The image of the town in the paintings of the 17-century Delft painting: The issue of genre synthesis

Результат исследований: Научные публикации в периодических изданияхстатьянаучная

Выдержка

The article examines the works of the Dutch artists of the 17th century Delft School of painting, which exemplify à synthesis of townscape painting and the daily-life genre. The topicality of this subject is due to the fact that it has not been developed sufficiently enough in historiography. The article’s scientific novelty lies in that it provides a detailed analysis of paintings based on the formal-stylistic and retrospective methods. Especial attention is given to the works of Carel Fabritius and Pieter de Hooch. The author comes to the conclusion that the paintings of the Delft artists are on the border of two genres - topographical townscape painting and the daily-life genre. In this context, they serve as the basis for the emergence of 18th century veduta painting.
Языканглийский
Страницы501-504
ЖурналMiddle-East Journal of Scientific Research
Номер выпуска19 (4)
СостояниеОпубликовано - 2014

Ключевые слова

    Цитировать

    @article{a0d5cbe438514c94a50b839507145d5b,
    title = "The image of the town in the paintings of the 17-century Delft painting: The issue of genre synthesis",
    abstract = "The article examines the works of the Dutch artists of the 17th century Delft School of painting, which exemplify {\`a} synthesis of townscape painting and the daily-life genre. The topicality of this subject is due to the fact that it has not been developed sufficiently enough in historiography. The article’s scientific novelty lies in that it provides a detailed analysis of paintings based on the formal-stylistic and retrospective methods. Especial attention is given to the works of Carel Fabritius and Pieter de Hooch. The author comes to the conclusion that the paintings of the Delft artists are on the border of two genres - topographical townscape painting and the daily-life genre. In this context, they serve as the basis for the emergence of 18th century veduta painting.",
    keywords = "Delft, 17th century, Dutch painting, townscape, Daily-life genre, Perspective, Genre synthesis",
    author = "Dmitrieva, {Anna Alekseevna}",
    year = "2014",
    language = "English",
    pages = "501--504",
    journal = "Middle East Journal of Scientific Research",
    issn = "1990-9233",
    publisher = "International Digital Organization for Scientific Information",
    number = "19 (4)",

    }

    The image of the town in the paintings of the 17-century Delft painting: The issue of genre synthesis. / Dmitrieva, Anna Alekseevna.

    В: Middle-East Journal of Scientific Research, № 19 (4), 2014, стр. 501-504.

    Результат исследований: Научные публикации в периодических изданияхстатьянаучная

    TY - JOUR

    T1 - The image of the town in the paintings of the 17-century Delft painting: The issue of genre synthesis

    AU - Dmitrieva, Anna Alekseevna

    PY - 2014

    Y1 - 2014

    N2 - The article examines the works of the Dutch artists of the 17th century Delft School of painting, which exemplify à synthesis of townscape painting and the daily-life genre. The topicality of this subject is due to the fact that it has not been developed sufficiently enough in historiography. The article’s scientific novelty lies in that it provides a detailed analysis of paintings based on the formal-stylistic and retrospective methods. Especial attention is given to the works of Carel Fabritius and Pieter de Hooch. The author comes to the conclusion that the paintings of the Delft artists are on the border of two genres - topographical townscape painting and the daily-life genre. In this context, they serve as the basis for the emergence of 18th century veduta painting.

    AB - The article examines the works of the Dutch artists of the 17th century Delft School of painting, which exemplify à synthesis of townscape painting and the daily-life genre. The topicality of this subject is due to the fact that it has not been developed sufficiently enough in historiography. The article’s scientific novelty lies in that it provides a detailed analysis of paintings based on the formal-stylistic and retrospective methods. Especial attention is given to the works of Carel Fabritius and Pieter de Hooch. The author comes to the conclusion that the paintings of the Delft artists are on the border of two genres - topographical townscape painting and the daily-life genre. In this context, they serve as the basis for the emergence of 18th century veduta painting.

    KW - Delft

    KW - 17th century

    KW - Dutch painting

    KW - townscape

    KW - Daily-life genre

    KW - Perspective

    KW - Genre synthesis

    M3 - Article

    SP - 501

    EP - 504

    JO - Middle East Journal of Scientific Research

    T2 - Middle East Journal of Scientific Research

    JF - Middle East Journal of Scientific Research

    SN - 1990-9233

    IS - 19 (4)

    ER -