Research output: Contribution to journal › Article › peer-review
О термине con discrezione в музыке эпохи галантного маньеризма и классицизма. / Панов, Алексей Анатольевич; Розанов, Иван Васильевич.
In: Научный вестник Московской консерватории, Vol. 13, No. 3, 09.2022, p. 518-535.Research output: Contribution to journal › Article › peer-review
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TY - JOUR
T1 - О термине con discrezione в музыке эпохи галантного маньеризма и классицизма
AU - Панов, Алексей Анатольевич
AU - Розанов, Иван Васильевич
PY - 2022/9
Y1 - 2022/9
N2 - The article discusses the interpretation of the musical and performing term con discrezione and the role of the latter in the terminological system (terminosystem) of the musical culture in European countries during the era of gallant mannerism and classicism. In the process of analyzing numerous evidences from historical documents of that time — dictionaries and encyclopedias, methodical manuals and theoretical treatises, music publications — the authors arrived to the conclusion that contradictions in the interpretation of the meaning of the lexeme con discrezione by musicians of the 17 th century were gradually replaced by a synthesis understanding. In the theory and practice of musical art of the second half of the 18 th — first half of the 19 th century, the expression con discrezione is asserted as a polysemantic construction, the exact meaning of which is determined each time in strict dependence on the specific context. Besides the context, as the early musicians persistently emphasize, taste, knowledge and experience of practicing performers have a decisive significance here in both solo and ensemble playing.
AB - The article discusses the interpretation of the musical and performing term con discrezione and the role of the latter in the terminological system (terminosystem) of the musical culture in European countries during the era of gallant mannerism and classicism. In the process of analyzing numerous evidences from historical documents of that time — dictionaries and encyclopedias, methodical manuals and theoretical treatises, music publications — the authors arrived to the conclusion that contradictions in the interpretation of the meaning of the lexeme con discrezione by musicians of the 17 th century were gradually replaced by a synthesis understanding. In the theory and practice of musical art of the second half of the 18 th — first half of the 19 th century, the expression con discrezione is asserted as a polysemantic construction, the exact meaning of which is determined each time in strict dependence on the specific context. Besides the context, as the early musicians persistently emphasize, taste, knowledge and experience of practicing performers have a decisive significance here in both solo and ensemble playing.
KW - C. P. E. Bach
KW - Classical music
KW - D. G. Türk
KW - F. W. Marpurg
KW - H. Chr. Koch
KW - J. J. Quantz
KW - con discrezione
KW - musical lexicography
KW - musical terminology
KW - the interpretation of music
UR - http://www.scopus.com/inward/record.url?scp=85139179429&partnerID=8YFLogxK
UR - https://www.mendeley.com/catalogue/e818cb17-be71-34f2-987e-1a8b26deb413/
U2 - 10.26176/mosconsv.2022.50.3.04
DO - 10.26176/mosconsv.2022.50.3.04
M3 - статья
VL - 13
SP - 518
EP - 535
JO - Nauchnyy Vestnik Moskovskoy Konservatorii
JF - Nauchnyy Vestnik Moskovskoy Konservatorii
SN - 2079-9438
IS - 3
ER -
ID: 91309034