Traditions of Russian Religious Philosophy, “Universal Organizing Science” by A. A. Bogdanov and the Theory of Formbuilding in the Architectonic-Figurative Arts.

Переведенное название: Традиции русской религиозной философии, "Всеобщая организационная наука А. А. Богданова и теория формообразования в архитектонически-изобразительных искусствах

V. Vlasov

Результат исследований: Публикации в книгах, отчётах, сборниках, трудах конференцийстатья в сборнике

15 Цитирования (Scopus)

Аннотация

An attempt is made to relate the basics of traditional outlook and attitude, formulated in the works of Russian religious philosophers of the late XIX - early XX centuries, including an original thinker A. A. Bogdanov, the latest researches on the theory of composition and formbuilding in architectonic-figurative arts: architecture, painting, drawing, sculpture, decorative arts and design. Hailed by F. M. Dostoyevsky “global tenderness”, the idea of “overallunity” by V. S. Solovyev and other Russian thinkers make traditional basis of Russian culture. They suggest a willingness to learn from other peoples to assimilate cultural forms and convert them, giving them the latitude, scope, scale, which correspond to the spaces of Russia. The main features of Russian national character are constant desire and ability to promptly turn “foreign in own” and, in addition to their own discoveries, foreign borrowing also transform in the “primordial beginnings”, and privately ideas give universal content. A. A. Bogdanov (1873—1928) — one of the most original Russian thinkers of the twentieth century. He aspired to the system knowledge, which merged to achieve philosophy, economics, sociology, psychology, aesthetics, ethics and medicine. This is a true Russian maximalism and penance in science characteristic of the “golden age” of Russian culture. Bogdanov developed his own theory tectology, or “Universal organizational science”. In 1921—1924 in VHUTEMAS, Moscow, as in German Bauhaus, created a basic (preparatory) department, where read the total propaedeutic course of the “formal composition”. Its authors were V. A. Faworsky, P.Y. Pawlinow, K. N. Istomin, priest and philosopher P. A. Florensky. So, the activity of Russian thinkers — philosophers, theorists and practitioners of the art, once again converged West and East. And formbuilding ideas of classical Western European art got a very peculiar and fruitful development in the history of Russian art theory.
Язык оригиналаанглийский
Название основной публикацииSGEM Conferences on Social Sciences and Arts. Poster Lecture
Место публикацииAlbena. Sofia, Bulgaria
Глава6
Страницы363-370
Число страниц7
Том2
СостояниеОпубликовано - сен 2017

Предметные области Scopus

  • Гуманитарные науки и искусство (все)

Цитировать

Vlasov, V. (2017). Traditions of Russian Religious Philosophy, “Universal Organizing Science” by A. A. Bogdanov and the Theory of Formbuilding in the Architectonic-Figurative Arts. В SGEM Conferences on Social Sciences and Arts. Poster Lecture (Том 2, стр. 363-370). [44] Albena. Sofia, Bulgaria .