ОБРАЗНЫЕ ВАРИАНТЫ И КОМПОЗИЦИОННЫЕ ВАРИАЦИИ В КОМЕДИИ А. ВАМПИЛОВА "ПРОЩАНИЕ В ИЮНЕ".

Ольга Владимировна Богданова, Валентина Александровна Тихоненко

Research output: Contribution to journalArticle

Abstract

The article examines A. Vampilov’s comedy “Farewell in June” and offers a new approach to studying Vampilov’s text - the analysis of the system of motives, identification of the inter-textual layer of the narration, new interpretation of the image-bearing and compositional structure of the play. The authors show that Vampilov’s early (the first multi-act) drama is obviously of “post Aksenov” nature - the main character, student Kolesov, implements all the features of a “star boy”. But Vampilov’s play represents important image-motive and structural-compositional features, which distinguished late “Vampilov’s theatre”. Paired characters, double-gangers, echo motives, echo situations, echo conflicts typical of “Farewell in June” are an indication of the dramatist’s early creative search, when bipolarity and dichotomy compensate for the complexity of an artistic image.
Original languageRussian
Pages (from-to)12-17
JournalФИЛОЛОГИЧЕСКИЕ НАУКИ. ВОПРОСЫ ТЕОРИИ И ПРАКТИКИ
Volume12
Issue number6
StatePublished - 2019
Externally publishedYes

Keywords

  • Alexander Vampilov
  • comedy "Farewell in June"
  • intertext
  • russian literature of the XX century
  • system of motives
  • variants and variations
  • Александр Вампилов
  • варианты и вариации
  • интертекст
  • комедия "Прощание в июне"
  • мотивная система
  • русская литература ХХ века

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