Abstract

The article is devoted to the new literary and artistic project of Orhan Pamuk, including the novel «The Museum of Innocence», the museum exhibition «Museum of Innocence» and the exhibition catalog «The Innocence of objects» The authors of the article analyze the relationship between the texts of the project as well as their connection to the other texts of the writer. The conceptual integrity of the project is well represented by peripheral materials such as interviews, public lectures, critical reviews, etc. It can be concluded that the creativity of Orhan Pamuk has reached a new stage: the transition to the creation of hypertext with the use of conceptualism strategies.
Original languageEnglish
Pages (from-to)77-89
JournalSt. Petersburg Annual of Asian and African Studies
Volume2
Publication statusPublished - 2014

Fingerprint

Conceptual Art
Innocence
Orhan Pamuk
Integrity
Creativity
Conceptualism
Writer
Critical Review
Museum Exhibitions
Public Lectures
Exhibition Catalogue
Hypertext

Cite this

@article{cdc33ae0a58d40aeb1d54754b6af99a5,
title = "Conceptual art of Orhan Pamuk",
abstract = "The article is devoted to the new literary and artistic project of Orhan Pamuk, including the novel «The Museum of Innocence», the museum exhibition «Museum of Innocence» and the exhibition catalog «The Innocence of objects» The authors of the article analyze the relationship between the texts of the project as well as their connection to the other texts of the writer. The conceptual integrity of the project is well represented by peripheral materials such as interviews, public lectures, critical reviews, etc. It can be concluded that the creativity of Orhan Pamuk has reached a new stage: the transition to the creation of hypertext with the use of conceptualism strategies.",
keywords = "Orhan Pamuk, «The Museum of Innocence», hypertext, hyperreality, conceptual art, Sots Art (soviet Pop/Conceptual art), postmodernism, rhizome, mythologization, simulacrum.",
author = "А.В. Образцов and А.С. Сулейманова",
year = "2014",
language = "English",
volume = "2",
pages = "77--89",
journal = "St. Petersburg Annual of Asian and African Studies",
issn = "2198-2422",

}

TY - JOUR

T1 - Conceptual art of Orhan Pamuk

AU - Образцов, А.В.

AU - Сулейманова, А.С.

PY - 2014

Y1 - 2014

N2 - The article is devoted to the new literary and artistic project of Orhan Pamuk, including the novel «The Museum of Innocence», the museum exhibition «Museum of Innocence» and the exhibition catalog «The Innocence of objects» The authors of the article analyze the relationship between the texts of the project as well as their connection to the other texts of the writer. The conceptual integrity of the project is well represented by peripheral materials such as interviews, public lectures, critical reviews, etc. It can be concluded that the creativity of Orhan Pamuk has reached a new stage: the transition to the creation of hypertext with the use of conceptualism strategies.

AB - The article is devoted to the new literary and artistic project of Orhan Pamuk, including the novel «The Museum of Innocence», the museum exhibition «Museum of Innocence» and the exhibition catalog «The Innocence of objects» The authors of the article analyze the relationship between the texts of the project as well as their connection to the other texts of the writer. The conceptual integrity of the project is well represented by peripheral materials such as interviews, public lectures, critical reviews, etc. It can be concluded that the creativity of Orhan Pamuk has reached a new stage: the transition to the creation of hypertext with the use of conceptualism strategies.

KW - Orhan Pamuk

KW - «The Museum of Innocence»

KW - hypertext

KW - hyperreality

KW - conceptual art

KW - Sots Art (soviet Pop/Conceptual art)

KW - postmodernism

KW - rhizome

KW - mythologization

KW - simulacrum.

M3 - Article

VL - 2

SP - 77

EP - 89

JO - St. Petersburg Annual of Asian and African Studies

JF - St. Petersburg Annual of Asian and African Studies

SN - 2198-2422

ER -