This paper explores the theme of silence in the work of Swedish filmmaker Ingmar Bergman. It specifically isolates to kinds of silence in Bergman’s opus - divine and human. Ultimately the paper argues that human silence in Bergman’s work can be attributed to two main root causes: the inability of the human protagonists to find a language of expression as such, and/or the absence of a dialogue between human protagonists and the Divine, which the paper defines as the absence of a universal Truth within Bergman’s work.