Standard

О РОЛИ ИЛЛЮСТРАЦИЙ В КАТЕХИСТИЧЕСКИХ ТЕКСТАХ МАРТИНА ЛЮТЕРА. / Lurie, Zinaida; Tatti, Elena.

In: Srednie Veka, Vol. 82, No. 3, 2021, p. 91-112.

Research output: Contribution to journalArticlepeer-review

Harvard

APA

Vancouver

Author

BibTeX

@article{255a4abb917444df991dadca34773261,
title = "О РОЛИ ИЛЛЮСТРАЦИЙ В КАТЕХИСТИЧЕСКИХ ТЕКСТАХ МАРТИНА ЛЮТЕРА",
abstract = "The article examines illustrations in catechetical works of Martin Luther (the Large and Small Catechisms, the Prayer Book, and the Passional) of the 16th century. The authors analyzed 30 editions (20 editions of the Large and Small Catechisms and 10 editions of prayer books, excluding copies and identical reprints) from the collections of the National Library of Russia, the Bavarian State Library and the Duke Augustus Library. The illustrations for the catechisms were created in collaboration of the Wittenberg theologians, Melanchthon and Luther, with various artists and engravers. However, their approach to illustrations was quite different. Luther rather relied on the medieval tradition, striving only for the true Christian meanings generated by the images. Illustrations in the prayer book and the Passional as well as short titles in the Large and Short Catechism could be used both for meditation and narration. In his turn, Melanchthon developed innovative principles of interaction between text and image: moving through the visual range from general catechetical instructions to specific biblical examples. Such conception was conceived primarily for teaching. However, both types were combined in quite eclectic first editions of the Large and Small Catechisms. Illustrations were too random, some prints were doubled. Errors, however, wandered from publication to publication and even multiplied. However, in separate editions of the 16th century catechism, they tried to overcome these shortcomings. Duplicate images are replaced in the Augsburg, Leipzig, Magdeburg and Frankfurt editions. In addition, theologian Johann Spangeberg tried to expand the visual range of the catechism, enriching it with illustrations for the Creed section, based on the images of the Passional. Besides, there some editions of the second prayer book with illustrations in the catechetical part. There synthetic editions testify that images of catechetical texts were joint in the minds of contemporaries and formed so called «confessional imagination».",
keywords = "Albrecht D{\"u}rer, Catechism, Commandments, Johann Spangenberg, Lucas Cranach, Passionale, Philippe Melanchthon, Prayer Book, Rhau publishing house",
author = "Zinaida Lurie and Elena Tatti",
note = "Publisher Copyright: {\textcopyright} Srednie Veka 2021.",
year = "2021",
doi = "10.7868/S013878021030053",
language = "русский",
volume = "82",
pages = "91--112",
journal = "СРЕДНИЕ ВЕКА",
issn = "0131-8780",
publisher = "Издательство {"}Наука{"}",
number = "3",

}

RIS

TY - JOUR

T1 - О РОЛИ ИЛЛЮСТРАЦИЙ В КАТЕХИСТИЧЕСКИХ ТЕКСТАХ МАРТИНА ЛЮТЕРА

AU - Lurie, Zinaida

AU - Tatti, Elena

N1 - Publisher Copyright: © Srednie Veka 2021.

PY - 2021

Y1 - 2021

N2 - The article examines illustrations in catechetical works of Martin Luther (the Large and Small Catechisms, the Prayer Book, and the Passional) of the 16th century. The authors analyzed 30 editions (20 editions of the Large and Small Catechisms and 10 editions of prayer books, excluding copies and identical reprints) from the collections of the National Library of Russia, the Bavarian State Library and the Duke Augustus Library. The illustrations for the catechisms were created in collaboration of the Wittenberg theologians, Melanchthon and Luther, with various artists and engravers. However, their approach to illustrations was quite different. Luther rather relied on the medieval tradition, striving only for the true Christian meanings generated by the images. Illustrations in the prayer book and the Passional as well as short titles in the Large and Short Catechism could be used both for meditation and narration. In his turn, Melanchthon developed innovative principles of interaction between text and image: moving through the visual range from general catechetical instructions to specific biblical examples. Such conception was conceived primarily for teaching. However, both types were combined in quite eclectic first editions of the Large and Small Catechisms. Illustrations were too random, some prints were doubled. Errors, however, wandered from publication to publication and even multiplied. However, in separate editions of the 16th century catechism, they tried to overcome these shortcomings. Duplicate images are replaced in the Augsburg, Leipzig, Magdeburg and Frankfurt editions. In addition, theologian Johann Spangeberg tried to expand the visual range of the catechism, enriching it with illustrations for the Creed section, based on the images of the Passional. Besides, there some editions of the second prayer book with illustrations in the catechetical part. There synthetic editions testify that images of catechetical texts were joint in the minds of contemporaries and formed so called «confessional imagination».

AB - The article examines illustrations in catechetical works of Martin Luther (the Large and Small Catechisms, the Prayer Book, and the Passional) of the 16th century. The authors analyzed 30 editions (20 editions of the Large and Small Catechisms and 10 editions of prayer books, excluding copies and identical reprints) from the collections of the National Library of Russia, the Bavarian State Library and the Duke Augustus Library. The illustrations for the catechisms were created in collaboration of the Wittenberg theologians, Melanchthon and Luther, with various artists and engravers. However, their approach to illustrations was quite different. Luther rather relied on the medieval tradition, striving only for the true Christian meanings generated by the images. Illustrations in the prayer book and the Passional as well as short titles in the Large and Short Catechism could be used both for meditation and narration. In his turn, Melanchthon developed innovative principles of interaction between text and image: moving through the visual range from general catechetical instructions to specific biblical examples. Such conception was conceived primarily for teaching. However, both types were combined in quite eclectic first editions of the Large and Small Catechisms. Illustrations were too random, some prints were doubled. Errors, however, wandered from publication to publication and even multiplied. However, in separate editions of the 16th century catechism, they tried to overcome these shortcomings. Duplicate images are replaced in the Augsburg, Leipzig, Magdeburg and Frankfurt editions. In addition, theologian Johann Spangeberg tried to expand the visual range of the catechism, enriching it with illustrations for the Creed section, based on the images of the Passional. Besides, there some editions of the second prayer book with illustrations in the catechetical part. There synthetic editions testify that images of catechetical texts were joint in the minds of contemporaries and formed so called «confessional imagination».

KW - Albrecht Dürer

KW - Catechism

KW - Commandments

KW - Johann Spangenberg

KW - Lucas Cranach

KW - Passionale

KW - Philippe Melanchthon

KW - Prayer Book

KW - Rhau publishing house

UR - http://www.scopus.com/inward/record.url?scp=85131010780&partnerID=8YFLogxK

U2 - 10.7868/S013878021030053

DO - 10.7868/S013878021030053

M3 - статья

AN - SCOPUS:85131010780

VL - 82

SP - 91

EP - 112

JO - СРЕДНИЕ ВЕКА

JF - СРЕДНИЕ ВЕКА

SN - 0131-8780

IS - 3

ER -

ID: 97312051