2021 Through 15-07-2021",

}

RIS

TY - GEN

T1 - A CROSSOVER AS AN ANSWER TO THE QUESTION OF SERIOUS AND POPULAR IN MUSIC

AU - Gubaydullina , M.I.

A2 - Orlov , V.S.

PY - 2021/7/15

Y1 - 2021/7/15

N2 - The article is devoted to the point of contention between two categories in music: serious and popular. It is intended to find a solution to this musicological issue. The article contributes to the discovery and the conclusion that a crossover as a musical genre is a successful synthesis of serious and popular kinds of music and can be considered as an answer to the original question of their contrast. Some of the main musicological views on the topic are reviewed and analysed, especially Theodor Adorno and Richard Taruskin’s ones, as well as the work of a modern Russian researcher is studied in detail. Various examples of crossovers are considered and their meanings for the problematic are clarified. Keywords: serious and popular music, T. Adorno, standardization, mainstream, elitist, R. Taruskin, crossover, genre, classical crossover, I. Makalovskaya, G. Prokofiev, Ph. Glass, operatic pop, “The Three Tenors”, hit, “Barcelona”, “Pavarotti & Friends”.

AB - The article is devoted to the point of contention between two categories in music: serious and popular. It is intended to find a solution to this musicological issue. The article contributes to the discovery and the conclusion that a crossover as a musical genre is a successful synthesis of serious and popular kinds of music and can be considered as an answer to the original question of their contrast. Some of the main musicological views on the topic are reviewed and analysed, especially Theodor Adorno and Richard Taruskin’s ones, as well as the work of a modern Russian researcher is studied in detail. Various examples of crossovers are considered and their meanings for the problematic are clarified. Keywords: serious and popular music, T. Adorno, standardization, mainstream, elitist, R. Taruskin, crossover, genre, classical crossover, I. Makalovskaya, G. Prokofiev, Ph. Glass, operatic pop, “The Three Tenors”, hit, “Barcelona”, “Pavarotti & Friends”.

KW - серьезная и популярная музыка

KW - Т.Адорно

KW - стандартизация

KW - мейнстрим

KW - элитарный

KW - Р.Тарускин

KW - кроссовер

KW - классический кроссовер

KW - музыкальный жанр

KW - И.Макаловская

KW - Г.Прокофьев

KW - Ф.Гласс

KW - поп-опера

KW - "Три тенора"

KW - хит

KW - "Барселона"

KW - "Паваротти и друзья"

UR - http://актуальность.рф/xxxix-международная-научно-практическая/

M3 - Conference contribution

SN - 978-5-6046749-1-8

SP - 124

EP - 128

BT - «Российская наука в современном мире» XXXIX Международная научно-практическая конференция

PB - НИЦ "Актуальность. РФ"

Y2 - 15 July 2021 through 15 July 2021

ER -

ID: 84772916