"ОБРАЗ ВРАГА" И АТМОСФЕРА "ХОЛОДНОГО ПРОТИВОСТОЯНИЯ" В ЗАРУБЕЖНОМ КИНЕМАТОГРАФЕ 1960-1970-х гг.

Kirill Yudin, Кирилл Александрович Юдин

Research output: Contribution to journalArticle

Abstract

In an article based on the materials of foreign, mostly Anglo-American, media texts of the 1960s-1970s, an attempt is made to attribute the internal and external threat, danger and alienation as the main complex factors that generate an atmosphere of “cold confrontation”. The main types and forms of visual-cognitive manifestation and interpretation of otherness in the cinematic “hyper-reality” are analyzed in the historical-philosophical, cultural and cinematographic foreshortening. The author comes to the conclusion that the deduced conditional types of manifestations of alienness - the “alien-in-itself”, the “enemy-false-hero”, the “enemy-pragmatist» and their combinations can be used to reconstruct the national-state mutual perception and dynamics of collective memory in modern stage.
Original languageRussian
Pages (from-to)178-194
JournalДИАЛОГ СО ВРЕМЕНЕМ
Issue number67
StatePublished - 2019
Externally publishedYes

Keywords

  • "cold war"
  • "enemy image"
  • "hyperreality"
  • "гиперреальность"
  • "Образ врага"
  • "Холодная война"
  • cognitive science
  • collective memory
  • foreign cinematography
  • mediatext
  • зарубежный кинематограф
  • когнитивистика
  • коллективная память
  • медиатекст

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