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О термине con discrezione в музыке эпохи галантного маньеризма и классицизма. / Панов, Алексей Анатольевич; Розанов, Иван Васильевич.

In: Научный вестник Московской консерватории, Vol. 13, No. 3, 09.2022, p. 518-535.

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@article{3d1f5f124ff84cf982a3f84665ba009a,
title = "О термине con discrezione в музыке эпохи галантного маньеризма и классицизма",
abstract = "The article discusses the interpretation of the musical and performing term con discrezione and the role of the latter in the terminological system (terminosystem) of the musical culture in European countries during the era of gallant mannerism and classicism. In the process of analyzing numerous evidences from historical documents of that time — dictionaries and encyclopedias, methodical manuals and theoretical treatises, music publications — the authors arrived to the conclusion that contradictions in the interpretation of the meaning of the lexeme con discrezione by musicians of the 17 th century were gradually replaced by a synthesis understanding. In the theory and practice of musical art of the second half of the 18 th — first half of the 19 th century, the expression con discrezione is asserted as a polysemantic construction, the exact meaning of which is determined each time in strict dependence on the specific context. Besides the context, as the early musicians persistently emphasize, taste, knowledge and experience of practicing performers have a decisive significance here in both solo and ensemble playing. ",
keywords = "C. P. E. Bach, Classical music, D. G. T{\"u}rk, F. W. Marpurg, H. Chr. Koch, J. J. Quantz, con discrezione, musical lexicography, musical terminology, the interpretation of music",
author = "Панов, {Алексей Анатольевич} and Розанов, {Иван Васильевич}",
year = "2022",
month = sep,
doi = "10.26176/mosconsv.2022.50.3.04",
language = "русский",
volume = "13",
pages = "518--535",
journal = "Nauchnyy Vestnik Moskovskoy Konservatorii",
issn = "2079-9438",
publisher = "Московская государственная консерватория",
number = "3",

}

RIS

TY - JOUR

T1 - О термине con discrezione в музыке эпохи галантного маньеризма и классицизма

AU - Панов, Алексей Анатольевич

AU - Розанов, Иван Васильевич

PY - 2022/9

Y1 - 2022/9

N2 - The article discusses the interpretation of the musical and performing term con discrezione and the role of the latter in the terminological system (terminosystem) of the musical culture in European countries during the era of gallant mannerism and classicism. In the process of analyzing numerous evidences from historical documents of that time — dictionaries and encyclopedias, methodical manuals and theoretical treatises, music publications — the authors arrived to the conclusion that contradictions in the interpretation of the meaning of the lexeme con discrezione by musicians of the 17 th century were gradually replaced by a synthesis understanding. In the theory and practice of musical art of the second half of the 18 th — first half of the 19 th century, the expression con discrezione is asserted as a polysemantic construction, the exact meaning of which is determined each time in strict dependence on the specific context. Besides the context, as the early musicians persistently emphasize, taste, knowledge and experience of practicing performers have a decisive significance here in both solo and ensemble playing.

AB - The article discusses the interpretation of the musical and performing term con discrezione and the role of the latter in the terminological system (terminosystem) of the musical culture in European countries during the era of gallant mannerism and classicism. In the process of analyzing numerous evidences from historical documents of that time — dictionaries and encyclopedias, methodical manuals and theoretical treatises, music publications — the authors arrived to the conclusion that contradictions in the interpretation of the meaning of the lexeme con discrezione by musicians of the 17 th century were gradually replaced by a synthesis understanding. In the theory and practice of musical art of the second half of the 18 th — first half of the 19 th century, the expression con discrezione is asserted as a polysemantic construction, the exact meaning of which is determined each time in strict dependence on the specific context. Besides the context, as the early musicians persistently emphasize, taste, knowledge and experience of practicing performers have a decisive significance here in both solo and ensemble playing.

KW - C. P. E. Bach

KW - Classical music

KW - D. G. Türk

KW - F. W. Marpurg

KW - H. Chr. Koch

KW - J. J. Quantz

KW - con discrezione

KW - musical lexicography

KW - musical terminology

KW - the interpretation of music

UR - http://www.scopus.com/inward/record.url?scp=85139179429&partnerID=8YFLogxK

UR - https://www.mendeley.com/catalogue/e818cb17-be71-34f2-987e-1a8b26deb413/

U2 - 10.26176/mosconsv.2022.50.3.04

DO - 10.26176/mosconsv.2022.50.3.04

M3 - статья

VL - 13

SP - 518

EP - 535

JO - Nauchnyy Vestnik Moskovskoy Konservatorii

JF - Nauchnyy Vestnik Moskovskoy Konservatorii

SN - 2079-9438

IS - 3

ER -

ID: 91309034