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Монументальность новой русской скульптуры. Эпизод 1: памятник князю Владимиру. / Kotlomanov, A. O.

In: Vestnik Sankt-Peterburgskogo Universiteta, Iskusstvovedenie, Vol. 7, No. 3, 2017, p. 342-359.

Research output: Contribution to journal › Article › peer-review

Harvard

Kotlomanov, AO 2017, 'Монументальность новой русской скульптуры. Эпизод 1: памятник князю Владимиру', Vestnik Sankt-Peterburgskogo Universiteta, Iskusstvovedenie, vol. 7, no. 3, pp. 342-359. https://doi.org/10.21638/11701/spbu15.2017.305

APA

Kotlomanov, A. O. (2017). Монументальность новой русской скульптуры. Эпизод 1: памятник князю Владимиру. Vestnik Sankt-Peterburgskogo Universiteta, Iskusstvovedenie, 7(3), 342-359. https://doi.org/10.21638/11701/spbu15.2017.305

Vancouver

Kotlomanov AO. Монументальность новой русской скульптуры. Эпизод 1: памятник князю Владимиру. Vestnik Sankt-Peterburgskogo Universiteta, Iskusstvovedenie. 2017;7(3):342-359. https://doi.org/10.21638/11701/spbu15.2017.305

Author

Kotlomanov, A. O. / Монументальность новой русской скульптуры. Эпизод 1: памятник князю Владимиру. In: Vestnik Sankt-Peterburgskogo Universiteta, Iskusstvovedenie. 2017 ; Vol. 7, No. 3. pp. 342-359.

BibTeX

@article{9a711a5da4fa42aab9b77e013aaaaa67,
title = "Монументальность новой русской скульптуры. Эпизод 1: памятник князю Владимиру",
abstract = "In connection with the erection of the monument to Vladimir the Great in Moscow, contemporary trends in historical monumentalization in Russia are considered, as well as similar processes in other countries. Traced is the history of the dominant monuments dedicated to outstanding historical figures. Key examples of the newest period are highlighted, among which religious monuments are emphasized. Also, in connection with Zurab Tsereteli's project of creating a colossal figure of Christ, analyzed are examples of sculptures in the form of a figurative super-monuments symbolizing the idea of the triumph of religion. The newest tendencies of monumentalization are proposed to be considered as a phenomenon characterizing the emergent crises in contemporary culture. Their number reflects the general symptomatology of the decline of the figurative method in art, the inertial stage of its evolution. Final conclusions are related to the formulation of the need to limit this process, to develop new criteria of, to recognize the problems of monumental sculpture in common international context. Refs 7. Figs 10.",
keywords = "Contemporary sculpture, Monumental sculpture, Public art, Russian sculpture, Urban sculpture, Zurab Tsereteli",
author = "Kotlomanov, {A. O.}",
year = "2017",
doi = "10.21638/11701/spbu15.2017.305",
language = "русский",
volume = "7",
pages = "342--359",
journal = " ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСКУССТВОВЕДЕНИЕ",
issn = "2221-3007",
publisher = "Издательство Санкт-Петербургского университета",
number = "3",

}

RIS

TY - JOUR

T1 - Монументальность новой русской скульптуры. Эпизод 1: памятник князю Владимиру

AU - Kotlomanov, A. O.

PY - 2017

Y1 - 2017

N2 - In connection with the erection of the monument to Vladimir the Great in Moscow, contemporary trends in historical monumentalization in Russia are considered, as well as similar processes in other countries. Traced is the history of the dominant monuments dedicated to outstanding historical figures. Key examples of the newest period are highlighted, among which religious monuments are emphasized. Also, in connection with Zurab Tsereteli's project of creating a colossal figure of Christ, analyzed are examples of sculptures in the form of a figurative super-monuments symbolizing the idea of the triumph of religion. The newest tendencies of monumentalization are proposed to be considered as a phenomenon characterizing the emergent crises in contemporary culture. Their number reflects the general symptomatology of the decline of the figurative method in art, the inertial stage of its evolution. Final conclusions are related to the formulation of the need to limit this process, to develop new criteria of, to recognize the problems of monumental sculpture in common international context. Refs 7. Figs 10.

AB - In connection with the erection of the monument to Vladimir the Great in Moscow, contemporary trends in historical monumentalization in Russia are considered, as well as similar processes in other countries. Traced is the history of the dominant monuments dedicated to outstanding historical figures. Key examples of the newest period are highlighted, among which religious monuments are emphasized. Also, in connection with Zurab Tsereteli's project of creating a colossal figure of Christ, analyzed are examples of sculptures in the form of a figurative super-monuments symbolizing the idea of the triumph of religion. The newest tendencies of monumentalization are proposed to be considered as a phenomenon characterizing the emergent crises in contemporary culture. Their number reflects the general symptomatology of the decline of the figurative method in art, the inertial stage of its evolution. Final conclusions are related to the formulation of the need to limit this process, to develop new criteria of, to recognize the problems of monumental sculpture in common international context. Refs 7. Figs 10.

KW - Contemporary sculpture

KW - Monumental sculpture

KW - Public art

KW - Russian sculpture

KW - Urban sculpture

KW - Zurab Tsereteli

UR - http://www.scopus.com/inward/record.url?scp=85034866119&partnerID=8YFLogxK

U2 - 10.21638/11701/spbu15.2017.305

DO - 10.21638/11701/spbu15.2017.305

M3 - статья

AN - SCOPUS:85034866119

VL - 7

SP - 342

EP - 359

JO - ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСКУССТВОВЕДЕНИЕ

JF - ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСКУССТВОВЕДЕНИЕ

SN - 2221-3007

IS - 3

ER -

ID: 11350258