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This paper analyzes Ingmar Bergman‘s Nattvardsgästerna through the prism of the works of Soren Kierkegaard. The paper argues that the key motif in Bergman’s film is the link between existential loneliness and divine silence.
Original languageRussian
Pages (from-to)26-28
JournalColloquium-journal
Issue number5-3 (57)
StatePublished - 2020
Externally publishedYes

    Research areas

  • Divine silence, existential loneliness, existentialism, Ingmar Bergman, Soren Kierkegaard, Ингмар Бергман, молчание Бога, одиночество, Сёрен Къеркегор, скандинавский кинематограф, экзистенциализм

ID: 78618906