TY - JOUR

T1 - «Нерукотворный памятник» Пушкина как поэтический храм Свободы в контексте идеологии российской имперской государственности и религиозной философии масонства

AU - Тантлевский, Игорь Романович

PY - 2023

Y1 - 2023

N2 - The article analyses the concept of “Alexandria column” in Pushkin’s Monument as a symbol of Russian imperial statehood and ideology edifice (“Alexandria” of Alexander I – by analogy with the pseudo-historical “Alexandria” of Alexander the Great) in opposition to the “non-handmade monument” created by Pushkin, which in light of religious philosophy of Russian Masonry and in correlation with Mk. 14:58 and 2Cor. 5:1 could be considered as a poetic temple of Freedom – “Alexandria” of Alexander Pushkin. In parallel to this, the article interprets the ideological and philosophical peculiarities of Pushkin’s interpretation of Peter the Great’s mission as the founder of the Russian Empire and St. Petersburg as the Fourth Rome, reflected in “The Bronze Horseman”. Particular attention is paid to the identification of certain aspects of the semantic field of Pushkin’s concept of “non-handmade” (hapax legomenon of the poet’s language) in comparison with its meanings in the sources, from which the term can be borrowed. The author also analyses Pushkin’s concept of freedom in correlation with the corresponding Russian Masonic views on freedom and the spiritual temple of freedom – world/universal and inner/individual. The author also considers the peculiarities of evolution of Pushkin’s idea of the inspiration of God in his works, first of all, in the comparison of his poems “The Prophet” and “The Monument”. The author concludes that Pushkin’s notion of true freedom, in correlation with his belief in the divine inspiration, is close to the corresponding concept of Joseph de Maistre, whose works were well known to the poet.

AB - The article analyses the concept of “Alexandria column” in Pushkin’s Monument as a symbol of Russian imperial statehood and ideology edifice (“Alexandria” of Alexander I – by analogy with the pseudo-historical “Alexandria” of Alexander the Great) in opposition to the “non-handmade monument” created by Pushkin, which in light of religious philosophy of Russian Masonry and in correlation with Mk. 14:58 and 2Cor. 5:1 could be considered as a poetic temple of Freedom – “Alexandria” of Alexander Pushkin. In parallel to this, the article interprets the ideological and philosophical peculiarities of Pushkin’s interpretation of Peter the Great’s mission as the founder of the Russian Empire and St. Petersburg as the Fourth Rome, reflected in “The Bronze Horseman”. Particular attention is paid to the identification of certain aspects of the semantic field of Pushkin’s concept of “non-handmade” (hapax legomenon of the poet’s language) in comparison with its meanings in the sources, from which the term can be borrowed. The author also analyses Pushkin’s concept of freedom in correlation with the corresponding Russian Masonic views on freedom and the spiritual temple of freedom – world/universal and inner/individual. The author also considers the peculiarities of evolution of Pushkin’s idea of the inspiration of God in his works, first of all, in the comparison of his poems “The Prophet” and “The Monument”. The author concludes that Pushkin’s notion of true freedom, in correlation with his belief in the divine inspiration, is close to the corresponding concept of Joseph de Maistre, whose works were well known to the poet.

KW - concept of “non-handedness”

KW - philosophy of Pushkin’s “Monument”

KW - the Freemason doctrine of the Temple of Freedom

KW - the imperial concept of Peter the Great in “The Bronze Horseman”

UR - https://pq.iphras.ru/article/view/8957

UR - https://www.mendeley.com/catalogue/d6d6f541-5132-3bbe-aa2a-3f9c0ee3b801/

U2 - 10.21146/0042-8744-2023-8-140-150

DO - 10.21146/0042-8744-2023-8-140-150

M3 - статья

SP - 140

EP - 150

JO - ВОПРОСЫ ФИЛОСОФИИ

JF - ВОПРОСЫ ФИЛОСОФИИ

SN - 0042-8744

IS - 8

ER -