Standard

Театр и костюмированный «театральный» портрет в России XVIII в. / Чежина, Ю. И.

In: ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. СЕРИЯ 2: ИСТОРИЯ, No. 2, 2006, p. 127-142.

Research output: Contribution to journal › Article › peer-review

Harvard

Чежина, ЮИ 2006, 'Театр и костюмированный «театральный» портрет в России XVIII в.', ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. СЕРИЯ 2: ИСТОРИЯ, no. 2, pp. 127-142.

APA

Чежина, Ю. И. (2006). Театр и костюмированный «театральный» портрет в России XVIII в. ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. СЕРИЯ 2: ИСТОРИЯ, (2), 127-142.

Vancouver

Чежина ЮИ. Театр и костюмированный «театральный» портрет в России XVIII в. ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. СЕРИЯ 2: ИСТОРИЯ. 2006;(2):127-142.

Author

Чежина, Ю. И. / Театр и костюмированный «театральный» портрет в России XVIII в. In: ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. СЕРИЯ 2: ИСТОРИЯ. 2006 ; No. 2. pp. 127-142.

BibTeX

@article{88b058348396477dbc4587260c4c3b4b,
title = "Театр и костюмированный «театральный» портрет в России XVIII в.",
abstract = "The apparance and development of the „theatrical{"} portrait asa variety offancyOdress images is strait connected with thegrowth of popularity ofscenic art and with pcculiaritics of its evolution in Russia in the XVIII ccntury. The analysis and comparison of the artistic material and historical sources allow us to come to the conclusion that general tendencies consist in transition from baroque to classicism both in theatrical production and painting. The XVIII century bents for allegory so performances and pictures often conceal a proclaiming or didactic sense.",
author = "Чежина, {Ю. И.}",
year = "2006",
language = "русский",
pages = "127--142",
journal = "ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСТОРИЯ",
issn = "1812-9323",
publisher = "Издательство Санкт-Петербургского университета",
number = "2",

}

RIS

TY - JOUR

T1 - Театр и костюмированный «театральный» портрет в России XVIII в.

AU - Чежина, Ю. И.

PY - 2006

Y1 - 2006

N2 - The apparance and development of the „theatrical" portrait asa variety offancyOdress images is strait connected with thegrowth of popularity ofscenic art and with pcculiaritics of its evolution in Russia in the XVIII ccntury. The analysis and comparison of the artistic material and historical sources allow us to come to the conclusion that general tendencies consist in transition from baroque to classicism both in theatrical production and painting. The XVIII century bents for allegory so performances and pictures often conceal a proclaiming or didactic sense.

AB - The apparance and development of the „theatrical" portrait asa variety offancyOdress images is strait connected with thegrowth of popularity ofscenic art and with pcculiaritics of its evolution in Russia in the XVIII ccntury. The analysis and comparison of the artistic material and historical sources allow us to come to the conclusion that general tendencies consist in transition from baroque to classicism both in theatrical production and painting. The XVIII century bents for allegory so performances and pictures often conceal a proclaiming or didactic sense.

UR - https://elibrary.ru/item.asp?id=21100141

M3 - статья

SP - 127

EP - 142

JO - ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСТОРИЯ

JF - ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА. ИСТОРИЯ

SN - 1812-9323

IS - 2

ER -

ID: 5116240