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ORATORIO-TRILOGY OF HECTOR BERLIOZ 'THE CHILDHOOD OF CHRIST' - THE CONCEPT OF ETERNITY OF CHRISTIAN LOVE. / Азарова, В.В.

в: PHILHARMONICA. INTERNATIONAL MUSIC JOURNAL, № №2(4), 2015, стр. 1-96.

Результаты исследований: Научные публикации в периодических изданияхстатья

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Азарова, В.В. / ORATORIO-TRILOGY OF HECTOR BERLIOZ 'THE CHILDHOOD OF CHRIST' - THE CONCEPT OF ETERNITY OF CHRISTIAN LOVE. в: PHILHARMONICA. INTERNATIONAL MUSIC JOURNAL. 2015 ; № №2(4). стр. 1-96.

BibTeX

@article{b9f1095caced4017ad5cd5b7271d3b42,
title = "ORATORIO-TRILOGY OF HECTOR BERLIOZ 'THE CHILDHOOD OF CHRIST' - THE CONCEPT OF ETERNITY OF CHRISTIAN LOVE",
abstract = "The subject of research in this article is the vocal-symphonic concept of the oratorio-trilogy by Hector Berlioz “The Childhood of Christ” Op. 25, which is being viewed as a prime example of creative thought of that era (middle of XIX century), and being examined in form of analysis of musical composition, musical dramaturgy, fundamental plots and characters of Christianity, as well as emotional-psychological side of the musical content. Based on examination of the letters and M{\'e}moires of Hector Berlioz the article presents a hypothesis on the genesis of the creative concept of the oeuvre, and offers facts from the history of its creation and performance. The plot motifs of Berlioz{\textquoteright}s poetic libretto presented as units of the overall structure of the creative text. The author analyzes the particular aspects of the oratorio-theatrical embodiment of the space-time spiritual concept of eternity of Christian love, examines the fusion of spiritual and secular elements within the semantics of the creative text, give",
keywords = "Berlioz, oratorio-trilogy, vocal-symphonic concept, Childhood of Christ, eternity of Christian love, genre synthesis, agape, storge, Narrator, musical dramaturgy",
author = "В.В. Азарова",
year = "2015",
doi = "10.7256/2453-613X.2015.2.17032",
language = "English",
pages = "1--96",
journal = "PHILHARMONICA. INTERNATIONAL MUSIC JOURNAL",
issn = "1339-4002",
number = "№2(4)",

}

RIS

TY - JOUR

T1 - ORATORIO-TRILOGY OF HECTOR BERLIOZ 'THE CHILDHOOD OF CHRIST' - THE CONCEPT OF ETERNITY OF CHRISTIAN LOVE

AU - Азарова, В.В.

PY - 2015

Y1 - 2015

N2 - The subject of research in this article is the vocal-symphonic concept of the oratorio-trilogy by Hector Berlioz “The Childhood of Christ” Op. 25, which is being viewed as a prime example of creative thought of that era (middle of XIX century), and being examined in form of analysis of musical composition, musical dramaturgy, fundamental plots and characters of Christianity, as well as emotional-psychological side of the musical content. Based on examination of the letters and Mémoires of Hector Berlioz the article presents a hypothesis on the genesis of the creative concept of the oeuvre, and offers facts from the history of its creation and performance. The plot motifs of Berlioz’s poetic libretto presented as units of the overall structure of the creative text. The author analyzes the particular aspects of the oratorio-theatrical embodiment of the space-time spiritual concept of eternity of Christian love, examines the fusion of spiritual and secular elements within the semantics of the creative text, give

AB - The subject of research in this article is the vocal-symphonic concept of the oratorio-trilogy by Hector Berlioz “The Childhood of Christ” Op. 25, which is being viewed as a prime example of creative thought of that era (middle of XIX century), and being examined in form of analysis of musical composition, musical dramaturgy, fundamental plots and characters of Christianity, as well as emotional-psychological side of the musical content. Based on examination of the letters and Mémoires of Hector Berlioz the article presents a hypothesis on the genesis of the creative concept of the oeuvre, and offers facts from the history of its creation and performance. The plot motifs of Berlioz’s poetic libretto presented as units of the overall structure of the creative text. The author analyzes the particular aspects of the oratorio-theatrical embodiment of the space-time spiritual concept of eternity of Christian love, examines the fusion of spiritual and secular elements within the semantics of the creative text, give

KW - Berlioz

KW - oratorio-trilogy

KW - vocal-symphonic concept

KW - Childhood of Christ

KW - eternity of Christian love

KW - genre synthesis

KW - agape

KW - storge

KW - Narrator

KW - musical dramaturgy

U2 - 10.7256/2453-613X.2015.2.17032

DO - 10.7256/2453-613X.2015.2.17032

M3 - Article

SP - 1

EP - 96

JO - PHILHARMONICA. INTERNATIONAL MUSIC JOURNAL

JF - PHILHARMONICA. INTERNATIONAL MUSIC JOURNAL

SN - 1339-4002

IS - №2(4)

ER -

ID: 5817108