Standard

Harvard

APA

Vancouver

Author

BibTeX

@article{373f010655f841a393ef65b934559632,
title = "КОНФЕССИОНАЛЬНЫЕ АСПЕКТЫ АРХИТЕКТУРЫ ДЕРЕВЯННЫХ ПРОТЕСТАНТСКИХ КОСТЕЛОВ ВОСТОЧНОЙ ЕВРОПЫ XVII-XVIII ВЕКОВ",
abstract = "The article deals with the unique phenomenon of Protestant churches of the Peace, as well as «articular churches» of the middle of the 17th–18th centuries, built after the end of the Thirty Years{\textquoteright} War (1648) and the Sopron Seim (1681) in the Slavic lands of the Holy Roman Empire. Relative religious tolerance, on the one hand, and the harsh conditions in which the Protestant communities were placed among the Catholic majority, dictated the special specifics of the architecture of the wooden Protestant churches of the 1650–1770s in Swidnica, Jawor, Ke{\v z}marok, Hronsek, Le{\v s}tiny, Istebne, Sv{\"a}t{\'y} Kr{\'i}{\v z}. The main result of the study is the conclusion that the fundamental difference between «churches of the world» and «particular churches» from Catholic wooden churches lies not only in the cross-planned solution dictated by the well-known differences in the order of worship, but also in the very technique of wooden construction, which is unusual for the local East Slavic tradition. and more characteristic of North German wooden architecture. As a result, «articular» churches became a prominent phenomenon in the colorful and diverse cultural landscape of Eastern Europe. Having largely broken with local building traditions, these outstanding buildings significantly enriched the panorama of monuments of Protestant architecture of the 17th–18th centuries, which became a noticeable alternative to Catholic and Greek Catholic wooden construction. At the same time, they served the purposes of self-identification, when ethnic Poles or Slovaks who professed Protestantism and were in a minority, in every possible way through a different «architectural language», expressed in German or Scandinavian building technologies, tried to present their temple as a grandiose wooden «Noah{\textquoteright}s Ark», on which members of the community together make their voyage among the storms, anxieties and upheavals that filled the history of modern Europe.",
keywords = "Деревянная архитектура, Восточная Европа, костелы, протестантизм, Словакия, Польша, Eastern Europe, architecture, art, churches, identity, wooden architecture",
author = "Ходаковский, {Евгений Валентинович}",
year = "2023",
doi = "10.21638/spbu19.2023.105",
language = "русский",
volume = "33",
pages = "55--67",
journal = "Studia Slavica et Balcanica Petropolitana",
issn = "1995-848X",
publisher = "Издательство Санкт-Петербургского университета",
number = "1",

}

RIS

TY - JOUR

T1 - КОНФЕССИОНАЛЬНЫЕ АСПЕКТЫ АРХИТЕКТУРЫ ДЕРЕВЯННЫХ ПРОТЕСТАНТСКИХ КОСТЕЛОВ ВОСТОЧНОЙ ЕВРОПЫ XVII-XVIII ВЕКОВ

AU - Ходаковский, Евгений Валентинович

PY - 2023

Y1 - 2023

N2 - The article deals with the unique phenomenon of Protestant churches of the Peace, as well as «articular churches» of the middle of the 17th–18th centuries, built after the end of the Thirty Years’ War (1648) and the Sopron Seim (1681) in the Slavic lands of the Holy Roman Empire. Relative religious tolerance, on the one hand, and the harsh conditions in which the Protestant communities were placed among the Catholic majority, dictated the special specifics of the architecture of the wooden Protestant churches of the 1650–1770s in Swidnica, Jawor, Kežmarok, Hronsek, Leštiny, Istebne, Svätý Kríž. The main result of the study is the conclusion that the fundamental difference between «churches of the world» and «particular churches» from Catholic wooden churches lies not only in the cross-planned solution dictated by the well-known differences in the order of worship, but also in the very technique of wooden construction, which is unusual for the local East Slavic tradition. and more characteristic of North German wooden architecture. As a result, «articular» churches became a prominent phenomenon in the colorful and diverse cultural landscape of Eastern Europe. Having largely broken with local building traditions, these outstanding buildings significantly enriched the panorama of monuments of Protestant architecture of the 17th–18th centuries, which became a noticeable alternative to Catholic and Greek Catholic wooden construction. At the same time, they served the purposes of self-identification, when ethnic Poles or Slovaks who professed Protestantism and were in a minority, in every possible way through a different «architectural language», expressed in German or Scandinavian building technologies, tried to present their temple as a grandiose wooden «Noah’s Ark», on which members of the community together make their voyage among the storms, anxieties and upheavals that filled the history of modern Europe.

AB - The article deals with the unique phenomenon of Protestant churches of the Peace, as well as «articular churches» of the middle of the 17th–18th centuries, built after the end of the Thirty Years’ War (1648) and the Sopron Seim (1681) in the Slavic lands of the Holy Roman Empire. Relative religious tolerance, on the one hand, and the harsh conditions in which the Protestant communities were placed among the Catholic majority, dictated the special specifics of the architecture of the wooden Protestant churches of the 1650–1770s in Swidnica, Jawor, Kežmarok, Hronsek, Leštiny, Istebne, Svätý Kríž. The main result of the study is the conclusion that the fundamental difference between «churches of the world» and «particular churches» from Catholic wooden churches lies not only in the cross-planned solution dictated by the well-known differences in the order of worship, but also in the very technique of wooden construction, which is unusual for the local East Slavic tradition. and more characteristic of North German wooden architecture. As a result, «articular» churches became a prominent phenomenon in the colorful and diverse cultural landscape of Eastern Europe. Having largely broken with local building traditions, these outstanding buildings significantly enriched the panorama of monuments of Protestant architecture of the 17th–18th centuries, which became a noticeable alternative to Catholic and Greek Catholic wooden construction. At the same time, they served the purposes of self-identification, when ethnic Poles or Slovaks who professed Protestantism and were in a minority, in every possible way through a different «architectural language», expressed in German or Scandinavian building technologies, tried to present their temple as a grandiose wooden «Noah’s Ark», on which members of the community together make their voyage among the storms, anxieties and upheavals that filled the history of modern Europe.

KW - Деревянная архитектура

KW - Восточная Европа

KW - костелы

KW - протестантизм

KW - Словакия

KW - Польша

KW - Eastern Europe

KW - architecture

KW - art

KW - churches

KW - identity

KW - wooden architecture

UR - https://www.mendeley.com/catalogue/5a674e0f-9a93-31ee-affd-51293bfaa953/

U2 - 10.21638/spbu19.2023.105

DO - 10.21638/spbu19.2023.105

M3 - статья

VL - 33

SP - 55

EP - 67

JO - Studia Slavica et Balcanica Petropolitana

JF - Studia Slavica et Balcanica Petropolitana

SN - 1995-848X

IS - 1

ER -

ID: 114905975