In the article is examined the evolution of woman’s style in literature and the stylictic peculiarities of modern French literature, created by women. The syntactical peculiarities, but also the subject absolutes are analysed. The woman’s literature is presented in the article as a particular class of literature, remarkable by it’s artistic methods, connected with syntactical, lexical and semantic transformations. In the article many works of French and American researches and writers, interested in the problem od woman-writing are quoted. The identification of woman’s style in literature remains indefinite, but today, considered the specific features of woman’s style, it’s possible to establish that the woman’s literature presents the single class of literature.