The paper is devoted to the phenomenon of experience, as it exists and becomes handed over inside the human culture in general. The authors go out from the V. Melas’ concept of experience as a whole period of the soul life in unity of intellectual and emotional moments. The experience is a product of culture and its necessary moment, it emerges together with consciousness, because animals could have only spontaneous reactions but in no way temporal images. At the same time, experience becomes a kind of spending time activity. The whole three time modes of experience exist in the present time; however, completeness and integrity of experience are realized only in recollection. The experience-recollection exists in culture in the dialogue and objectivated artefacts. Art presents a good example of objectivation of experience. It is based on the imagination, also, it demonstrates the inner world of creator in systems of images, signs and symbols. As authors argue, art of painting expresses static of experience, w