Russian Rhizome of American Modernism: Concerning the Problem of Henry Miller’s Anarchism

Переведенное название: РУССКИЕ КОРНИ АМЕРИКАНСКОГО МОДЕРНИЗМА: К ВОПРОСУ ОБ АНАРХИЗМЕ ГЕНРИ МИЛЛЕРА

Результат исследований: Научные публикации в периодических изданияхстатья

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The paper examines the way in which the completely different trend represented
by Henry Miller emerged within the framework of Anglo-American Modernism,
which was aimed at literature and focused on impersonality and the creation of
auto-reflexive texts (T.S. Eliot, E. Pound, J. Joyce). Having emigrated to France
in 1930, Miller found himself in the context of European Modernism; at the same
time, he worked on the novel "The Tropic of Cancer" and became a practiced
writer. He started to oppose Modernism and held the position of a literary layman.
Using the stylistic techniques of Modernism, Miller dealt not with the text but with
his own identity, following the traditions of Henry Thoreau and Walt Whitman.
This article attempts to prove that this interpretation of the use of literature, which
made Miller return to the basics of American literary art, was formed under the
influence of the ideas of Russian Anarchism, as well as those of Peter A. Kropotkin
and his American follower Emma Goldman, in particular. Their ideas about the
world, state, history, education and criticism of the bourgeois world dramatically
influenced Henry Miller.
Язык оригиналаанглийский
Страницы (с-по)164 - 183
Число страниц20
ЖурналЛИТЕРАТУРА ДВУХ АМЕРИК
Номер выпуска4
СостояниеОпубликовано - 2018

Ключевые слова

  • Henry Miller, Peter Kropotkin, Emma Goldman, Modernism, Anarchism.

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Russian Rhizome of American Modernism: Concerning the Problem of Henry Miller’s Anarchism. / Аствацатуров, Андрей Алексеевич; Войцеховская, Ольга Владимировна.

В: ЛИТЕРАТУРА ДВУХ АМЕРИК, № 4, 2018, стр. 164 - 183.

Результат исследований: Научные публикации в периодических изданияхстатья

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